Bushido (2024) review [Camera Japan Festival] by psycho-cinematography / Anime Blog Tracker

Let’s Go Karaoke (2024) review [Camera Japan Festival]

This is perfect film for anyone who, after a long day full of struggles, wants to sit in a comfy chair and relax.

psycho-cinematography

3 days ago • Subscribe

The Box Man (2024) review [Camera Japan Festival]

An incredible satisfying cinematic experience, one that enthrals the spectator from start to finish

psycho-cinematography

9 days ago • Subscribe

Ripples (2023) review [Camera Japan Festival]

With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the…

psycho-cinematography

Oct 16, 2023 • Subscribe

Alivehoon (2022) review [Camera Japan Festival]

Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…

psycho-cinematography

Sep 20, 2022 • Subscribe

Closet (2020) review [Camera Japan Festival]

“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”

psycho-cinematography

Oct 3, 2021 • Subscribe

Nagi’s Island (2022) review [Camera Japan Festival]

The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every…

psycho-cinematography

Sep 26, 2022 • Subscribe

Prior Convictions (2022) review [Camera Japan Festival]

“A very relevant exploration of the fact that the criminal act is, in many cases, born from an antagonistic relation between the subject and the Other.”

psycho-cinematography

Sep 23, 2022 • Subscribe

Tea Friends (2023) review [Camera Japan festival]

Sotoyama investigates, in a very touching way, the radical discordance between the societal field and the elderly subject.

psycho-cinematography

Oct 3, 2023 • Subscribe

Bad City (2022) review [Camera Japan Festival]

Sonamura delivers everything one expects from an action-thriller.

psycho-cinematography

Oct 2, 2022 • Subscribe

Riverside Mukolitta (2022) review [Camera Japan Festival]

A highly touching narrative about re-finding social life.

psycho-cinematography

Sep 29, 2022 • Subscribe

Between Us (2021) review [Camera Japan Festival]

“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”

psycho-cinematography

Sep 30, 2021 • Subscribe

Is This Heaven? (2023) review [Camera Japan Festival]

An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin

psycho-cinematography

Oct 1, 2023 • Subscribe

Remain in Twilight (2021) review [Camera Japan Festival]

“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”

psycho-cinematography

Sep 26, 2021 • Subscribe

Afternoon Angler’s club (2023) Review [Camera Japan Festival]

Hideo Jojo’s heartwarming tale of subjective growth and salt-water fishing is a pleasant watch.

psycho-cinematography

13 days ago • Subscribe

It’s a summer film (2021) review [Camera Japan Festival]

“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…

psycho-cinematography

Sep 21, 2021 • Subscribe

Kirara

I Never Shot Anyone (2020) review [Camera Japan Festival]

“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”

psycho-cinematography

Sep 29, 2021 • Subscribe

Natchan’s little Secret (2023) review [Camera Japan Festival 2023]

Introduction More and more directors take the opportunity to explore the complex dimensions of sexuality within the Japanese societal field within their films. In recent years, more films…

psycho-cinematography

Sep 21, 2023 • Subscribe

Shrieking In The Rain (2021) review [Camera Japan Festival]

“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”

psycho-cinematography

Jul 20, 2023 • Subscribe

It’s All My Fault (2022) review [Camera Japan Festival 2022]

A touching narrative that explores how difficult it is for subject to assume a place for himself, a place from where he/she can desire, without the structuring influence…

psycho-cinematography

Sep 17, 2022 • Subscribe

Eternally Younger Than Those Idiots (2021) review [Camera Japan Festival]

A narrative that, due to its elegant engendering of genuine emotions, offers a touching exploration of the subjective obstacles that complicate the subject’s coming-into-being and his inter-persona…

psycho-cinematography

Feb 20, 2023 • Subscribe

Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]

Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.

psycho-cinematography

Dec 10, 2022 • Subscribe

Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]

Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that…

psycho-cinematography

Oct 9, 2023 • Subscribe

Love Will Tear Us Apart (2023) review [Camera Japan Festival]

A narrative that blows a refreshing wind in both the slasher and the romance genre.

psycho-cinematography

Sep 25, 2023 • Subscribe

Camera Japan Announces Complete Programme for 2024

In Rotterdam 26th to 29th September and Amsterdam 3rd to 6th October

Windows on Worlds

21 days ago • Subscribe

The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]

“A satisfying sequel that fans of Fable’s first outing should not pass this up.”

