Anime Blog Tracker

Love Will Tear Us Apart (ラヴ・ウィル・テア・アス・アパート, Kenichi Ugana, 2023)

A young woman finds herself confronted by a chainsaw-wielding maniac who may have her best interests at heart in Kenichi Ugana’s ironic horror romance.

Windows on Worlds

Oct 12, 2023 • Subscribe

Between Us (2021) review [Camera Japan Festival]

“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”

psycho-cinematography

Sep 30, 2021 • Subscribe

Ripples (2023) review [Camera Japan Festival]

With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the…

psycho-cinematography

Oct 16, 2023 • Subscribe

Tea Friends (2023) review [Camera Japan festival]

Sotoyama investigates, in a very touching way, the radical discordance between the societal field and the elderly subject.

psycho-cinematography

Oct 3, 2023 • Subscribe

Natchan’s little Secret (2023) review [Camera Japan Festival 2023]

Introduction More and more directors take the opportunity to explore the complex dimensions of sexuality within the Japanese societal field within their films. In recent years, more films…

psycho-cinematography

Sep 21, 2023 • Subscribe

Is This Heaven? (2023) review [Camera Japan Festival]

An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin

psycho-cinematography

Oct 1, 2023 • Subscribe

Alivehoon (2022) review [Camera Japan Festival]

Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…

psycho-cinematography

Sep 20, 2022 • Subscribe

Closet (2020) review [Camera Japan Festival]

“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”

psycho-cinematography

Oct 3, 2021 • Subscribe

Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]

Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that…

psycho-cinematography

Oct 9, 2023 • Subscribe

Nagi’s Island (2022) review [Camera Japan Festival]

The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every…

psycho-cinematography

Sep 26, 2022 • Subscribe

Riverside Mukolitta (2022) review [Camera Japan Festival]

A highly touching narrative about re-finding social life.

psycho-cinematography

Sep 29, 2022 • Subscribe

Prior Convictions (2022) review [Camera Japan Festival]

“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”

psycho-cinematography

Sep 23, 2022 • Subscribe

Bad City (2022) review [Camera Japan Festival]

Sonamura delivers everything one expects from an action-thriller.

psycho-cinematography

Oct 2, 2022 • Subscribe

Remain in Twilight (2021) review [Camera Japan Festival]

“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”

psycho-cinematography

Sep 26, 2021 • Subscribe

How INXS and the Song ‘Never Tear Us Apart’ Embodies Australian Music Culture

NB: This post has remained unedited since its initial submission in content to my university as part of my undergraduate program. Changes have been made to paragraph spacing…

The Spooky Red Head Blog

Mar 30, 2023 • Subscribe

Ninja Vs Shark (2023) review [Camera Japan 2023]

A pleasant B-film action experience.

psycho-cinematography

Sep 28, 2023 • Subscribe

Kanon

Shrieking In The Rain (2021) review [Camera Japan Festival]

“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”

psycho-cinematography

Jul 20, 2023 • Subscribe

I Never Shot Anyone (2020) review [Camera Japan Festival]

“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”  

psycho-cinematography

Sep 29, 2021 • Subscribe

It’s a summer film (2021) review [Camera Japan Festival]

“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…

psycho-cinematography

Sep 21, 2021 • Subscribe

Kirara

Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]

Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.

psycho-cinematography

Dec 10, 2022 • Subscribe

It’s All My Fault (2022) review [Camera Japan Festival 2022]

A touching narrative that explores how difficult it is for subject to assume a place for himself, a place from where he/she can desire, without the structuring influence…

psycho-cinematography

Sep 17, 2022 • Subscribe

Eternally Younger Than Those Idiots (2021) review [Camera Japan Festival]

A narrative that, due to its elegant engendering of genuine emotions, offers a touching exploration of the subjective obstacles that complicate the subject’s coming-into-being and his inter-persona…

psycho-cinematography

Feb 20, 2023 • Subscribe

Camera Japan Announces Complete Programme for 2023

In Rotterdam 21st to 24th September and Amsterdam 28th September to 1st October

Windows on Worlds

Sep 21, 2023 • Subscribe

The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]

“A satisfying sequel that fans of Fable’s first outing should not pass this up.”   

psycho-cinematography

Sep 23, 2021 • Subscribe

Straying (2022) review [Camera Japan 2022]

A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…

psycho-cinematography

Sep 14, 2022 • Subscribe

461 Days of Bento: A Promise Between Father and Son (2020) review [Camera Japan Festival]

“A heartwarming narrative that does not only affirm that food is what brings people together, but also that the very act of preparing food, in many cases, functions…

psycho-cinematography

Oct 7, 2021 • Subscribe

Korea Independent Animation Festival 2023 in Japan

A look at the films and talks that will be screened online at the Korea Independent Animation Festival 2023 – available to viewers in Japan

Genkinahito

Apr 12, 2023 • Subscribe

Interview with Ilya Kuvshinov [Japan Tours Festival 2023]

The post Interview with Ilya Kuvshinov [Japan Tours Festival 2023] appeared first on Full Frontal.

Full Frontal

Jul 12, 2023 • Subscribe

Cyberpunk: Edgerunners

Camera Japan Announces Complete Programme for 2021

Runs in Rotterdam 23rd to 26th September & in Amsterdam 30th September to 3rd October

Windows on Worlds

Sep 1, 2021 • Subscribe

Camera Japan Announces Complete Programme for 2022

In Rotterdam Sept. 22 to 25 and Amsterdam Sept. 29 to Oct. 2.

