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Featured image for Fly Me To The Saitama: From Biwa Lake with Love (2023) review [Fantasia Film Festival 2024]Background image for Fly Me To The Saitama: From Biwa Lake with Love (2023) review [Fantasia Film Festival 2024]

Fly Me To The Saitama: From Biwa Lake with Love (2023) review [Fantasia Film Festival 2024]

A fun romp that works well as an introduction to the cultural diversity that enriches the Japanese archipelago.

psycho-cinematography

Featured image for All The Long Nights (2024) review [Japan Cuts 2024]Background image for All The Long Nights (2024) review [Japan Cuts 2024]

All The Long Nights (2024) review [Japan Cuts 2024]

A splendid drama that shows how symptoms can disturb a subject’s life and how the social field attains its cruel complexity due to the riddle of desire.

psycho-cinematography

Featured image for Short Movie Time: Social Circles (2023) review [Japan Cuts 2024]Background image for Short Movie Time: Social Circles (2023) review [Japan Cuts 2024]

Short Movie Time: Social Circles (2023) review [Japan Cuts 2024]

A highly experimental and conceptual experience that might not be for everyone

psycho-cinematography

Featured image for Short Movie Time: Nezumikozō Jirokichi (2023) review [Japan Cuts 2024]Background image for Short Movie Time: Nezumikozō Jirokichi (2023) review [Japan Cuts 2024]

Short Movie Time: Nezumikozō Jirokichi (2023) review [Japan Cuts 2024]

The mix of elements supports the film’s aim well, that is to entice spectators to seek out the three films that remain from this somewhat forgotten master

psycho-cinematography

Featured image for Fantasia 2024: 6 Japanese films you should not miss.Background image for Fantasia 2024: 6 Japanese films you should not miss.

Fantasia 2024: 6 Japanese films you should not miss.

n this short article, we want to introduce two of our recommendations and four films we look forward to and you should do.

psycho-cinematography

Featured image for I Was Born, But … (1932) reviewBackground image for I Was Born, But … (1932) review

I Was Born, But … (1932) review

What allows Ozu’s exploration of parental failure to retain its power to charm and engage is the very fact that every child needs to go through such phase.

psycho-cinematography

Featured image for Kubi (2023) review [Japan Cuts 2024]Background image for Kubi (2023) review [Japan Cuts 2024]

Kubi (2023) review [Japan Cuts 2024]

One of best period dramas in recent years.

psycho-cinematography

Featured image for City Hunter (2024) reviewBackground image for City Hunter (2024) review
Featured image for Short Movie Time: Bottle George (2024) [Japan Cuts 2024]Background image for Short Movie Time: Bottle George (2024) [Japan Cuts 2024]
Featured image for Short Movie Time: Hail Mary (2023) review [Japan Cuts 2024]Background image for Short Movie Time: Hail Mary (2023) review [Japan Cuts 2024]

Short Movie Time: Hail Mary (2023) review [Japan Cuts 2024]

Nakamura succeeds in making the spectator care for Maria and impact him/her emotionally with her tragedy.   

psycho-cinematography

Featured image for Secret: A Hidden Score (2024) review [Nippon connection 2024]Background image for Secret: A Hidden Score (2024) review [Nippon connection 2024]

Secret: A Hidden Score (2024) review [Nippon connection 2024]

Spectators who like piano and pianists might find something to enjoy in this emotionally impotent narrative.

psycho-cinematography

Featured image for Penalty Loop (2024) review [Nippon Connection 2024]Background image for Penalty Loop (2024) review [Nippon Connection 2024]

Penalty Loop (2024) review [Nippon Connection 2024]

The way Araki resolves the narrative’s thematical questions concerning vengeance and the working-through of trauma will divide spectators

psycho-cinematography

Featured image for 18×2 Beyond Youthful Days (2024) review [Nippon Connection 2024]Background image for 18×2 Beyond Youthful Days (2024) review [Nippon Connection 2024]

18×2 Beyond Youthful Days (2024) review [Nippon Connection 2024]

Fujii proves that the tropes of the romance genre can still be exploited in a refreshing and emotionally satisfying manner.

psycho-cinematography

Featured image for Tokyo Revengers 2: Bloody Halloween – decisive battle (2023) reviewBackground image for Tokyo Revengers 2: Bloody Halloween – decisive battle (2023) review

Tokyo Revengers 2: Bloody Halloween – decisive battle (2023) review

Hanabusa can finally do what he does well: deliver dramatic moments whose origin lie in narrative twists or in unexpected turns in the bursts of violence.

psycho-cinematography

Featured image for Yin Yang Master Zero (2024) review [Nippon Connection 2024]Background image for Yin Yang Master Zero (2024) review [Nippon Connection 2024]
Featured image for A Story Written With Water (1965) reviewBackground image for A Story Written With Water (1965) review

