Anime Blog Tracker

Suton (2024) review [OAFF 2024]

Rikako Watanabe’s narrative succeeds to echo the unvocalized ‘pandemic’ truth of many.

psycho-cinematography

Mar 2, 2024 • Subscribe

Snowdrop (2024) review [OAFF 2024]

A complex character portrait that touchingly illustrates how easy it is to misrecognize the logic of the subject-supposed-to-be-in-need.

psycho-cinematography

Mar 29, 2024 • Subscribe

Blue Imagine (2024) review [OAFF 2024]

A powerful reminder of the sexual transgressions that structurally plague the Japanese film industry

psycho-cinematography

Apr 1, 2024 • Subscribe

Sumiko 22 (2024) review [OAFF 2024]

A subtle but playful narrative about a subject who slowly tries to crawl out the hole of emptiness and diminished self-worth.

psycho-cinematography

Mar 14, 2024 • Subscribe

Sumiko

Wash Away (2024) review [OAFF 2024]

A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.

psycho-cinematography

Mar 23, 2024 • Subscribe

Faraway Family (2023) review [OAFF 2024]

A very touching narrative that explores the frail position of the father and how his structural failure can cause subjective struggles and inhibitions.

psycho-cinematography

Apr 4, 2024 • Subscribe

Memories of this Scent (2024) review [OAFF 2024]

An endearing and fragrance rich tale of subjective change.

psycho-cinematography

Mar 8, 2024 • Subscribe

Short Movie Time: Perfect・Nervous (2024) review [OAFF 2024]

An exquisitely crafted narrative that touchingly shows that a simple encounter, a simple exchange of signifiers, can turn a wish to die into a desire to life.

psycho-cinematography

Mar 26, 2024 • Subscribe

Performing Kaoru’s Funeral (2023) review [OAFF 2024]

Yuasa’s narrative shows that the unavoidable presence of death during a funeral can allow a subject to re-route his own trajectory.

psycho-cinematography

Apr 7, 2024 • Subscribe

Short Movie Time: On a Boat (2024) review [OAFF 2024]

The exploration of the frail stability of an obsessional neurotic does not miss its impact on the spectator.

psycho-cinematography

Mar 20, 2024 • Subscribe

Melody

Ask For The Moon (2022) review [OAFF 2024]

A satisfying narrative that illustrates how the subject’s ego is but a response to his complexes and struggles.

psycho-cinematography

Mar 5, 2024 • Subscribe

Short Movie Time: Ririka of the Star (2024) review [OAFF 2024] 

A narrative that does not merely emphasize the beauty of moving female body, but reveals that such beauty can change subjects.

psycho-cinematography

Mar 11, 2024 • Subscribe

Cafune (2023) review [OAFF 2023]

A very strong debut by Haruki Kinemura.

psycho-cinematography

Mar 28, 2023 • Subscribe

Melting Sounds (2022) review [OAFF 2022]

“Kahori Higashi’s debut is impressive.”

psycho-cinematography

Apr 14, 2022 • Subscribe

Random Call (2022) review [OAFF 2022]

Ohkanda’s narrative proves that one does not need a big budget to deliver a narrative that touches the spectator.

psycho-cinematography

Apr 20, 2022 • Subscribe

Angry Son (2022) review [OAFF 2022]

“An incredibly rich and deep narrative that not only delivers a satisfying coming-of-age story but also an elegantly delivered social commentary on some of the frictions marking Japanese…

psycho-cinematography

Mar 18, 2022 • Subscribe

Goto-san (2021) review [OAFF 2021]

“Gokan expertly reveals the position of the freeter as an attempt to escape the capitalistic machinery but also as a position that most easily falls prey to the…

psycho-cinematography

Apr 24, 2021 • Subscribe

OAFF 2022 Special

 Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…

Heroic Purgatory

Mar 28, 2022 • Subscribe

OAFF 2022 Special

 Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…

Heroic Purgatory

Mar 28, 2022 • Subscribe

OAFF 2022 Special

 Hello everyone, In this special episode of Heroic Purgatory, John and Jason discuss their favorite movies from the wonderful 2022 Osaka Asian Film Festival. Timestamps:2:53 - Media Consumption19:12 - News23:42…

