Anime Blog Tracker

Amalock (2024) review [OAFF 2024]

A narrative that fluidly combines comedy and tragedy to deliver an experience of smiles and tears.

psycho-cinematography

Mar 17, 2024 • Subscribe

Suton (2024) review [OAFF 2024]

Rikako Watanabe’s narrative succeeds to echo the unvocalized ‘pandemic’ truth of many.

psycho-cinematography

Mar 2, 2024 • Subscribe

Blue Imagine (2024) review [OAFF 2024]

A powerful reminder of the sexual transgressions that structurally plague the Japanese film industry

psycho-cinematography

Apr 1, 2024 • Subscribe

Sumiko 22 (2024) review [OAFF 2024]

A subtle but playful narrative about a subject who slowly tries to crawl out the hole of emptiness and diminished self-worth.

psycho-cinematography

Mar 14, 2024 • Subscribe

Sumiko

Wash Away (2024) review [OAFF 2024]

A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.

psycho-cinematography

Mar 23, 2024 • Subscribe

Snowdrop (スノードロップ, Kota Yoshida, 2024)

The confrontation with the misery of her life pushes one woman towards despair and desperation in Kota Yoshida’s gritty indie drama.

Windows on Worlds

Mar 6, 2024 • Subscribe

Faraway Family (2023) review [OAFF 2024]

A very touching narrative that explores the frail position of the father and how his structural failure can cause subjective struggles and inhibitions.

psycho-cinematography

Apr 4, 2024 • Subscribe

Memories of this Scent (2024) review [OAFF 2024]

An endearing and fragrance rich tale of subjective change.

psycho-cinematography

Mar 8, 2024 • Subscribe

Short Movie Time: Perfect・Nervous (2024) review [OAFF 2024]

An exquisitely crafted narrative that touchingly shows that a simple encounter, a simple exchange of signifiers, can turn a wish to die into a desire to life.

psycho-cinematography

Mar 26, 2024 • Subscribe

Performing Kaoru’s Funeral (2023) review [OAFF 2024]

Yuasa’s narrative shows that the unavoidable presence of death during a funeral can allow a subject to re-route his own trajectory.

psycho-cinematography

Apr 7, 2024 • Subscribe

Short Movie Time: On a Boat (2024) review [OAFF 2024]

The exploration of the frail stability of an obsessional neurotic does not miss its impact on the spectator.

psycho-cinematography

Mar 20, 2024 • Subscribe

Melody

Ask For The Moon (2022) review [OAFF 2024]

A satisfying narrative that illustrates how the subject’s ego is but a response to his complexes and struggles.

psycho-cinematography

Mar 5, 2024 • Subscribe

Short Movie Time: Ririka of the Star (2024) review [OAFF 2024] 

A narrative that does not merely emphasize the beauty of moving female body, but reveals that such beauty can change subjects.

psycho-cinematography

Mar 11, 2024 • Subscribe

Snowdrop スノードロップ Director: Kota Yoshida [Osaka Asian Film Festival 2024]

Snowdrop スノードロップ, by director Kota Yoshida, is a socially conscious domestic drama/character study that looks at the welfare system via a woman chased by the trauma of abandonment…

Genkinahito

Mar 5, 2024 • Subscribe

Cafune (2023) review [OAFF 2023]

A very strong debut by Haruki Kinemura.

psycho-cinematography

Mar 28, 2023 • Subscribe

Melting Sounds (2022) review [OAFF 2022]

“Kahori Higashi’s debut is impressive.”

psycho-cinematography

Apr 14, 2022 • Subscribe

Random Call (2022) review [OAFF 2022]

Ohkanda’s narrative proves that one does not need a big budget to deliver a narrative that touches the spectator.

psycho-cinematography

Apr 20, 2022 • Subscribe

Angry Son (2022) review [OAFF 2022]

“An incredibly rich and deep narrative that not only delivers a satisfying coming-of-age story but also an elegantly delivered social commentary on some of the frictions marking Japanese…

psycho-cinematography

Mar 18, 2022 • Subscribe

Goto-san (2021) review [OAFF 2021]

“Gokan expertly reveals the position of the freeter as an attempt to escape the capitalistic machinery but also as a position that most easily falls prey to the…

psycho-cinematography

Apr 24, 2021 • Subscribe

OAFF 2022 Special

 Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…

Heroic Purgatory

Mar 28, 2022 • Subscribe

OAFF 2022 Special

 Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…

Heroic Purgatory

Mar 28, 2022 • Subscribe

OAFF 2022 Special

 Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…

Heroic Purgatory

Mar 28, 2022 • Subscribe

Side by Side (2023) review [OAFF 2023]

A peaceful dream-like visual experience that celebrates both the impact subjects have on each other as well as the manner in which the subject remains opaque to himself…

psycho-cinematography

Mar 19, 2023 • Subscribe

Our House Party (2022) review [OAFF 2022]

Kawanobe delivers a very touching and emotional story about homosexuality in Japan.

psycho-cinematography

Apr 11, 2022 • Subscribe

Sweet Bitter Candy (2021) review [OAFF 2021]

“An amazing exploration of the clash between a sweet youthful romantic desire and the bitter urge of a wounded subject to defend his subjective wounds.”

psycho-cinematography

Apr 30, 2021 • Subscribe

Short Movie Review: Natsuko (2020) [OAFF 2022]

“A splendid debut by Shuna Iijima.”

psycho-cinematography

Mar 27, 2022 • Subscribe

A New Wind Blows (2021) review [OAFF 2021]

A great film that shows that the madness of the male subject is often function of a woman, of a woman that unknowingly puts the by a man…

psycho-cinematography

Apr 20, 2021 • Subscribe

Short Movie Time: Outsourcing (2022) review [OAFF 2022]

