A pleasant B-film action experience.
Sep 28, 2023 • Subscribe
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Ninja vs Shark (妖獣綺譚 ニンジャVSシャーク, Koichi Sakamoto, 2023)
A small village is plagued by giant sharks and an evil devil-worshipping clan in Koichi Sakamoto’s fedual-era monster movie.
Ripples (2023) review [Camera Japan Festival]
With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the…
Tea Friends (2023) review [Camera Japan festival]
Sotoyama investigates, in a very touching way, the radical discordance between the societal field and the elderly subject.
Natchan’s little Secret (2023) review [Camera Japan Festival 2023]
Introduction More and more directors take the opportunity to explore the complex dimensions of sexuality within the Japanese societal field within their films. In recent years, more films…
Afternoon Angler’s club (2023) Review [Camera Japan Festival]
Hideo Jojo’s heartwarming tale of subjective growth and salt-water fishing is a pleasant watch.
Is This Heaven? (2023) review [Camera Japan Festival]
An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin
Camera Japan Announces Complete Programme for 2023
In Rotterdam 21st to 24th September and Amsterdam 28th September to 1st October
Love Will Tear Us Apart (2023) review [Camera Japan Festival]
A narrative that blows a refreshing wind in both the slasher and the romance genre.
Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]
Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that…
Closet (2020) review [Camera Japan Festival]
“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”
Straying (2022) review [Camera Japan 2022]
A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…
Bushido (2024) review [Camera Japan Festival]
Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.
Alivehoon (2022) review [Camera Japan Festival]
Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…
Bad City (2022) review [Camera Japan Festival]
Sonamura delivers everything one expects from an action-thriller.
Riverside Mukolitta (2022) review [Camera Japan Festival]
A highly touching narrative about re-finding social life.
Prior Convictions (2022) review [Camera Japan Festival]
“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”
Nagi’s Island (2022) review [Camera Japan Festival]
The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every…
Between Us (2021) review [Camera Japan Festival]
“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”
Remain in Twilight (2021) review [Camera Japan Festival]
“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”
Let’s Go Karaoke (2024) review [Camera Japan Festival]
This is perfect film for anyone who, after a long day full of struggles, wants to sit in a comfy chair and relax.
The Box Man (2024) review [Camera Japan Festival]
An incredible satisfying cinematic experience, one that enthrals the spectator from start to finish
I Never Shot Anyone (2020) review [Camera Japan Festival]
“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”
Shrieking In The Rain (2021) review [Camera Japan Festival]
“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”
It’s a summer film (2021) review [Camera Japan Festival]
“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…
Eternally Younger Than Those Idiots (2021) review [Camera Japan Festival]
A narrative that, due to its elegant engendering of genuine emotions, offers a touching exploration of the subjective obstacles that complicate the subject’s coming-into-being and his inter-persona…
It’s All My Fault (2022) review [Camera Japan Festival 2022]
A touching narrative that explores how difficult it is for subject to assume a place for himself, a place from where he/she can desire, without the structuring influence…
Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]
Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.
Camera Japan Announces Complete Programme for 2024
In Rotterdam 26th to 29th September and Amsterdam 3rd to 6th October
Camera Japan Announces Complete Programme for 2022
In Rotterdam Sept. 22 to 25 and Amsterdam Sept. 29 to Oct. 2.
Camera Japan Announces Complete Programme for 2021
Runs in Rotterdam 23rd to 26th September & in Amsterdam 30th September to 3rd October
Plastic (2023) review [Japan Cuts 2023]
Miyazaki creates a moody narrative that highlights the equivocal functionality of music for the subject as well as the destructive impact of not being able to create an…
Winny (2023) review [Japan Cuts 2023]
Matsumoto offers a serene insight in how the Other of the law curtails a subject and, indirectly, sabotages the prospects of a new industry.
Single8 (2023) review [Japan Cuts 2023]
Konaka offers the spectator a heartwarming invitation to re-find, within oneself, one’s (nearly extinguished) passion for creation.
Captain Shark
Robot mode Battleship mode Battle Tank mode Robot mode Battleship mode Battle Tank mode General Information Unit type: robotHeight: 20.2 meters (Robot mode)Length: 42.5 meters (Battleship and Battle…
NINJA STALKER! REVIEW
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The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]
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Japan Nature Caught On Camera! A Chat w Japan Trail Cam | Japan Station 102
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Kubi (2023) review [Japan Cuts 2024]
One of best period dramas in recent years.
Amiko (2022) review [Japan Cuts 2023]
A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as…
Hand (2022) review [Japan Cuts 2023]
Matsui avoids delivering an exploitative erotic piece merely to be enjoyed by male audiences.
My Journal, Page 45, 30 March 2023 – The Ultimate Ninja Challenge? – Ninja Golf
In Ninja Golf you are an apprentice ninja, and your training has finally come to an end. At long last, after lengthy and rough training, it’s time for…
Best Wishes To All (2023) review [Japan Cuts 2023]
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Spiraken Movie Review Ep 98: Ninja Assassin (or Ninja Vanish)
In this episode of Spiraken Movie Review, Baz and Xan geek out over their love on Ninja movies as they review the 2009 Ninja action movie, Ninja Assassin…
Card Shark Launch Trailer
Ace-in-the-hole developer Nerial (Reigns) and poker-faced publisher Devolver Digital have unveiled the launch trailer of their 18th Century European tale of deception, Card Shark! Card Shark releases on…
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In Ninja Golf sei un apprendista ninja e il tuo addestramento è finalmente giunto al termine. Finalmente, dopo un lungo e duro allenamento, è arrivato il momento di…
461 Days of Bento: A Promise Between Father and Son (2020) review [Camera Japan Festival]
“A heartwarming narrative that does not only affirm that food is what brings people together, but also that the very act of preparing food, in many cases, functions…