Heroic Purgatory

Mar 28, 2022 • Subscribe

Side by Side (2023) review [OAFF 2023]

A peaceful dream-like visual experience that celebrates both the impact subjects have on each other as well as the manner in which the subject remains opaque to himself…

psycho-cinematography

Mar 19, 2023 • Subscribe

Our House Party (2022) review [OAFF 2022]

Kawanobe delivers a very touching and emotional story about homosexuality in Japan.

psycho-cinematography

Apr 11, 2022 • Subscribe

Sweet Bitter Candy (2021) review [OAFF 2021]

“An amazing exploration of the clash between a sweet youthful romantic desire and the bitter urge of a wounded subject to defend his subjective wounds.”

psycho-cinematography

Apr 30, 2021 • Subscribe

Short Movie Review: Natsuko (2020) [OAFF 2022]

“A splendid debut by Shuna Iijima.”

psycho-cinematography

Mar 27, 2022 • Subscribe

A New Wind Blows (2021) review [OAFF 2021]

A great film that shows that the madness of the male subject is often function of a woman, of a woman that unknowingly puts the by a man…

psycho-cinematography

Apr 20, 2021 • Subscribe

Short Movie Time: Outsourcing (2022) review [OAFF 2022]

“A very satisfying satirical short thta shows that, within the job-seeking process, only the image matters.”

psycho-cinematography

Apr 17, 2022 • Subscribe

Far Away, Further Away (2022) review [OAFF 2022]

“A beautiful film that elegantly explores the role the imaginary plays in marital failure as well as in the beginning of a new romantic bond.”

psycho-cinematography

Apr 2, 2022 • Subscribe

Sanka: Nomads of the Mountains (2022) review [OAFF 2022]

“A visually enticing narrative that elegantly explores the unresolvable tension between the societal Other and the subject.”

psycho-cinematography

Apr 8, 2022 • Subscribe

Short Movie Time: Bagmati River (2022) review [OAFF 2022]

“A beautiful poetic short that elegantly plays with the contrast between life and death.”

psycho-cinematography

Mar 24, 2022 • Subscribe

The Burden Of The Past (2023) review [OAFF 2023]

With his latest drama film, Funahashi’s delivers a contender for this year’s best Japanese film.

psycho-cinematography

Mar 13, 2023 • Subscribe

The Light Of The Spring (2022) review [OAFF 2022]

“An experimental ‘dramamentary’ that succeeds to charm and touch the spectator with its rich mundane and genuine interactions.”

psycho-cinematography

Mar 20, 2022 • Subscribe

When morning comes, I feel empty (2023) review [OAFF 2023]

A slow moving narrative that accumulates in a subtle but touching shift in the subjective position of its protagonist.

psycho-cinematography

Apr 12, 2023 • Subscribe

Short movie time: North Shinjuku 2055 (2021) review [OAFF 2022]

“A pleasant experimental short.”

psycho-cinematography

Mar 30, 2022 • Subscribe

People Who Talk to Plushies Are Kind (2023) review [OAFF 2023]

Kaneko convincingly shows that the symptomatic usage of the plushie attempts to repair the tensive bond with the Other or subdue its overbearing presence.

psycho-cinematography

Mar 16, 2023 • Subscribe

Belonging (2024) review [Japannual 2024]

Higashi delivers a touching exploration of love after death.

psycho-cinematography

18 days ago • Subscribe

To Be Killed by a High School Girl (2022) review [OAFF 2022]

“The effective interaction between his fluid composition, the great narrative structure, and the thematical exploration of trauma and perverse fantasies ensures that the film hits all the rig…

psycho-cinematography

Apr 5, 2022 • Subscribe

Short Movie Time: Kanro (2023) [OAFF 2023]

