An incredible satisfying cinematic experience, one that enthrals the spectator from start to finish
Oct 7, 2024 • Subscribe
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Bushido (2024) review [Camera Japan Festival]
Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.
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Let’s Go Karaoke (2024) review [Camera Japan Festival]
This is perfect film for anyone who, after a long day full of struggles, wants to sit in a comfy chair and relax.
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Closet (2020) review [Camera Japan Festival]
“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”
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Alivehoon (2022) review [Camera Japan Festival]
Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…
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Ripples (2023) review [Camera Japan Festival]
With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the…
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Riverside Mukolitta (2022) review [Camera Japan Festival]
A highly touching narrative about re-finding social life.
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Prior Convictions (2022) review [Camera Japan Festival]
“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”
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Tea Friends (2023) review [Camera Japan festival]
Sotoyama investigates, in a very touching way, the radical discordance between the societal field and the elderly subject.
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Nagi’s Island (2022) review [Camera Japan Festival]
The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every…
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Between Us (2021) review [Camera Japan Festival]
“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”
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Bad City (2022) review [Camera Japan Festival]
Sonamura delivers everything one expects from an action-thriller.
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Shrieking In The Rain (2021) review [Camera Japan Festival]
“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”
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Remain in Twilight (2021) review [Camera Japan Festival]
“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”
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Afternoon Angler’s club (2023) Review [Camera Japan Festival]
Hideo Jojo’s heartwarming tale of subjective growth and salt-water fishing is a pleasant watch.
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Is This Heaven? (2023) review [Camera Japan Festival]
An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin
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I Never Shot Anyone (2020) review [Camera Japan Festival]
“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”
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It’s a summer film (2021) review [Camera Japan Festival]
“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…
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Natchan’s little Secret (2023) review [Camera Japan Festival 2023]
Introduction More and more directors take the opportunity to explore the complex dimensions of sexuality within the Japanese societal field within their films. In recent years, more films…
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The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]
“A satisfying sequel that fans of Fable’s first outing should not pass this up.”
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Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]
Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that…
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It’s All My Fault (2022) review [Camera Japan Festival 2022]
A touching narrative that explores how difficult it is for subject to assume a place for himself, a place from where he/she can desire, without the structuring influence…
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Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]
Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.
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Eternally Younger Than Those Idiots (2021) review [Camera Japan Festival]
A narrative that, due to its elegant engendering of genuine emotions, offers a touching exploration of the subjective obstacles that complicate the subject’s coming-into-being and his inter-persona…
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Love Will Tear Us Apart (2023) review [Camera Japan Festival]
A narrative that blows a refreshing wind in both the slasher and the romance genre.


Camera Japan Announces Complete Programme for 2024
In Rotterdam 26th to 29th September and Amsterdam 3rd to 6th October


The Box Man (箱男, Gakuryu Ishii, 2024)
Those who obsess over the Box Man, become the Box Man, in Gakuryu Ishii’s adaptation of the Kobo Abe novel.
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Straying (2022) review [Camera Japan 2022]
A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…
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461 Days of Bento: A Promise Between Father and Son (2020) review [Camera Japan Festival]
“A heartwarming narrative that does not only affirm that food is what brings people together, but also that the very act of preparing food, in many cases, functions…


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Nishida should start a fortune-telling business if his predictions are 100% accurate.
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Ninja Vs Shark (2023) review [Camera Japan 2023]
A pleasant B-film action experience.


Camera Japan Announces Complete Programme for 2023
In Rotterdam 21st to 24th September and Amsterdam 28th September to 1st October


Camera Japan Announces Complete Programme for 2022
In Rotterdam Sept. 22 to 25 and Amsterdam Sept. 29 to Oct. 2.


Camera Japan Announces Complete Programme for 2021
Runs in Rotterdam 23rd to 26th September & in Amsterdam 30th September to 3rd October
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All The Long Nights (2024) review [Japan Cuts 2024]
A splendid drama that shows how symptoms can disturb a subject’s life and how the social field attains its cruel complexity due to the riddle of desire.


The Pixar Camera
On 'Flow,' the Oscars and early CG animation.
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Kizumonogatari – Koyomi Vamp – (2024) review [Fantasia Film Festival 2024]
An evocative experience that succeeds in giving the vampire and the well-explored themes a fresh coat of drama and sexiness.


Japan Cuts 2018 Film Festival at the Japan Society
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Blue Imagine ブルーイマジン Director: Urara Matsubayashi [Osaka Asian Film Festival 2024 / Japan Cuts 2024]
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House of Sayuri (2024) review [Fantasia Film Festival]
The thoughtful manipulation of this atmospheric field is integral to create an effective and engaging genre-blend.