Anime Blog Tracker

Moonlight Shadow (2021) review

“One of the most touching explorations of the inability to mourn and what can enable the subject to embark on the journey of saying goodbye.”

psycho-cinematography

5 hours ago • Subscribe

Legends of the poisonous seductress: Quick-draw Okatsu (1969) review

“Nakagawa offers everything a spectator and fan has come to except from the genre: exciting action and violent exploitation.”

psycho-cinematography

3 days ago • Subscribe

Short Movie Time: Bath House of Whales (2019) review [Japan Cuts 2020]

Introduction Mizuki Kiyama’s graduation short film Bath House of Whales is a creative reworking of her memories of accompanying her mother, a person of Korean descent living in…

psycho-cinematography

6 days ago • Subscribe

Spaghetti Code Love (2021) review [Japan Cuts 2021]

“Maruyama’s narrative speaks powerfully to the spectator’s subjectivity – his fears and hopes – and enables his evocation of a glimmer of hope that remains present in this…

psycho-cinematography

9 days ago • Subscribe

Last Of The Wolves (2021) review

“Kazuya Shiraishi delivers, with his sequel, another amazing and highly entertaining yakuza/police thriller.”

psycho-cinematography

12 days ago • Subscribe

Short Movie Time: Go Seppukku Yourselves (2021) review [Japan Cuts 2021]

“An enthralling audiovisual experience and a powerful critique of the Japanese political system.”

psycho-cinematography

16 days ago • Subscribe

461 Days of Bento: A Promise Between Father and Son (2020) review [Camera Japan Festival]

“A heartwarming narrative that does not only affirm that food is what brings people together, but also that the very act of preparing food, in many cases, functions…

psycho-cinematography

18 days ago • Subscribe

Closet (2020) review [Camera Japan Festival]

“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”

psycho-cinematography

22 days ago • Subscribe

Between Us (2021) review [Camera Japan Festival]

“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”

psycho-cinematography

25 days ago • Subscribe

I Never Shot Anyone (2020) review [Camera Japan Festival]

“Sakamoto creates a nice, pleasant ride, but one that will be easily forgotten.”  

psycho-cinematography

a month ago • Subscribe

Remain in Twilight (2021) review [Camera Japan Festival]

“Matsui delivers another masterpiece that will long linger in the spectator’s mind.”

psycho-cinematography

a month ago • Subscribe

The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]

“A satisfying sequel that fans of Fable’s first outing should not pass this up.”   

psycho-cinematography

Sep 23, 2021 • Subscribe

It’s a summer film (2021) review [Camera Japan Festival]

“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…

psycho-cinematography

Sep 21, 2021 • Subscribe

Kirara

Georama Boy Panorama Girl (2020) review [Fantasia Film Festival]

‘Seta’s poetically composed narrative blows a fresh breeze into the ‘traditional’ Japanese romance genre.’

psycho-cinematography

Sep 18, 2021 • Subscribe

Girl from Phantasia

Town Without Sea (2020) review [Japan Cuts 2021]

“A visually engaging narrative about the nature of happiness and the importance of desire that is highly relevant for Japanese youth.”

psycho-cinematography

Sep 15, 2021 • Subscribe

Mari and Mari (2021) review [Japan Cuts 2021]

“A beautiful narrative that seems to bear no relation to our romantic life at first, but ultimately hits close to home.”    

psycho-cinematography

Sep 12, 2021 • Subscribe

The Goldfish Dreaming Of The Sea (2021) review [Japan Cuts 2021]

“Ogawa’s thoughtful lyricism that gives the emotionality of the performances their power to touch the spectator and enables her exploration of the difficulty to separate from one’s mother…

psycho-cinematography

Sep 9, 2021 • Subscribe

Talking The Pictures (2019) review [Japan Cuts 2021]

“Mayayuki’s celebration of cinematic history deeply satisfies the spectator’s desire to see cinema as an experience that can touch our being and the art of the benshi triumph.&#82…

psycho-cinematography

Sep 6, 2021 • Subscribe

Hiroku The Goblin (1991) review [Japan Cuts 2021]