“A very satisfying satirical short thta shows that, within the job-seeking process, only the image matters.”

psycho-cinematography

Apr 17, 2022 • Subscribe

Far Away, Further Away (2022) review [OAFF 2022]

“A beautiful film that elegantly explores the role the imaginary plays in marital failure as well as in the beginning of a new romantic bond.”

psycho-cinematography

Apr 2, 2022 • Subscribe

Sanka: Nomads of the Mountains (2022) review [OAFF 2022]

“A visually enticing narrative that elegantly explores the unresolvable tension between the societal Other and the subject.”

psycho-cinematography

Apr 8, 2022 • Subscribe

Short Movie Time: Bagmati River (2022) review [OAFF 2022]

“A beautiful poetic short that elegantly plays with the contrast between life and death.”

psycho-cinematography

Mar 24, 2022 • Subscribe

The Burden Of The Past (2023) review [OAFF 2023]

With his latest drama film, Funahashi’s delivers a contender for this year’s best Japanese film.

psycho-cinematography

Mar 13, 2023 • Subscribe

The Light Of The Spring (2022) review [OAFF 2022]

“An experimental ‘dramamentary’ that succeeds to charm and touch the spectator with its rich mundane and genuine interactions.”

psycho-cinematography

Mar 20, 2022 • Subscribe

When morning comes, I feel empty (2023) review [OAFF 2023]

A slow moving narrative that accumulates in a subtle but touching shift in the subjective position of its protagonist.

psycho-cinematography

Apr 12, 2023 • Subscribe

Short movie time: North Shinjuku 2055 (2021) review [OAFF 2022]

“A pleasant experimental short.”

psycho-cinematography

Mar 30, 2022 • Subscribe

People Who Talk to Plushies Are Kind (2023) review [OAFF 2023]

Kaneko convincingly shows that the symptomatic usage of the plushie attempts to repair the tensive bond with the Other or subdue its overbearing presence.

psycho-cinematography

Mar 16, 2023 • Subscribe

Belonging (2024) review [Japannual 2024]

Higashi delivers a touching exploration of love after death.

psycho-cinematography

18 days ago • Subscribe

To Be Killed by a High School Girl (2022) review [OAFF 2022]

“The effective interaction between his fluid composition, the great narrative structure, and the thematical exploration of trauma and perverse fantasies ensures that the film hits all the rig…

psycho-cinematography

Apr 5, 2022 • Subscribe

Short Movie Time: Kanro (2023) [OAFF 2023]

A simple but effective short that explores inter-subjective distance and the desire to bridge it in a surprising and satisfying way.

psycho-cinematography

Mar 21, 2023 • Subscribe

Review: Decoded (2024)

Decoded 解密 China, 2024, colour, 2.35:1, 155 mins. Director: Chen Sicheng 陈思诚. Rating: 8/10. Belated return to form by film-maker Chen Sicheng is a strongly written, subtly played…

Sino-Cinema 《神州电影》

Oct 13, 2024 • Subscribe

Review: YOLO (2024)

YOLO 热辣滚烫 China, 2024, colour, 2.35:1, 128 mins. Director: Jia Ling 贾玲. Rating: 7/10. Mainland comedienne Jia Ling’s second feature as writer-director-star hits the bell again, if not…

Sino-Cinema 《神州电影》

May 27, 2024 • Subscribe

Review: Upstream (2024)

Upstream 逆行人生 China, 2024, colour, 2.35:1, 120 mins. Director: Xu Zheng 徐峥. Rating: 6/10. A black but ultimately warm comedy, set among Shanghai’s community of food deliverers, shows…

Sino-Cinema 《神州电影》

20 days ago • Subscribe

Jinsei - Life Consulting

Short Movie Time: TOMA #2 (2023) [OAFF 2023]

A touching narrative that explores the difficulty for the subject to give the Othering effect of dementia on a family member a place

psycho-cinematography

Mar 12, 2023 • Subscribe

Short Movie Time: Detouring Blue (2023) (OAFF 2023)

A highly recommended short that touchingly shows that what dooms the subject to the de-subjectifying effect of the societal Other or to the birth of a subjective deadlock…

psycho-cinematography

Mar 23, 2023 • Subscribe

Penalty Loop (2024) review [Nippon Connection 2024]

The way Araki resolves the narrative’s thematical questions concerning vengeance and the working-through of trauma will divide spectators

psycho-cinematography

Jun 17, 2024 • Subscribe

Desert of Namibia (2024) review [Japannual 2024]

Yoko Yamanaka delivers a cinematic masterpiece of subjectivity.

psycho-cinematography

6 days ago • Subscribe

Review: Black Dog (2024)

Black Dog 狗阵 China, 2024, colour, 2.35:1, 115 mins. Director: Guan Hu 管虎. Rating: 8/10. Elemental story of re-birth and renewal in a run-down town in northwest China…

Sino-Cinema 《神州电影》

Aug 31, 2024 • Subscribe

City Hunter (2024) review

A fun but very forgettable experience.

psycho-cinematography

Jun 30, 2024 • Subscribe

City Hunter

Review: The Victims (2024)

The Victims 黄雀在后！ China, 2024, colour, 2.35:1, 98 mins. Directors: Xu Wei 徐伟, He Wenchao 何文超. Rating: 7/10. Richly cast, this well-mounted whodunit is 100% plot and procedure…

Sino-Cinema 《神州电影》

Jun 3, 2024 • Subscribe

Review: Pegasus 2 (2024)

Pegasus 2 飞驰人生2 China, 2024, colour, 2.35:1, 120 mins. Director: Han Han 韩寒. Rating: 6/10. More of the same and with knobs on, plus another effortless lead by…

Sino-Cinema 《神州电影》

May 20, 2024 • Subscribe

Jinsei - Life Consulting