A great film that shows that the madness of the male subject is often function of a woman, of a woman that unknowingly puts the by a man assumed phallic position of being desired radically into que…
Apr 20, 2021 • Subscribe
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A New Wind Blows (新しい風, Yutaro Nakamura, 2021)
A collection of Tokyoites have a very weird New Year in Yutaro Nakamura’s ethereal take on imagined futures and misremembered pasts.
A New Wind Blows 新しい風 Dir: Yutaro Nakamura (2021) [Osaka Asian Film Festival 2021]
Fantasy and reality collide in the youth movie A New Wind Blows 新しい風 Dir: Yutaro Nakamura (2021) [Osaka Asian Film Festival 2021]
An Interview with Yutaro Nakamura, Director of A NEW WIND BLOWS [Osaka Asian Film Festival 2021]
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Goto-san (2021) review [OAFF 2021]
“Gokan expertly reveals the position of the freeter as an attempt to escape the capitalistic machinery but also as a position that most easily falls prey to the…
Sweet Bitter Candy (2021) review [OAFF 2021]
“An amazing exploration of the clash between a sweet youthful romantic desire and the bitter urge of a wounded subject to defend his subjective wounds.”
Ito (Japan, 2021) [OAFF 2021]
Jason Maher reviews Satoko Yokohama's comedy-drama Ito.
POP! (Japan, 2021) [OAFF 2021]
Jason Maher reviews Masashi Komura's surreal coming-of-age tale POP!
Where the Wind Blows (風再起時, Philip Yung, 2022)
Colonialism breeds corruption in Philip Yung’s achingly nostalgic evocation of another Hong Kong.
JOINT (Japan, 2020) [OAFF 2021]
Jason Maher reviews Oudai Kojima’s debut feature JOINT.
Gotō-san (Japan, 2020) [OAFF 2021]
Jason Maher reviews Hiroshi Gokan's capitalist critique Gotō-san.
Melting Sounds (Japan, 2021) [OAFF 2022]
Jason Maher reviews Kahori Higashi's debut feature Melting Sounds.
The Girl on a Bulldozer (South Korea, 2021) [OAFF 2022]
John Atom reviews Park Ri-Woong's social drama The Girl on a Bulldozer.
Short movie time: North Shinjuku 2055 (2021) review [OAFF 2022]
“A pleasant experimental short.”
The Slug (South Korea, 2020) [OAFF 2021]
The Slug (South Korea, 2020) [OAFF 2021]
Keep Rolling (Hong Kong, 2020) [OAFF 2021]
Keep Rolling (Hong Kong, 2020) [OAFF 2021]
Three Sisters (South Korea, 2020) [OAFF 2021]
Three Sisters (South Korea, 2020) [OAFF 2021]
117: Fandom Blows Ass
It seems like being into a fandom is just opting in to horrible drama that makes everyone feel bad. The Sickos discuss how they will never join a…
Cafune (2023) review [OAFF 2023]
A very strong debut by Haruki Kinemura.
Snowdrop (2024) review [OAFF 2024]
A complex character portrait that touchingly illustrates how easy it is to misrecognize the logic of the subject-supposed-to-be-in-need.
Suton (2024) review [OAFF 2024]
Rikako Watanabe’s narrative succeeds to echo the unvocalized ‘pandemic’ truth of many.
Amalock (2024) review [OAFF 2024]
A narrative that fluidly combines comedy and tragedy to deliver an experience of smiles and tears.
Interview with JOINT Director Oudai Kojima [OAFF 2021]
Jason Maher talks to JOINT Director Oudai Kojima.
Among Four of Us (Japan, 2020) [OAFF 2021/JAPAN CUTS 2021]
Jason Maher reviews Mayu Nakamura’s short Among Four of Us.
Short Movie Time: On a Boat (2024) review [OAFF 2024]
The exploration of the frail stability of an obsessional neurotic does not miss its impact on the spectator.
Sumiko 22 (2024) review [OAFF 2024]
A subtle but playful narrative about a subject who slowly tries to crawl out the hole of emptiness and diminished self-worth.
Random Call (2022) review [OAFF 2022]
Ohkanda’s narrative proves that one does not need a big budget to deliver a narrative that touches the spectator.
Angry Son (2022) review [OAFF 2022]
“An incredibly rich and deep narrative that not only delivers a satisfying coming-of-age story but also an elegantly delivered social commentary on some of the frictions marking Japanese…
Faraway Family (2023) review [OAFF 2024]
A very touching narrative that explores the frail position of the father and how his structural failure can cause subjective struggles and inhibitions.
Wash Away (2024) review [OAFF 2024]
A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.
Melting Sounds (2022) review [OAFF 2022]
“Kahori Higashi’s debut is impressive.”
Blue Imagine (2024) review [OAFF 2024]
A powerful reminder of the sexual transgressions that structurally plague the Japanese film industry
The Wind Rises Anime Review
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JJBA: Golden Wind—Rapid Review
The fifth part of Jojo’s Bizarre Adventure follows 15-year-old Giorno Giovanna, the son of Dio, in 2001 in Italy. Giorno dreams of becoming a mobster to overthrow his…
The Wind Rises Anime Review
Synopsis: Hayao Miyazaki’s final movie for Studio Ghibli is The Wind Rises, which features Jiro Horikoshi. Jiro has dreamed of The post The Wind Rises Anime Review appeared first…
The Wind Rises Anime Review
The Wind Rises is Miyazaki's final film for Studio Ghibli. The movie follows Jiro Horikoshi, who built Japan's warplanes during WWII.
Interview with Satoko Yokohama, Director of Ito [OAFF 2021]
Jason Maher talks to Ito director Satoko Yokohama.
Interview with Masashi Komura, Director of POP! [OAFF 2021]
Jason Maher talks to Masashi Komura about his surreal comedy POP!
Side by Side (2023) review [OAFF 2023]
A peaceful dream-like visual experience that celebrates both the impact subjects have on each other as well as the manner in which the subject remains opaque to himself…
Our House Party (2022) review [OAFF 2022]
Kawanobe delivers a very touching and emotional story about homosexuality in Japan.
Performing Kaoru’s Funeral (2023) review [OAFF 2024]
Yuasa’s narrative shows that the unavoidable presence of death during a funeral can allow a subject to re-route his own trajectory.
Short Movie Review: Natsuko (2020) [OAFF 2022]
“A splendid debut by Shuna Iijima.”
A new record! Fall 2021 – Weeks 3/4
Something of an unusual occurrence this season, and a second that almost happened… Plus it’s week three, that infamous week, and time to take a look at which shows…
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Striding into the Wind 野马分鬃 China, 2020, colour, 1.85:1, 128 mins. Director: Wei Shujun 魏书钧. Rating: 3/10. Pointless indie production that’s as aimless as its central character, a…
Interview with Hiroshi Gokan, Director of Gotō-san [OAFF 2021]
Jason Maher talks to Gotō-san director Hiroshi Gokan.
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
To Be Killed by a High School Girl (2022) review [OAFF 2022]
“The effective interaction between his fluid composition, the great narrative structure, and the thematical exploration of trauma and perverse fantasies ensures that the film hits all the rig…
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