Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that hits all the right emo…
Oct 9, 2023 • Subscribe
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With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the…
Tea Friends (2023) review [Camera Japan festival]
Sotoyama investigates, in a very touching way, the radical discordance between the societal field and the elderly subject.
Natchan’s little Secret (2023) review [Camera Japan Festival 2023]
Introduction More and more directors take the opportunity to explore the complex dimensions of sexuality within the Japanese societal field within their films. In recent years, more films…
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Hideo Jojo’s heartwarming tale of subjective growth and salt-water fishing is a pleasant watch.
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An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin
Remain in Twilight (2021) review [Camera Japan Festival]
“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”
Closet (2020) review [Camera Japan Festival]
“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”
Bushido (2024) review [Camera Japan Festival]
Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.
Alivehoon (2022) review [Camera Japan Festival]
Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…
Love Will Tear Us Apart (2023) review [Camera Japan Festival]
A narrative that blows a refreshing wind in both the slasher and the romance genre.
Shrieking In The Rain (2021) review [Camera Japan Festival]
“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”
Bad City (2022) review [Camera Japan Festival]
Sonamura delivers everything one expects from an action-thriller.
Riverside Mukolitta (2022) review [Camera Japan Festival]
A highly touching narrative about re-finding social life.
Prior Convictions (2022) review [Camera Japan Festival]
“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”
Nagi’s Island (2022) review [Camera Japan Festival]
The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every…
Between Us (2021) review [Camera Japan Festival]
“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”
Let’s Go Karaoke (2024) review [Camera Japan Festival]
This is perfect film for anyone who, after a long day full of struggles, wants to sit in a comfy chair and relax.
The Box Man (2024) review [Camera Japan Festival]
An incredible satisfying cinematic experience, one that enthrals the spectator from start to finish
Ninja Vs Shark (2023) review [Camera Japan 2023]
A pleasant B-film action experience.
I Never Shot Anyone (2020) review [Camera Japan Festival]
“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”
It’s a summer film (2021) review [Camera Japan Festival]
“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…
Eternally Younger Than Those Idiots (2021) review [Camera Japan Festival]
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It’s All My Fault (2022) review [Camera Japan Festival 2022]
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Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.
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“A satisfying sequel that fans of Fable’s first outing should not pass this up.”
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Before Anyone Else (2023) Director: Tetsuya Mariko [Chicago International Film Festival 2023]
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Straying (2022) review [Camera Japan 2022]
A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…
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My Broken Mariko (2022) [Fantasia Film Festival]
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Plastic (2023) review [Japan Cuts 2023]
Miyazaki creates a moody narrative that highlights the equivocal functionality of music for the subject as well as the destructive impact of not being able to create an…
Winny (2023) review [Japan Cuts 2023]
Matsumoto offers a serene insight in how the Other of the law curtails a subject and, indirectly, sabotages the prospects of a new industry.
Single8 (2023) review [Japan Cuts 2023]
Konaka offers the spectator a heartwarming invitation to re-find, within oneself, one’s (nearly extinguished) passion for creation.
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My Broken Mariko is an intense, single volume manga about Tomoyo Shiino after the death of her friend Mariko. This manga covers topics of abuse, depression, rape, and…
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