A Story Written With Water (1965) review

An exquisitely layered psychological drama that unveils how a subject’s fixation on a phantasmatic image disrupts his ability to commit himself romantically to the female other

psycho-cinematography

Featured image for Black Tight Killers (1966)Background image for Black Tight Killers (1966)

Black Tight Killers (1966)

A stylish and visually dazzling romp with lots of action and sensuality

psycho-cinematography

Featured image for Yoko (2023) reviewBackground image for Yoko (2023) review

Yoko (2023) review

A complex full-bodied filmic wine that cannot but stir the spectator’s emotions.

psycho-cinematography

Featured image for Bad Lands (2023) reviewBackground image for Bad Lands (2023) review

Bad Lands (2023) review

The incredibly well-crafted narrative structure, fuelled by Sakura Ando’s extremely satisfying performance, ensures that the spectator remains engaged from start and finish

psycho-cinematography

Featured image for Undercurrent (2023) reviewBackground image for Undercurrent (2023) review

Undercurrent (2023) review

Imaizumi delivers an engaging but understated emotional experience that explores the deceptive nature of imaginary veil that binds two subjects together.

psycho-cinematography

Featured image for Kisaragi Station (2022) reviewBackground image for Kisaragi Station (2022) review

Kisaragi Station (2022) review

Thanks to a good narrative structure and pleasant performance this low-budget horror film succeeds in engaging and satisfying the spectator.

psycho-cinematography

Featured image for Performing Kaoru’s Funeral (2023) review [OAFF 2024]Background image for Performing Kaoru’s Funeral (2023) review [OAFF 2024]

Performing Kaoru’s Funeral (2023) review [OAFF 2024]

Yuasa’s narrative shows that the unavoidable presence of death during a funeral can allow a subject to re-route his own trajectory.

psycho-cinematography

Featured image for Faraway Family (2023) review [OAFF 2024]Background image for Faraway Family (2023) review [OAFF 2024]

Faraway Family (2023) review [OAFF 2024]

A very touching narrative that explores the frail position of the father and how his structural failure can cause subjective struggles and inhibitions.

psycho-cinematography

Featured image for Blue Imagine (2024) review [OAFF 2024]Background image for Blue Imagine (2024) review [OAFF 2024]

Blue Imagine (2024) review [OAFF 2024]

A powerful reminder of the sexual transgressions that structurally plague the Japanese film industry

psycho-cinematography

Featured image for Snowdrop (2024) review [OAFF 2024]Background image for Snowdrop (2024) review [OAFF 2024]

Snowdrop (2024) review [OAFF 2024]

A complex character portrait that touchingly illustrates how easy it is to misrecognize the logic of the subject-supposed-to-be-in-need.

psycho-cinematography

Featured image for Short Movie Time: Perfect・Nervous (2024) review [OAFF 2024]Background image for Short Movie Time: Perfect・Nervous (2024) review [OAFF 2024]

Short Movie Time: Perfect・Nervous (2024) review [OAFF 2024]

An exquisitely crafted narrative that touchingly shows that a simple encounter, a simple exchange of signifiers, can turn a wish to die into a desire to life.

psycho-cinematography

Featured image for Wash Away (2024) review [OAFF 2024]Background image for Wash Away (2024) review [OAFF 2024]

Wash Away (2024) review [OAFF 2024]

A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.

psycho-cinematography

Featured image for Short Movie Time: On a Boat (2024) review [OAFF 2024]Background image for Short Movie Time: On a Boat (2024) review [OAFF 2024]

Short Movie Time: On a Boat (2024) review [OAFF 2024]

The exploration of the frail stability of an obsessional neurotic does not miss its impact on the spectator.

psycho-cinematography

Featured image for Amalock (2024) review [OAFF 2024]Background image for Amalock (2024) review [OAFF 2024]

Amalock (2024) review [OAFF 2024]

A narrative that fluidly combines comedy and tragedy to deliver an experience of smiles and tears.

psycho-cinematography

Featured image for Sumiko 22 (2024) review [OAFF 2024]Background image for Sumiko 22 (2024) review [OAFF 2024]

Sumiko 22 (2024) review [OAFF 2024]

A subtle but playful narrative about a subject who slowly tries to crawl out the hole of emptiness and diminished self-worth.

psycho-cinematography

Featured image for Short Movie Time: Ririka of the Star (2024) review [OAFF 2024] Background image for Short Movie Time: Ririka of the Star (2024) review [OAFF 2024] 

Short Movie Time: Ririka of the Star (2024) review [OAFF 2024] 

A narrative that does not merely emphasize the beauty of moving female body, but reveals that such beauty can change subjects.

psycho-cinematography

Featured image for Memories of this Scent (2024) review [OAFF 2024]Background image for Memories of this Scent (2024) review [OAFF 2024]

Memories of this Scent (2024) review [OAFF 2024]

An endearing and fragrance rich tale of subjective change.

