It’s a summer film (2021) review [Camera Japan Festival] by psycho-cinematography / Anime Blog Tracker

Between Us (2021) review [Camera Japan Festival]

“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”

psycho-cinematography

Sep 30, 2021 • Subscribe

Remain in Twilight (2021) review [Camera Japan Festival]

“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”

psycho-cinematography

Sep 26, 2021 • Subscribe

It’s All My Fault (2022) review [Camera Japan Festival 2022]

A touching narrative that explores how difficult it is for subject to assume a place for himself, a place from where he/she can desire, without the structuring influence…

psycho-cinematography

Sep 17, 2022 • Subscribe

Shrieking In The Rain (2021) review [Camera Japan Festival]

“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”

psycho-cinematography

Jul 20, 2023 • Subscribe

Bushido (2024) review [Camera Japan Festival]

Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.

psycho-cinematography

Sep 30, 2024 • Subscribe

Alivehoon (2022) review [Camera Japan Festival]

Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…

psycho-cinematography

Sep 20, 2022 • Subscribe

Ripples (2023) review [Camera Japan Festival]

With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the…

psycho-cinematography

Oct 16, 2023 • Subscribe

Closet (2020) review [Camera Japan Festival]

“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”

psycho-cinematography

Oct 3, 2021 • Subscribe

Eternally Younger Than Those Idiots (2021) review [Camera Japan Festival]

A narrative that, due to its elegant engendering of genuine emotions, offers a touching exploration of the subjective obstacles that complicate the subject’s coming-into-being and his inter-persona…

psycho-cinematography

Feb 20, 2023 • Subscribe

Prior Convictions (2022) review [Camera Japan Festival]

“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”

psycho-cinematography

Sep 23, 2022 • Subscribe

Riverside Mukolitta (2022) review [Camera Japan Festival]

A highly touching narrative about re-finding social life.

psycho-cinematography

Sep 29, 2022 • Subscribe

Nagi’s Island (2022) review [Camera Japan Festival]

The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every…

psycho-cinematography

Sep 26, 2022 • Subscribe

Bad City (2022) review [Camera Japan Festival]

Sonamura delivers everything one expects from an action-thriller.

psycho-cinematography

Oct 2, 2022 • Subscribe

Tea Friends (2023) review [Camera Japan festival]

Sotoyama investigates, in a very touching way, the radical discordance between the societal field and the elderly subject.

psycho-cinematography

Oct 3, 2023 • Subscribe

Afternoon Angler’s club (2023) Review [Camera Japan Festival]

Hideo Jojo’s heartwarming tale of subjective growth and salt-water fishing is a pleasant watch.

psycho-cinematography

Oct 3, 2024 • Subscribe

Is This Heaven? (2023) review [Camera Japan Festival]

An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin

psycho-cinematography

Oct 1, 2023 • Subscribe

The Box Man (2024) review [Camera Japan Festival]

An incredible satisfying cinematic experience, one that enthrals the spectator from start to finish

psycho-cinematography

Oct 7, 2024 • Subscribe

Let’s Go Karaoke (2024) review [Camera Japan Festival]

This is perfect film for anyone who, after a long day full of struggles, wants to sit in a comfy chair and relax.

psycho-cinematography

Oct 13, 2024 • Subscribe

The End of Summer Film – It’s a Summer Film!

I’m only a touch late regarding talking about JFF Theater films. They’ve only been up for over a month, with two of them leaving streaming by the end…

Phoenix Talks Pop Culture Japan

Sep 18, 2024 • Subscribe

The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]

“A satisfying sequel that fans of Fable’s first outing should not pass this up.”

psycho-cinematography

Sep 23, 2021 • Subscribe

I Never Shot Anyone (2020) review [Camera Japan Festival]

“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”

psycho-cinematography

Sep 29, 2021 • Subscribe

Natchan’s little Secret (2023) review [Camera Japan Festival 2023]

Introduction More and more directors take the opportunity to explore the complex dimensions of sexuality within the Japanese societal field within their films. In recent years, more films…

psycho-cinematography

Sep 21, 2023 • Subscribe

Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]

Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.