A simple but effective short that explores inter-subjective distance and the desire to bridge it in a surprising and satisfying way.

psycho-cinematography

Mar 21, 2023 • Subscribe

Review: Decoded (2024)

Decoded 解密 China, 2024, colour, 2.35:1, 155 mins. Director: Chen Sicheng 陈思诚. Rating: 8/10. Belated return to form by film-maker Chen Sicheng is a strongly written, subtly played…

Sino-Cinema 《神州电影》

Oct 13, 2024 • Subscribe

Review: YOLO (2024)

YOLO 热辣滚烫 China, 2024, colour, 2.35:1, 128 mins. Director: Jia Ling 贾玲. Rating: 7/10. Mainland comedienne Jia Ling’s second feature as writer-director-star hits the bell again, if not…

Sino-Cinema 《神州电影》

May 27, 2024 • Subscribe

Review: Upstream (2024)

Upstream 逆行人生 China, 2024, colour, 2.35:1, 120 mins. Director: Xu Zheng 徐峥. Rating: 6/10. A black but ultimately warm comedy, set among Shanghai’s community of food deliverers, shows…

Sino-Cinema 《神州电影》

20 days ago • Subscribe

Jinsei - Life Consulting

Short Movie Time: TOMA #2 (2023) [OAFF 2023]

A touching narrative that explores the difficulty for the subject to give the Othering effect of dementia on a family member a place

psycho-cinematography

Mar 12, 2023 • Subscribe

Short Movie Time: Detouring Blue (2023) (OAFF 2023)

A highly recommended short that touchingly shows that what dooms the subject to the de-subjectifying effect of the societal Other or to the birth of a subjective deadlock…

psycho-cinematography

Mar 23, 2023 • Subscribe

Penalty Loop (2024) review [Nippon Connection 2024]

The way Araki resolves the narrative’s thematical questions concerning vengeance and the working-through of trauma will divide spectators

psycho-cinematography

Jun 17, 2024 • Subscribe

Desert of Namibia (2024) review [Japannual 2024]

Yoko Yamanaka delivers a cinematic masterpiece of subjectivity.

psycho-cinematography

6 days ago • Subscribe

Review: Black Dog (2024)

Black Dog 狗阵 China, 2024, colour, 2.35:1, 115 mins. Director: Guan Hu 管虎. Rating: 8/10. Elemental story of re-birth and renewal in a run-down town in northwest China…

Sino-Cinema 《神州电影》

Aug 31, 2024 • Subscribe

City Hunter (2024) review

A fun but very forgettable experience.

psycho-cinematography

Jun 30, 2024 • Subscribe

City Hunter

Review: The Victims (2024)

The Victims 黄雀在后！ China, 2024, colour, 2.35:1, 98 mins. Directors: Xu Wei 徐伟, He Wenchao 何文超. Rating: 7/10. Richly cast, this well-mounted whodunit is 100% plot and procedure…

Sino-Cinema 《神州电影》

Jun 3, 2024 • Subscribe

Review: Pegasus 2 (2024)

Pegasus 2 飞驰人生2 China, 2024, colour, 2.35:1, 120 mins. Director: Han Han 韩寒. Rating: 6/10. More of the same and with knobs on, plus another effortless lead by…

Sino-Cinema 《神州电影》

May 20, 2024 • Subscribe

Jinsei - Life Consulting

Movie Review: Abigail (2024)

While browsing Peacock’s catalog for something to watch, Abigail (2024) caught my eye. I wasn’t searching for anything specific, but the film’s horror and comedy labels and the…

Dragonas Talk

Jul 26, 2024 • Subscribe

Review: Super Villain (2024)

Super Villain 大“反”派 China, 2024, colour, 2.35/1.85/1.33:1, 97 mins. Director: Bao Bei’er 包贝尔. Associate director: Zhang Zuofeng 张作峰. Rating: 4/10. Painfully unfunny comedy about an ambitious actor who…

Sino-Cinema 《神州电影》

Jun 14, 2024 • Subscribe