“A visually enticing narrative that elegantly explores the unresolvable tension between the societal Other and the subject.”
Apr 8, 2022 • Subscribe
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SANKA: Nomads of the Mountains 山歌 Director: Ryohei Sasatani [Osaka Asian Film Festival 2022]
SANKA: Nomads of the Mountains 山歌 Director: Ryohei Sasatani [Osaka Asian Film Festival 2022]
SANKA: Nomads of the Mountains 山歌 Director: Ryohei Sasatani [Osaka Asian Film Festival 2022] Rewrite
SANKA: Nomads of the Mountains 山歌 Director: Ryohei Sasatani [Osaka Asian Film Festival 2022]
Sanka: Nomads of the Mountain (山歌, Ryohei Sasatani, 2022)
A young man finds himself caught between the new Japan and the old while befriending the last remnants of a nomadic people in Ryohei Sasatani’s poetic drama.
An Interview with Ryohei Sasatani, Director of SANKA: Nomads of the Mountains 山歌 [Osaka Asian Film Festival 2022]
An Interview with Ryohei Sasatani, Director of SANKA: Nomads of the Mountains 山歌 [Osaka Asian Film Festival 2022] – Available in Japanese and English!
The Light Of The Spring (2022) review [OAFF 2022]
“An experimental ‘dramamentary’ that succeeds to charm and touch the spectator with its rich mundane and genuine interactions.”
Random Call (2022) review [OAFF 2022]
Ohkanda’s narrative proves that one does not need a big budget to deliver a narrative that touches the spectator.
Melting Sounds (2022) review [OAFF 2022]
“Kahori Higashi’s debut is impressive.”
Angry Son (2022) review [OAFF 2022]
“An incredibly rich and deep narrative that not only delivers a satisfying coming-of-age story but also an elegantly delivered social commentary on some of the frictions marking Japanese…
Our House Party (2022) review [OAFF 2022]
Kawanobe delivers a very touching and emotional story about homosexuality in Japan.
The Wonder Of a Summer Day (2022) [OAFF 2022]
“A visually pleasing narrative that underlines, in a charming and touching way, the importance for the subject to find the kind of signifiers that can unlock his/her deadlock.”
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
Far Away, Further Away (2022) review [OAFF 2022]
“A beautiful film that elegantly explores the role the imaginary plays in marital failure as well as in the beginning of a new romantic bond.”
Short Movie Time: Outsourcing (2022) review [OAFF 2022]
“A very satisfying satirical short thta shows that, within the job-seeking process, only the image matters.”
Ask For The Moon (2022) review [OAFF 2024]
A satisfying narrative that illustrates how the subject’s ego is but a response to his complexes and struggles.
Out of TOKYO 202x (Japan, 2022) [OAFF 2022]
Jason Maher reviews Akinori Ikuse's short film Out of TOKYO 202x.
Short Movie Time: Bagmati River (2022) review [OAFF 2022]
“A beautiful poetic short that elegantly plays with the contrast between life and death.”
Short Movie Review: Natsuko (2020) [OAFF 2022]
“A splendid debut by Shuna Iijima.”
North Shinjuku 2055 (Japan, 2022) [OAFF 2022]
Jason Maher reviews Daisuke Miyazaki's sci-fi short North Shinjuku 2055.
The Burden Of The Past (2023) review [OAFF 2023]
With his latest drama film, Funahashi’s delivers a contender for this year’s best Japanese film.
To Be Killed by a High School Girl (2022) review [OAFF 2022]
“The effective interaction between his fluid composition, the great narrative structure, and the thematical exploration of trauma and perverse fantasies ensures that the film hits all the rig…
H.P. Lovecraft’s At the Mountains of Madness
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Shikaba uses his Vermilion Mist, all heck is breaking loose in Elbaph, and the Death Devil shows us who they really are! 2:56 - Ichi the Witch 28 15:15 -…
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“A pleasant experimental short.”
Interview with Azusa Hieda, Director of Summer Wedding [OAFF 2022]
Azusa Hieda’a short film Summer Wedding received its World Premiere at the Osaka Asian Film Festival 2022 where it was one of the few films to directly use the Covid-19…
Interview with Kasho Iizuka, Director of Angry Son [OAFF 2022]
Jason Maher talks to Kasho Iizuka about his drama Angry Son.
Character Analysis: Rea Sanka
You know, in a certain way Rea Sanka, the titular character of Sankarea, is one of the saddest characters in anime. Sure, there are characters who are supposed…
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An endearing and fragrance rich tale of subjective change.
Amalock (2024) review [OAFF 2024]
A narrative that fluidly combines comedy and tragedy to deliver an experience of smiles and tears.
Snowdrop (2024) review [OAFF 2024]
A complex character portrait that touchingly illustrates how easy it is to misrecognize the logic of the subject-supposed-to-be-in-need.
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A very strong debut by Haruki Kinemura.
Suton (2024) review [OAFF 2024]
Rikako Watanabe’s narrative succeeds to echo the unvocalized ‘pandemic’ truth of many.
The Girl on a Bulldozer (South Korea, 2021) [OAFF 2022]
John Atom reviews Park Ri-Woong's social drama The Girl on a Bulldozer.
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Jason Maher talks to Daisuke Miyazaki about his sci-fi short North Shinjuku 2055.
Short Movie Time: Ririka of the Star (2024) review [OAFF 2024]
A narrative that does not merely emphasize the beauty of moving female body, but reveals that such beauty can change subjects.
First Impression: The Faraway Paladin: The Lord of the Rust Mountains
The Faraway Paladin, Will, is back—older and with a deeper voice than ever before! Yes, a couple of years have passed since our technically isekai’d protagonist accepted a…
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The neatly interwoven narrative fabric, which evokes the dimension of loss in various forms, beautifully sketches out the importance for the subject to construct a narrative to support…
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A powerful reminder of the sexual transgressions that structurally plague the Japanese film industry
Good Luck (2025) review [OAFF 2025]
Shin Adachi utilizes the dynamic of the encounter to examine the problem of desiring within the societal field and the way desire give rise to misunderstanding between subjects.
Faraway Family (2023) review [OAFF 2024]
A very touching narrative that explores the frail position of the father and how his structural failure can cause subjective struggles and inhibitions.
Yoyogi Johnny (2025) review [OAFF 2025]
Kimura’s choice to give the tragical dimension of love a deadpan comical twist pays off, creating a unique narrative that will resonate with youth and those who have…
Goto-san (2021) review [OAFF 2021]
“Gokan expertly reveals the position of the freeter as an attempt to escape the capitalistic machinery but also as a position that most easily falls prey to the…
Wash Away (2024) review [OAFF 2024]
A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.
Sumiko 22 (2024) review [OAFF 2024]
A subtle but playful narrative about a subject who slowly tries to crawl out the hole of emptiness and diminished self-worth.
S3E04 - HP Lovecrafts' At the Mountains of Madness, Heavenly Delusion
In this episode of Screentone Club Elliot and Andy find themselves At the Mountains of Madness before falling prey to a Heavenly Delusion! Series Discussed: HP Lovecrafts At the…
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“Yama o wataru” – The Mountains Are Calling
Yama o wataru (in English: Crossing mountains) is for those who love the outdoors but also for those who have yet to discover its charms. If you’re curious…
“Yama o wataru” – The Mountains Are Calling
Yama o wataru (Crossing mountains) is for those who love the outdoors but also for those who have yet to discover its charms. If you’re curious about mountaineering,…