psycho-cinematography

Dec 10, 2022 • Subscribe

Love Will Tear Us Apart (2023) review [Camera Japan Festival]

A narrative that blows a refreshing wind in both the slasher and the romance genre.

psycho-cinematography

Sep 25, 2023 • Subscribe

Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]

Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that…

psycho-cinematography

Oct 9, 2023 • Subscribe

Tokyo Revengers (2021) Review [Fantasia Film Festival]

“An exciting blend of satisfying violence, tensive moments, surges of pleasing lightheartedness, and touching emotional moments.”

psycho-cinematography

Aug 16, 2021 • Subscribe

Girl from Phantasia, Tokyo Revengers

Camera Japan Announces Complete Programme for 2021

Runs in Rotterdam 23rd to 26th September & in Amsterdam 30th September to 3rd October

Windows on Worlds

Sep 1, 2021 • Subscribe

Special - Japan Cuts Film Festival 2024

Table of Contents Hello everyone, Once again this year, the Heroic Purgatory podcast is covering the Japan Cuts 2024 film…

Heroic Purgatory

Jul 21, 2024 • Subscribe

Dreams of Fire (2021) review [Fantasia Film festival]

“McKie’s film is not only the best dance-film of recent years but might very well be one of the best Japanese films to be released this year.”

psycho-cinematography

Aug 25, 2021 • Subscribe

Girl from Phantasia

461 Days of Bento: A Promise Between Father and Son (2020) review [Camera Japan Festival]

“A heartwarming narrative that does not only affirm that food is what brings people together, but also that the very act of preparing food, in many cases, functions…

psycho-cinematography

Oct 7, 2021 • Subscribe

Straying (2022) review [Camera Japan 2022]

A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…

psycho-cinematography

Sep 14, 2022 • Subscribe

Japan Cuts 2018 Film Festival at the Japan Society

This past few weeks I volunteered for the Japan Society Film Department’s annual Japan Cuts film festival, which screens a host of new Japanese blockbusters, avant-garde films, and…

踊る猿life is kyōgen

Aug 3, 2018 • Subscribe

The Mole Song: Final (2021) review [Fantasia Film Festival]

Miike’s narrative delivers everything a fan of the previous narratives desires and even succeeds in inviting newcomers to delve into Reiji’s past exploits.

psycho-cinematography

Jul 24, 2022 • Subscribe

Girl from Phantasia

Love, Live, and Goldfish (2021) review [Fantasia Film Festival]

“While Makabe’s narrative does not offer anything truly new or groundbreaking, what it does brings to the table is served with excellence.”

psycho-cinematography

Aug 6, 2021 • Subscribe

Girl from Phantasia

Summer in Japan 2021

Last year in the summer I went on a good road trip with a few friends through Nagano Prefecture. This year, I didn’t get up to as much,…

Umai Yomu Anime Blog

Sep 12, 2021 • Subscribe

Japan Foundation Film Tour 2021

By Jasper Sharp. The ongoing Coronavirus crisis may have disrupted many aspects of the cultural calendar, but it is heartening to report that one the Japan Foundation UK…

All the Anime

Jan 24, 2021 • Subscribe

A Seasonal Review — Summer 2021

Dropped: The Aquatope on White Sands, Battle Game in 5 Seconds, Blue Reflection Ray, The Case Study of Vanitas, D_CIDE Traumerei, The Detective is Already Dead, Drug Store…

Draggle's Anime Blog

Oct 5, 2021 • Subscribe

Scarlet Nexus, The aquatope on white sand, The Case Study of Vanitas, The Duke of Death and His Maid, Battle Game in 5 Seconds

Jigoku-no-hanazono ～Office Royale～ (2021) review [Fantasia Film Festival]

“An absurd and crazy cocktail full of violence and funny twists and unexpected turns.”

psycho-cinematography

Aug 19, 2021 • Subscribe

Girl from Phantasia

Joint (2021) review [The Japan Foundation Touring Film Programme]

Oudai Kojima proves, once again, that the yakuza genre is not dead and that, given the current societal constellation and the various currents within, engaging crime narratives can…

psycho-cinematography

Feb 2, 2023 • Subscribe