“Gokan expertly reveals the position of the freeter as an attempt to escape the capitalistic machinery but also as a position that most easily falls prey to the ugliest structures of exploita…
Apr 24, 2021 • Subscribe
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Sweet Bitter Candy (2021) review [OAFF 2021]
“An amazing exploration of the clash between a sweet youthful romantic desire and the bitter urge of a wounded subject to defend his subjective wounds.”
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A New Wind Blows (2021) review [OAFF 2021]
A great film that shows that the madness of the male subject is often function of a woman, of a woman that unknowingly puts the by a man…


Goto-san (ゴトーさん, Hiroshi Gokan, 2020)
A young man’s peaceful dropout existence is disrupted by potential romance, a deadly virus, and economic instability in Gokan’s deceptively quirky drama
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Short movie time: North Shinjuku 2055 (2021) review [OAFF 2022]
“A pleasant experimental short.”
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Cafune (2023) review [OAFF 2023]
A very strong debut by Haruki Kinemura.
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Snowdrop (2024) review [OAFF 2024]
A complex character portrait that touchingly illustrates how easy it is to misrecognize the logic of the subject-supposed-to-be-in-need.
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Amalock (2024) review [OAFF 2024]
A narrative that fluidly combines comedy and tragedy to deliver an experience of smiles and tears.
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Suton (2024) review [OAFF 2024]
Rikako Watanabe’s narrative succeeds to echo the unvocalized ‘pandemic’ truth of many.
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Faraway Family (2023) review [OAFF 2024]
A very touching narrative that explores the frail position of the father and how his structural failure can cause subjective struggles and inhibitions.
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V. Maria (2025) review [OAFF 2025]
The neatly interwoven narrative fabric, which evokes the dimension of loss in various forms, beautifully sketches out the importance for the subject to construct a narrative to support…
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Wash Away (2024) review [OAFF 2024]
A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.
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Random Call (2022) review [OAFF 2022]
Ohkanda’s narrative proves that one does not need a big budget to deliver a narrative that touches the spectator.
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Sumiko 22 (2024) review [OAFF 2024]
A subtle but playful narrative about a subject who slowly tries to crawl out the hole of emptiness and diminished self-worth.
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Blue Imagine (2024) review [OAFF 2024]
A powerful reminder of the sexual transgressions that structurally plague the Japanese film industry
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Angry Son (2022) review [OAFF 2022]
“An incredibly rich and deep narrative that not only delivers a satisfying coming-of-age story but also an elegantly delivered social commentary on some of the frictions marking Japanese…
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Melting Sounds (2022) review [OAFF 2022]
“Kahori Higashi’s debut is impressive.”
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
OAFF 2022 Special
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Short Movie Review: Natsuko (2020) [OAFF 2022]
“A splendid debut by Shuna Iijima.”
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Our House Party (2022) review [OAFF 2022]
Kawanobe delivers a very touching and emotional story about homosexuality in Japan.
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Side by Side (2023) review [OAFF 2023]
A peaceful dream-like visual experience that celebrates both the impact subjects have on each other as well as the manner in which the subject remains opaque to himself…
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Performing Kaoru’s Funeral (2023) review [OAFF 2024]
Yuasa’s narrative shows that the unavoidable presence of death during a funeral can allow a subject to re-route his own trajectory.
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Ask For The Moon (2022) review [OAFF 2024]
A satisfying narrative that illustrates how the subject’s ego is but a response to his complexes and struggles.
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Far Away, Further Away (2022) review [OAFF 2022]
“A beautiful film that elegantly explores the role the imaginary plays in marital failure as well as in the beginning of a new romantic bond.”
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Memories of this Scent (2024) review [OAFF 2024]
An endearing and fragrance rich tale of subjective change.
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Short Movie Time: Outsourcing (2022) review [OAFF 2022]
“A very satisfying satirical short thta shows that, within the job-seeking process, only the image matters.”


