Anime Blog Tracker

The Box Man (2024) review [Camera Japan Festival]

An incredible satisfying cinematic experience, one that enthrals the spectator from start to finish

psycho-cinematography

2 days ago • Subscribe

Afternoon Angler’s club (2023) Review [Camera Japan Festival]

Hideo Jojo’s heartwarming tale of subjective growth and salt-water fishing is a pleasant watch.

psycho-cinematography

6 days ago • Subscribe

Bushido (2024) review [Camera Japan Festival]

Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.

psycho-cinematography

9 days ago • Subscribe

Shinobi no Mono 2: Revenge (1963) review

Satsuo Yamamoto reveals the frailty and replaceability of the capitalistic father in an engaging way.

psycho-cinematography

Sep 7, 2024 • Subscribe

Shigeru

Shinobi no Mono: Band of Assassins (1962)

Yamamoto expertly utilizes the game of disguises, traps, gadgets, concealed passages, hidden stairs, and trapdoors, to offer an allegorical tale of the post-war subject’s conundrum

psycho-cinematography

Sep 1, 2024 • Subscribe

Six Singing Women (2023) review [Japan Cuts 2024]

A great narrative, yet one that stumbles over its own thematical fixation

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Aug 18, 2024 • Subscribe

The Shape of Night (1964) review

This filmic narrative needs to be counted among the classics of Japanese cinema

psycho-cinematography

Aug 14, 2024 • Subscribe

House of Sayuri (2024) review [Fantasia Film Festival]

The thoughtful manipulation of this atmospheric field is integral to create an effective and engaging genre-blend.

psycho-cinematography

Aug 11, 2024 • Subscribe

Girl from Phantasia

Baby Assassins: Good Days (2024) review [Fantasia Film Festival]

Yugo Sakamoto successfully mixes up the formula that structured his previous two action narratives. Highly Recommended.

psycho-cinematography

Aug 3, 2024 • Subscribe

Girl from Phantasia

Kizumonogatari – Koyomi Vamp – (2024) review [Fantasia Film Festival 2024]

An evocative experience that succeeds in giving the vampire and the well-explored themes a fresh coat of drama and sexiness.  

psycho-cinematography

Jul 29, 2024 • Subscribe

Girl from Phantasia

Fly Me To The Saitama: From Biwa Lake with Love (2023) review [Fantasia Film Festival 2024]

A fun romp that works well as an introduction to the cultural diversity that enriches the Japanese archipelago.

psycho-cinematography

Jul 24, 2024 • Subscribe

Girl from Phantasia

All The Long Nights (2024) review [Japan Cuts 2024]

A splendid drama that shows how symptoms can disturb a subject’s life and how the social field attains its cruel complexity due to the riddle of desire.

psycho-cinematography

Jul 20, 2024 • Subscribe

Short Movie Time: Social Circles (2023) review [Japan Cuts 2024]

A highly experimental and conceptual experience that might not be for everyone

psycho-cinematography

Jul 16, 2024 • Subscribe

Short Movie Time: Nezumikozō Jirokichi (2023) review [Japan Cuts 2024]

The mix of elements supports the film’s aim well, that is to entice spectators to seek out the three films that remain from this somewhat forgotten master

psycho-cinematography

Jul 13, 2024 • Subscribe

Fantasia 2024: 6 Japanese films you should not miss.

n this short article, we want to introduce two of our recommendations and four films we look forward to and you should do.

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Jul 10, 2024 • Subscribe

Girl from Phantasia

I Was Born, But … (1932) review

What allows Ozu’s exploration of parental failure to retain its power to charm and engage is the very fact that every child needs to go through such phase.

psycho-cinematography

Jul 7, 2024 • Subscribe

Kubi (2023) review [Japan Cuts 2024]

One of best period dramas in recent years.

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Jul 3, 2024 • Subscribe

City Hunter (2024) review

A fun but very forgettable experience.

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Jun 30, 2024 • Subscribe

City Hunter

Short Movie Time: Bottle George (2024) [Japan Cuts 2024]

An instant stop-motion classic

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Jun 26, 2024 • Subscribe

Short Movie Time: Hail Mary (2023) review [Japan Cuts 2024]

Nakamura succeeds in making the spectator care for Maria and impact him/her emotionally with her tragedy.   

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Jun 23, 2024 • Subscribe

Secret: A Hidden Score (2024) review [Nippon connection 2024]

Spectators who like piano and pianists might find something to enjoy in this emotionally impotent narrative.

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Jun 19, 2024 • Subscribe

Penalty Loop (2024) review [Nippon Connection 2024]

The way Araki resolves the narrative’s thematical questions concerning vengeance and the working-through of trauma will divide spectators

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Jun 17, 2024 • Subscribe

18×2 Beyond Youthful Days (2024) review [Nippon Connection 2024]

Fujii proves that the tropes of the romance genre can still be exploited in a refreshing and emotionally satisfying manner.

psycho-cinematography

Jun 13, 2024 • Subscribe

Tokyo Revengers 2: Bloody Halloween – decisive battle (2023) review

Hanabusa can finally do what he does well: deliver dramatic moments whose origin lie in narrative twists or in unexpected turns in the bursts of violence.

psycho-cinematography

Jun 11, 2024 • Subscribe

Tokyo Revengers, Revenger

Yin Yang Master Zero (2024) review [Nippon Connection 2024]

A fantastical visual experience like no other.