‘A classic that offers an unforgettable experience that is as touchingly lighthearted as is it disturbingly horrifying.’

psycho-cinematography

Sep 3, 2021 • Subscribe

Kiba: Fangs of Fiction (2021) review [Japan Cuts 2021]

“Daihachi Yoshida succeeds in turning Shiota’s interesting story and fascinating world of publishing and bookstores into an engaging and pleasant filmic narrative.”

psycho-cinematography

Aug 31, 2021 • Subscribe

Kiba

The Great Yokai War – Guardians (2021) review [Japan Cuts 2021]

“A pleasant and truly satisfying ride for the whole family.”

psycho-cinematography

Aug 28, 2021 • Subscribe

The Great Yokai War – Guardians (2021) review [Japan Cuts 2021]

“A pleasant and truly satisfying ride for the whole family.”

psycho-cinematography

Aug 25, 2021 • Subscribe

Dreams of Fire (2021) review [Fantasia Film festival]

“McKie’s film is not only the best dance-film of recent years but might very well be one of the best Japanese films to be released this year.”

psycho-cinematography

Aug 25, 2021 • Subscribe

Girl from Phantasia

Fortune Favors Lady Nikuko (2021) [Fantasia Film festival]

“A great animation film that offers an emotional and moving celebration of the strength of the bond between a daughter and a mother.”

psycho-cinematography

Aug 22, 2021 • Subscribe

Girl from Phantasia, Fortune Favors Lady Nikuko

Jigoku-no-hanazono ～Office Royale～ (2021) review [Fantasia Film Festival]

“An absurd and crazy cocktail full of violence and funny twists and unexpected turns.”

psycho-cinematography

Aug 19, 2021 • Subscribe

Girl from Phantasia

Tokyo Revengers (2021) Review [Fantasia Film Festival]

“An exciting blend of satisfying violence, tensive moments, surges of pleasing lightheartedness, and touching emotional moments.”

psycho-cinematography

Aug 16, 2021 • Subscribe

Girl from Phantasia, Tokyo Revengers

Hold Me Back (2020) review [Fantasia Film Festival]

“Ohku delivers, once again, a refreshing and highly touching romance-comedy.”

psycho-cinematography

Aug 13, 2021 • Subscribe

Girl from Phantasia

A Beast In Love (2020) review [JFFH 2021]

“A divisive exploration of various sides of the crazy little thing called love but also a demented finale, which is as disturbingly violent as it is shockingly romantic.”

psycho-cinematography

Aug 10, 2021 • Subscribe

Love, Live, and Goldfish (2021) review [Fantasia Film Festival]

“While Makabe’s narrative does not offer anything truly new or groundbreaking, what it does brings to the table is served with excellence.”

psycho-cinematography

Aug 6, 2021 • Subscribe

Girl from Phantasia

Follow The Light (2021) review [Fantasia Festival 2021]

The narrative might not offer anything new at a thematical level, but stands out due to his refusal to spell things out and, instead, imply certain subjective truths…

psycho-cinematography

Aug 3, 2021 • Subscribe

Girl from Phantasia

Short Movie Time: Yamome (2018)

A pleasant short film that highlights that deception in romance finds its ultimate support in the subject’s desire to be loved.

psycho-cinematography

Aug 1, 2021 • Subscribe

Flavour of Green Tea Over Rice (1952) review

A heartwarming and lighthearted narrative that shows how women, within the societal device of arranged marriage as well as within the modern device of marriages out of love,…

psycho-cinematography

Jul 29, 2021 • Subscribe

Fantasia Film Festival: 7 Films not to miss.