psycho-cinematography

Sep 23, 2021 • Subscribe

Straying (2022) review [Camera Japan 2022]

A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…

psycho-cinematography

Sep 14, 2022 • Subscribe

Special - Japan Cuts Film Festival 2024

Table of Contents Hello everyone, Once again this year, the Heroic Purgatory podcast is covering the Japan Cuts 2024 film…

Heroic Purgatory

Jul 21, 2024 • Subscribe

461 Days of Bento: A Promise Between Father and Son (2020) review [Camera Japan Festival]

“A heartwarming narrative that does not only affirm that food is what brings people together, but also that the very act of preparing food, in many cases, functions…

psycho-cinematography

Oct 7, 2021 • Subscribe

Ninja Vs Shark (2023) review [Camera Japan 2023]

A pleasant B-film action experience.

psycho-cinematography

Sep 28, 2023 • Subscribe

Kanon

Bushido (碁盤斬り, Kazuya Shiraishi, 2024)

A stoical ronin’s peaceful life is disrupted by a face from the past in Kazuya Shiraishi’s elegantly lensed period drama.

Windows on Worlds

Jul 25, 2024 • Subscribe

Camera Japan Announces Complete Programme for 2022

In Rotterdam Sept. 22 to 25 and Amsterdam Sept. 29 to Oct. 2.

Windows on Worlds

Sep 24, 2022 • Subscribe

Camera Japan Announces Complete Programme for 2021

Runs in Rotterdam 23rd to 26th September & in Amsterdam 30th September to 3rd October

Windows on Worlds

Sep 1, 2021 • Subscribe

Camera Japan Announces Complete Programme for 2023

In Rotterdam 21st to 24th September and Amsterdam 28th September to 1st October

Windows on Worlds

Sep 21, 2023 • Subscribe

Kizumonogatari – Koyomi Vamp – (2024) review [Fantasia Film Festival 2024]

An evocative experience that succeeds in giving the vampire and the well-explored themes a fresh coat of drama and sexiness.

psycho-cinematography

Jul 29, 2024 • Subscribe

Girl from Phantasia

Blue Imagine ブルーイマジン Director: Urara Matsubayashi [Osaka Asian Film Festival 2024 / Japan Cuts 2024]

Director Urara Matsubayashi makes a definitive #MeToo film for the Japanese film industry with her sincere and complex drama Blue Imagine ブルーイマジン [Osaka Asian Film Festival 2024 / Japan…

Genkinahito

Jul 18, 2024 • Subscribe

Japan Nature Caught On Camera! A Chat w Japan Trail Cam | Japan Station 102

On this episode of the Japan Station podcast, we talk to Wombat, one of the creators of Japan Trail Cam. About Wuon-Gean Ho Wombat spends his day in…

Japan Station: A Podcast About Japan by JapanKyo.com

Nov 15, 2022 • Subscribe

Kubi (2023) review [Japan Cuts 2024]

One of best period dramas in recent years.

psycho-cinematography

Jul 3, 2024 • Subscribe

Hyper Japan Festival, London 2022

For three days in late July, Battersea Park in London England was taken over by Japan. I’m talking about the Hyper Japan Festival, of course! Going strong since…

Beneath the Tangles

Sep 7, 2022 • Subscribe

House of Sayuri (2024) review [Fantasia Film Festival]

The thoughtful manipulation of this atmospheric field is integral to create an effective and engaging genre-blend.

psycho-cinematography

Aug 11, 2024 • Subscribe

Girl from Phantasia

All The Long Nights (2024) review [Japan Cuts 2024]

A splendid drama that shows how symptoms can disturb a subject’s life and how the social field attains its cruel complexity due to the riddle of desire.

psycho-cinematography

Jul 20, 2024 • Subscribe

Bushido Explained by Alexander Bennett

Bushido Explained offers a good primer to how samurai thought across Japan’s different time periods. As the subtitle of the book states, it is a new interpretation for…

Japan Powered

Jun 23, 2024 • Subscribe

Baby Assassins: Good Days (2024) review [Fantasia Film Festival]

Yugo Sakamoto successfully mixes up the formula that structured his previous two action narratives. Highly Recommended.

psycho-cinematography

Aug 3, 2024 • Subscribe

Girl from Phantasia

Japan Cuts 2018 Film Festival at the Japan Society

This past few weeks I volunteered for the Japan Society Film Department’s annual Japan Cuts film festival, which screens a host of new Japanese blockbusters, avant-garde films, and…

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