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Featured image for Call for Papers – Asian Popular Culture and the GothicBackground image for Call for Papers – Asian Popular Culture and the Gothic

Call for Papers – Asian Popular Culture and the Gothic

Call for Papers – Asian Popular Culture and the Gothic

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Featured image for South Korean Cinema Seminar: Preservation, Distribution and Education, September 1Background image for South Korean Cinema Seminar: Preservation, Distribution and Education, September 1

South Korean Cinema Seminar: Preservation, Distribution and Education, September 1

South Korean Cinema Seminar: Preservation, Distribution and Education, September 1

VCinema

Featured image for Interview with Mai Nakanishi, Director of SwallowBackground image for Interview with Mai Nakanishi, Director of Swallow

Interview with Mai Nakanishi, Director of Swallow

Jason Maher talks to Swallow director Mai Nakanishi.

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Featured image for Swallow (Taiwan/Japan, 2021)Background image for Swallow (Taiwan/Japan, 2021)

Swallow (Taiwan/Japan, 2021)

Jason Maher reviews Mai Nakanishi's short film Swallow.

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Featured image for Karmalink (Cambodia, 2021)Background image for Karmalink (Cambodia, 2021)

Karmalink (Cambodia, 2021)

Epoy Deyto reviews James Watchel's sci-fi mystery Karmalink.

VCinema

Featured image for Interview with Kahori Higashi, Director of Melting Sounds [OAFF 2022]Background image for Interview with Kahori Higashi, Director of Melting Sounds [OAFF 2022]

Interview with Kahori Higashi, Director of Melting Sounds [OAFF 2022]

Jason Maher talks to Kahori Higashi about her debut feature Melting Sounds.

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Featured image for Melting Sounds (Japan, 2021) [OAFF 2022]Background image for Melting Sounds (Japan, 2021) [OAFF 2022]

Melting Sounds (Japan, 2021) [OAFF 2022]

Jason Maher reviews Kahori Higashi's debut feature Melting Sounds.

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Featured image for Paid in Blood (South Korea, 2021)Background image for Paid in Blood (South Korea, 2021)

Paid in Blood (South Korea, 2021)

Colleen Wanglund reviews Yoon Young-bin's crime drama Paid in Blood.

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Featured image for Er Dong (China, 2008)Background image for Er Dong (China, 2008)

Er Dong (China, 2008)

Karen Ma reviews Yang Jin's independent feature Er Dong.

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Featured image for Interview with Azusa Hieda, Director of Summer Wedding [OAFF 2022]Background image for Interview with Azusa Hieda, Director of Summer Wedding [OAFF 2022]

Interview with Azusa Hieda, Director of Summer Wedding [OAFF 2022]

Azusa Hieda’a short film Summer Wedding received its World Premiere at the Osaka Asian Film Festival 2022 where it was one of the few films to directly use the Covid-19…

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Featured image for Summer Wedding (Japan, 2022) [OAFF 2022]Background image for Summer Wedding (Japan, 2022) [OAFF 2022]

Summer Wedding (Japan, 2022) [OAFF 2022]

Jason Maher reviews Azusa Hieda’s short film Summer Wedding.

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Featured image for Guidance (China, 2021)Background image for Guidance (China, 2021)

Guidance (China, 2021)

John Atom reviews Neysan Sobhani's science fiction film Guidance.

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Featured image for Making Waves – Navigators of Hong Kong Cinema Showcase comes to London, July 8-10Background image for Making Waves – Navigators of Hong Kong Cinema Showcase comes to London, July 8-10

Making Waves – Navigators of Hong Kong Cinema Showcase comes to London, July 8-10

Making Waves - Navigators of Hong Kong Cinema Showcase comes to London, July 8-10.

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Featured image for Blue Island (Hong Kong/Japan/Taiwan, 2022) [CAAMFest 2022]Background image for Blue Island (Hong Kong/Japan/Taiwan, 2022) [CAAMFest 2022]

Blue Island (Hong Kong/Japan/Taiwan, 2022) [CAAMFest 2022]

Wilson Kwong reviews Chan Tze-woon's documentary Blue Island.

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Featured image for Dawning (USA, 2022) [CAAMFest 2022]Background image for Dawning (USA, 2022) [CAAMFest 2022]

Dawning (USA, 2022) [CAAMFest 2022]

Colleen Wanglund reviews Young Min Kim's psychological thriller Dawning.

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Interview with Kasho Iizuka, Director of Angry Son [OAFF 2022]

Jason Maher talks to Kasho Iizuka about his drama Angry Son.

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Angry Son (Japan, 2022) [OAFF 2022]

Jason Maher reviews Kashou Iizuka's drama Angry Son.

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Park Chan-wook and Ultra-Violence: A Fascinating Two Decade Journey, from Obsession to Abhorrence

Arthi Vasudevan on the evolution of Park Chan-wook's expression of ultra-violence.

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Mixed (USA, 2022) [CAAMFest 2022]

John Atom reviews Caty Borum Chattoo & Leena Jayaswal's documentary Mixed.

