Ohkanda’s narrative proves that one does not need a big budget to deliver a narrative that touches the spectator.
Apr 20, 2022 • Subscribe
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Random Call (ランダム・コール, Riki Ohkanda, 2022)
A struggling Tokyo actor learns a few life lessons through randomly reconnecting with old friends in Riki Ohkanda’s heartwarming dramedy
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“An incredibly rich and deep narrative that not only delivers a satisfying coming-of-age story but also an elegantly delivered social commentary on some of the frictions marking Japanese…
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“Kahori Higashi’s debut is impressive.”
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Kawanobe delivers a very touching and emotional story about homosexuality in Japan.
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
OAFF 2022 Special
Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…
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Short Movie Time: Outsourcing (2022) review [OAFF 2022]
“A very satisfying satirical short thta shows that, within the job-seeking process, only the image matters.”
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Far Away, Further Away (2022) review [OAFF 2022]
“A beautiful film that elegantly explores the role the imaginary plays in marital failure as well as in the beginning of a new romantic bond.”
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Short Movie Review: Natsuko (2020) [OAFF 2022]
“A splendid debut by Shuna Iijima.”
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Short Movie Time: Bagmati River (2022) review [OAFF 2022]
“A beautiful poetic short that elegantly plays with the contrast between life and death.”
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The Light Of The Spring (2022) review [OAFF 2022]
“An experimental ‘dramamentary’ that succeeds to charm and touch the spectator with its rich mundane and genuine interactions.”
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Sanka: Nomads of the Mountains (2022) review [OAFF 2022]
“A visually enticing narrative that elegantly explores the unresolvable tension between the societal Other and the subject.”
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A satisfying narrative that illustrates how the subject’s ego is but a response to his complexes and struggles.
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“The effective interaction between his fluid composition, the great narrative structure, and the thematical exploration of trauma and perverse fantasies ensures that the film hits all the rig…
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Short movie time: North Shinjuku 2055 (2021) review [OAFF 2022]
“A pleasant experimental short.”
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“A visually pleasing narrative that underlines, in a charming and touching way, the importance for the subject to find the kind of signifiers that can unlock his/her deadlock.”
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A narrative that fluidly combines comedy and tragedy to deliver an experience of smiles and tears.
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Rikako Watanabe’s narrative succeeds to echo the unvocalized ‘pandemic’ truth of many.
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A complex character portrait that touchingly illustrates how easy it is to misrecognize the logic of the subject-supposed-to-be-in-need.
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A very strong debut by Haruki Kinemura.


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Shin Adachi utilizes the dynamic of the encounter to examine the problem of desiring within the societal field and the way desire give rise to misunderstanding between subjects.
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A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.
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A subtle but playful narrative about a subject who slowly tries to crawl out the hole of emptiness and diminished self-worth.
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The neatly interwoven narrative fabric, which evokes the dimension of loss in various forms, beautifully sketches out the importance for the subject to construct a narrative to support…
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“Gokan expertly reveals the position of the freeter as an attempt to escape the capitalistic machinery but also as a position that most easily falls prey to the…
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A powerful reminder of the sexual transgressions that structurally plague the Japanese film industry
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Sweet Bitter Candy (2021) review [OAFF 2021]
“An amazing exploration of the clash between a sweet youthful romantic desire and the bitter urge of a wounded subject to defend his subjective wounds.”
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A peaceful dream-like visual experience that celebrates both the impact subjects have on each other as well as the manner in which the subject remains opaque to himself…
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Yuasa’s narrative shows that the unavoidable presence of death during a funeral can allow a subject to re-route his own trajectory.
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A nice little heart-warming short that questions the connection between love and happiness.


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An endearing and fragrance rich tale of subjective change.
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A New Wind Blows (2021) review [OAFF 2021]
A great film that shows that the madness of the male subject is often function of a woman, of a woman that unknowingly puts the by a man…


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