Osomatsu-San Review
A blog about reviewing anime, anime episodes, anime movies, books, manga and other things.
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An Interview with Mayu Nakamura, Director of Among Four of Us [OAFF 2021/JAPAN CUTS 2021]
An Interview with Mayu Nakamura, Director of Among Four of Us [OAFF 2021/JAPAN CUTS 2021]
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The Light Of The Spring (2022) review [OAFF 2022]
“An experimental ‘dramamentary’ that succeeds to charm and touch the spectator with its rich mundane and genuine interactions.”
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Short Movie Time: Bagmati River (2022) review [OAFF 2022]
“A beautiful poetic short that elegantly plays with the contrast between life and death.”
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The Burden Of The Past (2023) review [OAFF 2023]
With his latest drama film, Funahashi’s delivers a contender for this year’s best Japanese film.
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Sanka: Nomads of the Mountains (2022) review [OAFF 2022]
“A visually enticing narrative that elegantly explores the unresolvable tension between the societal Other and the subject.”
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Short Movie Time: Perfect・Nervous (2024) review [OAFF 2024]
An exquisitely crafted narrative that touchingly shows that a simple encounter, a simple exchange of signifiers, can turn a wish to die into a desire to life.
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When morning comes, I feel empty (2023) review [OAFF 2023]
A slow moving narrative that accumulates in a subtle but touching shift in the subjective position of its protagonist.
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Short Movie Time: On a Boat (2024) review [OAFF 2024]
The exploration of the frail stability of an obsessional neurotic does not miss its impact on the spectator.


Anime short review: Inugami-san to Nekoyama-san
Another anime short, and what a short this time. It’s not the best one I’ve seen, not by a long shot, but it’s unique at least. Inugami-san to…
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Short Movie Time: Ririka of the Star (2024) review [OAFF 2024]
A narrative that does not merely emphasize the beauty of moving female body, but reveals that such beauty can change subjects.
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People Who Talk to Plushies Are Kind (2023) review [OAFF 2023]
Kaneko convincingly shows that the symptomatic usage of the plushie attempts to repair the tensive bond with the Other or subdue its overbearing presence.


Ijiranaide, Nagatoro-san | Anime Review
Ijiranaide, Nagatoro-san has had it’s many ups and downs, I am sure that is something we can all agree upon. Many people found this anime somewhat entertaining, while…
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Review #39 – Sasami-san@Ganbaranai
Title: Sasami-san@Ganbaranai (Sasami Won’t Try Hard)Format: BluRayRelease Date: January 2013Age Rating: 15+ (non-explicit nudity, blood, violence)Genres: drama, psychological, supernatural, c…


SPECIAL TOPIC: The Golden Miracle of Shonen Jump, by editor Goto Hiroki
The 50th anniversary of the world’s most successful manga magazine, Weekly Shonen Jump, in 2018 brought a wave of related products, from reprints of classic magazine issues, a…
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To Be Killed by a High School Girl (2022) review [OAFF 2022]
“The effective interaction between his fluid composition, the great narrative structure, and the thematical exploration of trauma and perverse fantasies ensures that the film hits all the rig…
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Short Movie Time: Kanro (2023) [OAFF 2023]
A simple but effective short that explores inter-subjective distance and the desire to bridge it in a surprising and satisfying way.


Shinmai Fukei Kiruko-san — Manga Review
In every other respect though, Shinmai Fukei Kiruko-san is only okay. It has its fun moments, but struggles to keep itself engaging.


Ijiranaide, Nagatoro-san | Episode 8 Review
Episode Eight Thoughts One thing I will definitely miss about this anime when it does finish is the OP. It’s so good and so catchy; I love those…
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Anime short review: Plastic Nee-san
Some anime you can’t find on streaming services, and today’s subject is one of those series. Plastic Nee-san (also listed as Plastic Elder Sister, Plustic Nee-san, and +tic Nee-san/Elde…


Kiyota-san wa Yogosaretai — Manga Review
Even so, I found Kiyota-san wa Yogosaretai an entertaining manga to read. I binged through its 20-something chapters in a single sitting.
Monster Musume no Oisha-san Review
A lamia, a centaur, a mermaid, a harpy, and a spider-woman. And a slime that one episode. Something about this seems familiar, but I can’t really put my…