psycho-cinematography

Featured image for Ask For The Moon (2022) review [OAFF 2024]Background image for Ask For The Moon (2022) review [OAFF 2024]

Ask For The Moon (2022) review [OAFF 2024]

A satisfying narrative that illustrates how the subject’s ego is but a response to his complexes and struggles.

psycho-cinematography

Featured image for Suton (2024) review [OAFF 2024]Background image for Suton (2024) review [OAFF 2024]

Suton (2024) review [OAFF 2024]

Rikako Watanabe’s narrative succeeds to echo the unvocalized ‘pandemic’ truth of many.

psycho-cinematography

Featured image for Tokyo Revengers 2: Bloody Halloween Destiny (2023) reviewBackground image for Tokyo Revengers 2: Bloody Halloween Destiny (2023) review

Tokyo Revengers 2: Bloody Halloween Destiny (2023) review

A prime example of a cinematic narrative that is solely made for the fans of the manga and the anime.

psycho-cinematography

Featured image for Godzilla: Destroy All Monsters (1968) review [The Godzilla Project]Background image for Godzilla: Destroy All Monsters (1968) review [The Godzilla Project]

Godzilla: Destroy All Monsters (1968) review [The Godzilla Project]

Honda delivers another narrative in which Otherness is feared and a deceptive imaginary sense of societal harmony is subtly celebrated.

psycho-cinematography

Featured image for Kingdom III: Flame of Destiny (2023) reviewBackground image for Kingdom III: Flame of Destiny (2023) review

Kingdom III: Flame of Destiny (2023) review

A straightforward action-epic that delivers everything fans of the manga and the anime desire.

psycho-cinematography

Featured image for Monster (2023) reviewBackground image for Monster (2023) review

Monster (2023) review

Kore-eda succeeds in delivering an utterly engaging narrative about the fundamental misunderstanding that underpins our fabrication of our truth.

psycho-cinematography

Featured image for Immersion (2023) reviewBackground image for Immersion (2023) review

Immersion (2023) review

Spectators looking for something new and fresh will find little to like about Shimizu’s latest.

psycho-cinematography

Featured image for The Fall Of Ako Castle (1978) reviewBackground image for The Fall Of Ako Castle (1978) review

The Fall Of Ako Castle (1978) review

Fukasaku has crafted a period piece that, due to its impeccable dramatic pacing, has to be counted among the best

psycho-cinematography

Featured image for Robinson’s Garden (1988) [Japan Cuts 2021]Background image for Robinson’s Garden (1988) [Japan Cuts 2021]

Robinson’s Garden (1988) [Japan Cuts 2021]

“Yamamoto is not able to create a composition that engages the spectator with its highly relevant message.”

psycho-cinematography

Featured image for Remembering Every Night (2022) reviewBackground image for Remembering Every Night (2022) review

Remembering Every Night (2022) review

Kyiyuhara’s narrative brings the spectator in touch in the multitude of subjective effects of the ephemerality of life

psycho-cinematography

Featured image for Zom 100: Bucket List Of The Dead (2023) reviewBackground image for Zom 100: Bucket List Of The Dead (2023) review
Featured image for Yudo: The Way of the Bath (2023) reviewBackground image for Yudo: The Way of the Bath (2023) review

Yudo: The Way of the Bath (2023) review

If one, as spectator, merely seeks a heartwarming story, Suzuki’s film is an easy recommendation.

psycho-cinematography

Featured image for Violence Action (2022) reviewBackground image for Violence Action (2022) review

Violence Action (2022) review

A mildly entertaining action-comedy that ultimately fails to fully satisfy the spectator.

psycho-cinematography

Featured image for Do Unto Others (2023) reviewBackground image for Do Unto Others (2023) review

Do Unto Others (2023) review

While many spectators will shed tears at the emotional unfolding, our tears lament Maeda’s choice to go full melodrama.

psycho-cinematography

Featured image for Amiko (2022) review [Japan Cuts 2023]Background image for Amiko (2022) review [Japan Cuts 2023]

Amiko (2022) review [Japan Cuts 2023]

A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as…

psycho-cinematography

Featured image for The Execution Game (1979) reviewBackground image for The Execution Game (1979) review

The Execution Game (1979) review

A satisfying and stylish conclusion full of captivating action-sequences.

psycho-cinematography

Featured image for Kingdom 2: Far and Away (2022) reviewBackground image for Kingdom 2: Far and Away (2022) review

Kingdom 2: Far and Away (2022) review

An epic and quite emotional experience that sadly fails to reach it full potential by holding on too tight to its shonen-roots.

psycho-cinematography

Featured image for Guard from Underground (1992)Background image for Guard from Underground (1992)

Guard from Underground (1992)

Kurosawa’s early slasher is a successful stylistic experiment that anyone who calls himself a fan of Japanese horror should see.

psycho-cinematography