Riverside Mukolitta (2022) review [Camera Japan Festival] by psycho-cinematography / Anime Blog Tracker

Alivehoon (2022) review [Camera Japan Festival]

Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…

psycho-cinematography

Sep 20, 2022 • Subscribe

Prior Convictions (2022) review [Camera Japan Festival]

“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”

psycho-cinematography

Sep 23, 2022 • Subscribe

Nagi’s Island (2022) review [Camera Japan Festival]

The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every…

psycho-cinematography

Sep 26, 2022 • Subscribe

Bad City (2022) review [Camera Japan Festival]

Sonamura delivers everything one expects from an action-thriller.

psycho-cinematography

Oct 2, 2022 • Subscribe

It’s All My Fault (2022) review [Camera Japan Festival 2022]

A touching narrative that explores how difficult it is for subject to assume a place for himself, a place from where he/she can desire, without the structuring influence…

psycho-cinematography

Sep 17, 2022 • Subscribe

Ripples (2023) review [Camera Japan Festival]

With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the…

psycho-cinematography

Oct 16, 2023 • Subscribe

Closet (2020) review [Camera Japan Festival]

“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”

psycho-cinematography

Oct 3, 2021 • Subscribe

Straying (2022) review [Camera Japan 2022]

A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…

psycho-cinematography

Sep 14, 2022 • Subscribe

Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]

Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.

psycho-cinematography

Dec 10, 2022 • Subscribe

Between Us (2021) review [Camera Japan Festival]

“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”

psycho-cinematography

Sep 30, 2021 • Subscribe

Tea Friends (2023) review [Camera Japan festival]

Sotoyama investigates, in a very touching way, the radical discordance between the societal field and the elderly subject.

psycho-cinematography

Oct 3, 2023 • Subscribe

Is This Heaven? (2023) review [Camera Japan Festival]

An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin

psycho-cinematography

Oct 1, 2023 • Subscribe

Remain in Twilight (2021) review [Camera Japan Festival]

“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”

psycho-cinematography

Sep 26, 2021 • Subscribe

Natchan’s little Secret (2023) review [Camera Japan Festival 2023]

Introduction More and more directors take the opportunity to explore the complex dimensions of sexuality within the Japanese societal field within their films. In recent years, more films…

psycho-cinematography

Sep 21, 2023 • Subscribe

Shrieking In The Rain (2021) review [Camera Japan Festival]

“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”

psycho-cinematography

Jul 20, 2023 • Subscribe

I Never Shot Anyone (2020) review [Camera Japan Festival]

“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”

psycho-cinematography

Sep 29, 2021 • Subscribe

It’s a summer film (2021) review [Camera Japan Festival]

“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…

psycho-cinematography

Sep 21, 2021 • Subscribe

Kirara

Eternally Younger Than Those Idiots (2021) review [Camera Japan Festival]

A narrative that, due to its elegant engendering of genuine emotions, offers a touching exploration of the subjective obstacles that complicate the subject’s coming-into-being and his inter-persona…

psycho-cinematography

Feb 20, 2023 • Subscribe

Love Will Tear Us Apart (2023) review [Camera Japan Festival]

A narrative that blows a refreshing wind in both the slasher and the romance genre.

psycho-cinematography

Sep 25, 2023 • Subscribe

Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]

Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that…

psycho-cinematography

Oct 9, 2023 • Subscribe

Camera Japan Announces Complete Programme for 2022

In Rotterdam Sept. 22 to 25 and Amsterdam Sept. 29 to Oct. 2.

Windows on Worlds

Sep 24, 2022 • Subscribe

The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]

“A satisfying sequel that fans of Fable’s first outing should not pass this up.”

psycho-cinematography

Sep 23, 2021 • Subscribe

Hyper Japan Festival, London 2022

For three days in late July, Battersea Park in London England was taken over by Japan. I’m talking about the Hyper Japan Festival, of course! Going strong since…

Beneath the Tangles

Sep 7, 2022 • Subscribe

Hyper Japan Festival London 2022 Details

The good folks from Hyper Japan have sent us details of their festival for this year. Set to run from Friday 22nd to Sunday 24th July 2022, ...