Windows on Worlds

Sep 24, 2022 • Subscribe

Single8 (2023) review [Japan Cuts 2023]

Konaka offers the spectator a heartwarming invitation to re-find, within oneself, one’s (nearly extinguished) passion for creation.

psycho-cinematography

Aug 16, 2023 • Subscribe

Winny (2023) review [Japan Cuts 2023]

Matsumoto offers a serene insight in how the Other of the law curtails a subject and, indirectly, sabotages the prospects of a new industry.

psycho-cinematography

Aug 5, 2023 • Subscribe

Plastic (2023) review [Japan Cuts 2023]                

Miyazaki creates a moody narrative that highlights the equivocal functionality of music for the subject as well as the destructive impact of not being able to create an…

psycho-cinematography

Aug 19, 2023 • Subscribe

Review: Tainted Love (2023)

Tainted Love 鹦鹉杀 China, 2023, colour, 2.35:1, 100 mins. Director: Ma Yingxin 麻赢心. Rating: 4/10. Ambitious but stylistically messy drama about a woman who hunts down her online…

Sino-Cinema 《神州电影》

Oct 11, 2023 • Subscribe

Japan Nature Caught On Camera! A Chat w Japan Trail Cam | Japan Station 102

On this episode of the Japan Station podcast, we talk to Wombat, one of the creators of Japan Trail Cam. About Wuon-Gean Ho Wombat spends his day in…

Japan Station: A Podcast About Japan by JapanKyo.com

Nov 15, 2022 • Subscribe

Love & Japan

Be honest, how many times have you dreamt or thought of one day potentially having a Japanese girlfriend or boyfriend? I know that I have many times before…

That Baka Blog

Jun 19, 2019 • Subscribe

Moriarty Fell Apart

Remember the first cour of Moriarty: The Patriot? That grounded show about a genius that actually felt like a genius by the name of William Moriarty destroying individual…

Mechanical Anime Reviews

Jul 17, 2021 • Subscribe

Hyper Japan Festival, London 2022

For three days in late July, Battersea Park in London England was taken over by Japan. I’m talking about the Hyper Japan Festival, of course! Going strong since…

Beneath the Tangles

Sep 7, 2022 • Subscribe

Sankarea: Undying Love (Volume 9) – Lights, Camera, Resurrection!

Salva was defeated, leaving Chihiro and Rea to return home. Grandpa stayed behind to clean up his mess and promised to return to tell Chihiro everything. His current…

The Otaku Author

Dec 17, 2022 • Subscribe

Sankarea

Strike Witches: The Sky That Connects Us (Volume 1) – Separated… But Never Apart!

After the victory over the skies of Gallia, the 501st Strike Witches was disbanded. However, no matter how far apart to they are, they will always be together.…

The Otaku Author

May 25, 2023 • Subscribe

Strike Witches

Final Voting for the Anime Caitlin Glass Will Review for Us!

Last week, we asked you to help decide the anime finalists for a special project we’re doing with voice actress and ADR director, Caitlin Glass. Well, the votes…

Beneath the Tangles

May 16, 2020 • Subscribe

HAIKYU!!, The Ancient Magus' Bride

Hand (2022) review [Japan Cuts 2023]

Matsui avoids delivering an exploitative erotic piece merely to be enjoyed by male audiences.

psycho-cinematography

Aug 22, 2023 • Subscribe

Amiko (2022) review [Japan Cuts 2023]

A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as…

psycho-cinematography

Jan 23, 2024 • Subscribe

Review: Love Never Ends (2023)

Love Never Ends 我爱你！ China, 2023, colour, 2.35:1, 114 mins. Director: Han Yan 韩延. Rating: 5/10. Initially offbeat oldies rom-com becomes more and more generic as it progresses,…

Sino-Cinema 《神州电影》

Nov 28, 2023 • Subscribe

Japan Cuts 2018 Film Festival at the Japan Society

This past few weeks I  volunteered for the Japan Society Film Department’s annual Japan Cuts film festival, which screens a host of new Japanese blockbusters, avant-garde films, and…

踊る猿life is kyōgen

Aug 3, 2018 • Subscribe

Hyper Japan Festival London 2022 Details

The good folks from Hyper Japan have sent us details of their festival for this year. Set to run from Friday 22nd to Sunday 24th July 2022, ...

Otaku News - World Edition

Jun 14, 2022 • Subscribe

Yomu in Japan: Cultural Festival Edition

All right, I’ve been dragging my feet a bit in regards to writing this post. It’s actually been a little over a month now, as the cultural festival…

Umai Yomu Anime Blog

Nov 1, 2020 • Subscribe

Best Wishes To All (2023) review [Japan Cuts 2023]

A surprisingly satisfying horror-narrative

psycho-cinematography

Dec 3, 2023 • Subscribe

Love, Live, and Goldfish (2021) review [Fantasia Film Festival]

“While Makabe’s narrative does not offer anything truly new or groundbreaking, what it does brings to the table is served with excellence.”

psycho-cinematography

Aug 6, 2021 • Subscribe

Girl from Phantasia

Osaka Asian Film Festival 2023

 For the second year in a row, the Heroic Purgatory podcast is covering the Osaka Asian Film Festival (OAFF) which took place between March 10 and March 19.…

Heroic Purgatory

Mar 21, 2023 • Subscribe