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Ip Man: The Awakening (China, 2022)

Epoy Deyto reviews Li Xijie and Zhang Zhulin's martial arts movie Ip Man: The Awakening.

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Interview with Akinori Ikuse, Director of Out of TOKYO 202x [OAFF 2022]

Jason Maher talks to Akinori Ikuse about his short film Out of TOKYO 202x.

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Out of TOKYO 202x (Japan, 2022) [OAFF 2022]

Jason Maher reviews Akinori Ikuse's short film Out of TOKYO 202x.

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22nd Nippon Connection Film Festival Brings Japanese Cinema to Frankfurt, May 24–29

22nd Nippon Connection Film Festival Brings Japanese Cinema to Frankfurt, May 24–29

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Interview with Daisuke Miyazaki, Director of North Shinjuku 2055 [OAFF 2022]

Jason Maher talks to Daisuke Miyazaki about his sci-fi short North Shinjuku 2055.

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North Shinjuku 2055 (Japan, 2022) [OAFF 2022]

Jason Maher reviews Daisuke Miyazaki's sci-fi short North Shinjuku 2055.

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Interview with M Haris Sheikh, Director of Howling (OAFF 2022)

Jason Maher talks to Howling director M Haris Sheikh.

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Howling (Japan, 2022) [OAFF 2022]

Jason Maher reviews M Haris Sheikh's neo noir Howling.

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Funky Forest: The First Contact (Japan, 2006) & The Warped Forest (Japan, 2011)

Epoy Deyto reviews the Third Window Films release of Funky Forest: The First Contact & The Warped Forest.

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Onoda:10,000 Nights in the Jungle (France/Japan, 2021)

Colleen Wanglund reviews Arthur Harari's anti-war epic Onoda:10,000 Nights in the Jungle.

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Taipei on Screen: In Conversation with Arvin Chen, April 14 Via Zoom

Taipei on Screen: In Conversation with Arvin Chen, April 14 Via Zoom

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The Wonder of a Summer Day (Japan, 2022) [OAFF 2022]

John Atom reviews Yuka Obayashi's drama The Wonder of a Summer Day.

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Interview with Yusaku Matsumoto, Director of Bagmati River [OAFF 2022]

Jason Maher talks to Yusaku Matsumoto about his short film Bagmati River.

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Bagmati River (Japan, 2022) [OAFF 2022]

Jason Maher reviews Yusaku Matsumoto's short film Bagmati River.

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Interview with Riki Ohkanda, Director of Random Call [OAFF 2022]

Jason Maher talks to Random Call director Riki Ohkanda.

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Random Call (Japan, 2022) [OAFF 2022]

Jason Maher reviews Riki Ohkanda's comedy-drama Random Call.

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The Girl on a Bulldozer (South Korea, 2021) [OAFF 2022]

John Atom reviews Park Ri-Woong's social drama The Girl on a Bulldozer.

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Too Cool to Kill (China, 2022)

Colleen Wanglund reviews Xing Wenxiong’s comedy Too Cool to Kill.

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The House of the Lost on the Cape (Japan, 2021) [JFTFP 2022]

Epoy Deyto reviews Shinya Kawatsura's animated feature The House of the Lost on the Cape.

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The Sound of Grass (Japan, 2021) [JFTFP 2022]

Jason Maher reviews Hisashi Saito's drama The Sound of Grass.

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Crazy Thunder Road (Japan, 1980)

Colleen Wanglund reviews Sogo Ishii's cult favorite Crazy Thunder Road.

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Hiruko the Goblin (Japan, 1991)

Adrian D. Mendizabal reviews Shinya Tsukamoto's horror film Hiruko the Goblin.

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Memoria (Colombia/Thailand, 2021)

Arthi Vasudevan reviews Apichatpong Weerasethakul's latest cinematic meditation Memoria.

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Beyond the Infinite Two Minutes (Japan, 2020)

John Atom reviews Yunta Yamaguchi's debut feature Beyond the Infinite Two Minutes.

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Striding Into the Wind (China, 2020)

Azalia Muchransyah reviews Wei Shujun's debut feature Striding Into the Wind.

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Cat Daddies (USA, 2021) [2022 SF IndieFest]

Karen Ma reviews Mye Hoang's documentary Cat Daddies.

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Webinar on Film Censorship Across Asia, February 1 at 10am EST

Webinar on Film Censorship Across Asia, February 1 at 10am EST

VCinema

The Japan Foundation Touring Film Programme Returns with Intricate Representations of a ‘Dark Mind’ in Japanese Cinema, February 4 – March 31

The Japan Foundation Touring Film Programme Returns with What Lies Beneath: The Intricate Representations of a ‘Dark Mind’ in Japanese Cinema, February 4 – March 31

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36 Deadly Styles (Hong Kong/Taiwan, 1982)

Colleen Wanglund reviews Joseph Kuo's martial arts movie 36 Deadly Styles.

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