Otaku News - World Edition

Jun 14, 2022 • Subscribe

461 Days of Bento: A Promise Between Father and Son (2020) review [Camera Japan Festival]

“A heartwarming narrative that does not only affirm that food is what brings people together, but also that the very act of preparing food, in many cases, functions…

psycho-cinematography

Oct 7, 2021 • Subscribe

Ninja Vs Shark (2023) review [Camera Japan 2023]

A pleasant B-film action experience.

psycho-cinematography

Sep 28, 2023 • Subscribe

Kanon

Korea Independent Animation Festival 2022 in Japan

A look at the films and talks that will be screened online at the Korea Independent Animation Festival 2022 – available to viewers in Japan

Genkinahito

May 9, 2022 • Subscribe

Mirai

Camera Japan Announces Complete Programme for 2021

Runs in Rotterdam 23rd to 26th September & in Amsterdam 30th September to 3rd October

Windows on Worlds

Sep 1, 2021 • Subscribe

Camera Japan Announces Complete Programme for 2023

In Rotterdam 21st to 24th September and Amsterdam 28th September to 1st October

Windows on Worlds

Sep 21, 2023 • Subscribe

Convenience Story (2022) review [Fantasia Film Festival 2022]

Miki delivers a great psychological mystery narrative, yet it might not be for everyone.

psycho-cinematography

Aug 6, 2022 • Subscribe

Girl from Phantasia

Boy Sprouted (Japan, 2021) [OAFF 2022/Short Shorts and Asian Film Festival 2022]

Jason Maher reviews Yuko Watanabe's short film Boy Sprouted.

VCinema

Apr 27, 2022 • Subscribe

Japan Nature Caught On Camera! A Chat w Japan Trail Cam | Japan Station 102

On this episode of the Japan Station podcast, we talk to Wombat, one of the creators of Japan Trail Cam. About Wuon-Gean Ho Wombat spends his day in…

Japan Station: A Podcast About Japan by JapanKyo.com

Nov 15, 2022 • Subscribe

Shin-Ultraman (2022) review [Fantasia Film Festival]

Higuchi and Anno deliver an impressive love letter to their childhood, yet their devoted love, which is sensible in every aspect of the narrative, might not be able…

psycho-cinematography

Jul 28, 2022 • Subscribe

Girl from Phantasia

Kotatsu Festival 2022 Details

The good folks from The Kotatsu Japanese Animation Festival have revealed their film line up for this autumn 2022. The long running Welsh An...

Otaku News - World Edition

Oct 11, 2022 • Subscribe

Élan Festival 2022 Summary

Studio Élan hosted their (I assume) first “Direct” thingy in Élan Festival 2022. Let’s go over the announcements and updates shared, shall we? Keep in mind these are…

The Yuri Empire

May 15, 2022 • Subscribe

Amiko (2022) review [Japan Cuts 2023]

A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as…

psycho-cinematography

Jan 23, 2024 • Subscribe

Hand (2022) review [Japan Cuts 2023]

Matsui avoids delivering an exploitative erotic piece merely to be enjoyed by male audiences.

psycho-cinematography

Aug 22, 2023 • Subscribe

The Fish Tale (2022) review [Fantasia Film Festival]

A very heart-warming and touching narrative that shows that a subject does not necessarily need to make use of the neurotic solution to inscribe himself within the societal…

psycho-cinematography

Jul 31, 2022 • Subscribe

Girl from Phantasia

Japan Cuts 2018 Film Festival at the Japan Society

This past few weeks I volunteered for the Japan Society Film Department’s annual Japan Cuts film festival, which screens a host of new Japanese blockbusters, avant-garde films, and…

踊る猿life is kyōgen

Aug 3, 2018 • Subscribe

Yomu in Japan: Cultural Festival Edition

All right, I’ve been dragging my feet a bit in regards to writing this post. It’s actually been a little over a month now, as the cultural festival…

Umai Yomu Anime Blog

Nov 1, 2020 • Subscribe

Howling (Japan, 2022) [OAFF 2022]

Jason Maher reviews M Haris Sheikh's neo noir Howling.

VCinema

Apr 18, 2022 • Subscribe

Tokyo International Film Festival 2022

Anna Yamada in The Mountain Woman. Scheduling conflicts and sold-out screenings meant that I was only able to see three films at TIFF this year, but it was…

eiga files

Nov 4, 2022 • Subscribe

Journey (2022) review [Skip-City International D-Cinema Festival]

Shogo offers an evocative and bleak experience that forces us to question the current state of our societal field.

psycho-cinematography

May 24, 2023 • Subscribe

What To Do With Dead Kaiju (2022) review [Fantasia Film Festival 2022]

“An extremely well-structured genre-blend that does not only provides the laughs and giggles with its pleasant political satire, but also allows the spectator to immerge himself into the…

psycho-cinematography

Aug 3, 2022 • Subscribe

Girl from Phantasia