With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the hidden broiling subjective discord …
Oct 16, 2023 • Subscribe
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Sotoyama investigates, in a very touching way, the radical discordance between the societal field and the elderly subject.
Natchan’s little Secret (2023) review [Camera Japan Festival 2023]
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Hideo Jojo’s heartwarming tale of subjective growth and salt-water fishing is a pleasant watch.
Is This Heaven? (2023) review [Camera Japan Festival]
An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin
Bushido (2024) review [Camera Japan Festival]
Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.
Alivehoon (2022) review [Camera Japan Festival]
Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…
Closet (2020) review [Camera Japan Festival]
“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”
Love Will Tear Us Apart (2023) review [Camera Japan Festival]
A narrative that blows a refreshing wind in both the slasher and the romance genre.
Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]
Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that…
Prior Convictions (2022) review [Camera Japan Festival]
“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”
Riverside Mukolitta (2022) review [Camera Japan Festival]
A highly touching narrative about re-finding social life.
Nagi’s Island (2022) review [Camera Japan Festival]
The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every…
Between Us (2021) review [Camera Japan Festival]
“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”
Bad City (2022) review [Camera Japan Festival]
Sonamura delivers everything one expects from an action-thriller.
Remain in Twilight (2021) review [Camera Japan Festival]
“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”
The Box Man (2024) review [Camera Japan Festival]
An incredible satisfying cinematic experience, one that enthrals the spectator from start to finish
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This is perfect film for anyone who, after a long day full of struggles, wants to sit in a comfy chair and relax.
Ninja Vs Shark (2023) review [Camera Japan 2023]
A pleasant B-film action experience.
It’s a summer film (2021) review [Camera Japan Festival]
“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…
Shrieking In The Rain (2021) review [Camera Japan Festival]
“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”
I Never Shot Anyone (2020) review [Camera Japan Festival]
“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”
Eternally Younger Than Those Idiots (2021) review [Camera Japan Festival]
A narrative that, due to its elegant engendering of genuine emotions, offers a touching exploration of the subjective obstacles that complicate the subject’s coming-into-being and his inter-persona…
Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]
Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.
It’s All My Fault (2022) review [Camera Japan Festival 2022]
A touching narrative that explores how difficult it is for subject to assume a place for himself, a place from where he/she can desire, without the structuring influence…
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“A satisfying sequel that fans of Fable’s first outing should not pass this up.”
Straying (2022) review [Camera Japan 2022]
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461 Days of Bento: A Promise Between Father and Son (2020) review [Camera Japan Festival]
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Winny (2023) review [Japan Cuts 2023]
Matsumoto offers a serene insight in how the Other of the law curtails a subject and, indirectly, sabotages the prospects of a new industry.
Plastic (2023) review [Japan Cuts 2023]
Miyazaki creates a moody narrative that highlights the equivocal functionality of music for the subject as well as the destructive impact of not being able to create an…
Single8 (2023) review [Japan Cuts 2023]
Konaka offers the spectator a heartwarming invitation to re-find, within oneself, one’s (nearly extinguished) passion for creation.
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Hand (2022) review [Japan Cuts 2023]
Matsui avoids delivering an exploitative erotic piece merely to be enjoyed by male audiences.
Amiko (2022) review [Japan Cuts 2023]
A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as…
Kubi (2023) review [Japan Cuts 2024]
One of best period dramas in recent years.
Best Wishes To All (2023) review [Japan Cuts 2023]
A surprisingly satisfying horror-narrative
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