This year, we, once again, explored the wide selection of films screening at the festival to select some films that we, psychocinematography, duly recommend to the audiences.

psycho-cinematography

Jul 26, 2021 • Subscribe

Girl from Phantasia

R100 (2013) review

“A truly enjoyable comical experience.”

psycho-cinematography

Jul 23, 2021 • Subscribe

Blind Bombing, Filmed by a Bat (2019) review [Japan Cuts 2020]

 Introduction Kota Takeuchi is man of many creative talents, but whatever he does – be it painting, filming, or sculpting – it is related to historical or contemporary…

psycho-cinematography

Jul 20, 2021 • Subscribe

Giants and Toys (1958) review

A classic that, as a critique of capitalism and materialism, has not lost any of its relevance.

psycho-cinematography

Jul 16, 2021 • Subscribe

Hit Me Anyone One More Time (2019) review [Nippon connection Online]

“A pleasant lighthearted narrative that expresses a (vain?) hope for a more thoughtful form of Japanese politics.”

psycho-cinematography

Jul 14, 2021 • Subscribe

Extraneous Matter – Complete edition (2020) review [Nippon Connection 2021]

“A great erotic sci-fi narrative that explores, in an engaging way, the need for a certain amount of sexual desire to make the dynamic of a romantic relation…

psycho-cinematography

Jul 11, 2021 • Subscribe

His (2020) review [Nippon Connection 2021]

A touching and heartwarming romance drama that captivates the spectator not only because it’s driven by romantic feelings feel genuine, but also because the truth of love is…

psycho-cinematography

Jul 8, 2021 • Subscribe

Beyond the two infinite minutes (2021) review [Nippon connection 2021]

“A highly entertaining and cleverly constructed sci-fi film that not only underlines the power of romantic desire, but also reveals how tricky knowing the future can be.”

psycho-cinematography

Jul 5, 2021 • Subscribe

Sasaki In My Mind (2020) review [Nippon Connection 2021]

“Uchiyama delivers a great and finely composed narrative that explores the ephemeral character of relationships that find their sole strength in the imaginary, in the thirst for gaining…

psycho-cinematography

Jul 2, 2021 • Subscribe

Stormy Family (2019) review [Nippon Connection 2021]

“A great narrative that succeeds in exploring the very way that imaginary injuries and resentments erode family bonds, by causing a subjective blindness for the suffering of the…

psycho-cinematography

Jun 29, 2021 • Subscribe

Megumi

The Town of Headcounts (2020) review [Nippon Connection 2021]

“His dystopian ‘thriller’ does not only masterly highlight, in a chilling way, the various ills that marks contemporary society, but also shows, that within such dystopian world, a…

psycho-cinematography

Jun 26, 2021 • Subscribe

Wonderful Paradise (2020) review [Nippon Connection 2021]

A great experiment of the absurd, but its full potential to satisfy the spectator is hindered by its somewhat lackluster composition.  

psycho-cinematography

Jun 23, 2021 • Subscribe

The Promised Land (2019) review [Nippon Connection 2021]

A beautifully composed and highly relevant narrative about destructive kinds of social violence, a social violence against the Otherness present in the community and an ostracizing violence to…

psycho-cinematography

Jun 20, 2021 • Subscribe

My Blood and Bones in a Flowing Galaxy (2021) review [Nippon Connection 2021]

“A great narrative, due to its emotionally gripping finale and the crystal-clear manner by which Sabu explores and uncovers the impact of a vicious environment on the way…

psycho-cinematography

Jun 17, 2021 • Subscribe

New Neighbour (2013) review

“A pleasant narrative that underlines, in more ways than one, the fact that sexuality can be very problematic for a (female) subject.”

psycho-cinematography

Jun 13, 2021 • Subscribe

Bolt (2020) review [Nippon Connection 2021]

“A great narrative by Kaizo Hayashi that explores, via the structure fiction, the truth of three different affects – responsibility, guilt, and sadness through loss – during and…

psycho-cinematography

Jun 11, 2021 • Subscribe

Under The Open Sky (2020) review [Nippon Connection 2021]

“A (damning) look at the vicious and unforgiven nature of the judgmental Other as well as heartwarming emotionally rich exploration of the importance of supportive inter-subjective social bon…

psycho-cinematography

Jun 8, 2021 • Subscribe

Ride Or Die (2021) review

“A highly enjoyable romance narrative that thrives on a rich current of heartfelt romantic and raw natural emotions. “

psycho-cinematography

Jun 5, 2021 • Subscribe