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Jun 8, 2024 • Subscribe

A Story Written With Water (1965) review

An exquisitely layered psychological drama that unveils how a subject’s fixation on a phantasmatic image disrupts his ability to commit himself romantically to the female other

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Apr 26, 2024 • Subscribe

veil

Black Tight Killers (1966)

A stylish and visually dazzling romp with lots of action and sensuality

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Apr 23, 2024 • Subscribe

Yoko (2023) review

A complex full-bodied filmic wine that cannot but stir the spectator’s emotions.

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Apr 20, 2024 • Subscribe

Bad Lands (2023) review

The incredibly well-crafted narrative structure, fuelled by Sakura Ando’s extremely satisfying performance, ensures that the spectator remains engaged from start and finish

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Apr 16, 2024 • Subscribe

Kanon

Undercurrent (2023) review

Imaizumi delivers an engaging but understated emotional experience that explores the deceptive nature of imaginary veil that binds two subjects together.

psycho-cinematography

Apr 13, 2024 • Subscribe

veil

Kisaragi Station (2022) review

Thanks to a good narrative structure and pleasant performance this low-budget horror film succeeds in engaging and satisfying the spectator.

psycho-cinematography

Apr 10, 2024 • Subscribe

Performing Kaoru’s Funeral (2023) review [OAFF 2024]

Yuasa’s narrative shows that the unavoidable presence of death during a funeral can allow a subject to re-route his own trajectory.

psycho-cinematography

Apr 7, 2024 • Subscribe

Faraway Family (2023) review [OAFF 2024]

A very touching narrative that explores the frail position of the father and how his structural failure can cause subjective struggles and inhibitions.

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Apr 4, 2024 • Subscribe

Blue Imagine (2024) review [OAFF 2024]

A powerful reminder of the sexual transgressions that structurally plague the Japanese film industry

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Apr 1, 2024 • Subscribe

Snowdrop (2024) review [OAFF 2024]

A complex character portrait that touchingly illustrates how easy it is to misrecognize the logic of the subject-supposed-to-be-in-need.

psycho-cinematography

Mar 29, 2024 • Subscribe

Short Movie Time: Perfect・Nervous (2024) review [OAFF 2024]

An exquisitely crafted narrative that touchingly shows that a simple encounter, a simple exchange of signifiers, can turn a wish to die into a desire to life.

psycho-cinematography

Mar 26, 2024 • Subscribe

Wash Away (2024) review [OAFF 2024]

A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.

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Mar 23, 2024 • Subscribe

Short Movie Time: On a Boat (2024) review [OAFF 2024]

The exploration of the frail stability of an obsessional neurotic does not miss its impact on the spectator.

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Mar 20, 2024 • Subscribe

Melody

Amalock (2024) review [OAFF 2024]

A narrative that fluidly combines comedy and tragedy to deliver an experience of smiles and tears.

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Mar 17, 2024 • Subscribe

Sumiko 22 (2024) review [OAFF 2024]

A subtle but playful narrative about a subject who slowly tries to crawl out the hole of emptiness and diminished self-worth.

psycho-cinematography

Mar 14, 2024 • Subscribe

Sumiko

Short Movie Time: Ririka of the Star (2024) review [OAFF 2024] 

A narrative that does not merely emphasize the beauty of moving female body, but reveals that such beauty can change subjects.

psycho-cinematography

Mar 11, 2024 • Subscribe

Memories of this Scent (2024) review [OAFF 2024]

An endearing and fragrance rich tale of subjective change.

psycho-cinematography

Mar 8, 2024 • Subscribe

Ask For The Moon (2022) review [OAFF 2024]

A satisfying narrative that illustrates how the subject’s ego is but a response to his complexes and struggles.

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Mar 5, 2024 • Subscribe

Suton (2024) review [OAFF 2024]

Rikako Watanabe’s narrative succeeds to echo the unvocalized ‘pandemic’ truth of many.

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Mar 2, 2024 • Subscribe

Tokyo Revengers 2: Bloody Halloween Destiny (2023) review

A prime example of a cinematic narrative that is solely made for the fans of the manga and the anime.

psycho-cinematography

Feb 28, 2024 • Subscribe

Revenger, Tokyo Revengers

Godzilla: Destroy All Monsters (1968) review [The Godzilla Project]

Honda delivers another narrative in which Otherness is feared and a deceptive imaginary sense of societal harmony is subtly celebrated.

psycho-cinematography

Feb 25, 2024 • Subscribe

Kingdom III: Flame of Destiny (2023) review

A straightforward action-epic that delivers everything fans of the manga and the anime desire.

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Feb 22, 2024 • Subscribe

Monster (2023) review

Kore-eda succeeds in delivering an utterly engaging narrative about the fundamental misunderstanding that underpins our fabrication of our truth.

psycho-cinematography

Feb 19, 2024 • Subscribe

Immersion (2023) review

Spectators looking for something new and fresh will find little to like about Shimizu’s latest.

psycho-cinematography

Feb 16, 2024 • Subscribe

The Fall Of Ako Castle (1978) review

Fukasaku has crafted a period piece that, due to its impeccable dramatic pacing, has to be counted among the best

psycho-cinematography

Feb 13, 2024 • Subscribe