Anime Blog Tracker

Amiko Wins Obayashi Prize at 2023 JAPAN CUTS

Prize introduced in 2020 is awarded an independently produced narrative feature from an emerging filmmaker.

Windows on Worlds

Aug 8, 2023 • Subscribe

Hand (2022) review [Japan Cuts 2023]

Matsui avoids delivering an exploitative erotic piece merely to be enjoyed by male audiences.

psycho-cinematography

Aug 22, 2023 • Subscribe

Plastic (2023) review [Japan Cuts 2023]                

Miyazaki creates a moody narrative that highlights the equivocal functionality of music for the subject as well as the destructive impact of not being able to create an…

psycho-cinematography

Aug 19, 2023 • Subscribe

Winny (2023) review [Japan Cuts 2023]

Matsumoto offers a serene insight in how the Other of the law curtails a subject and, indirectly, sabotages the prospects of a new industry.

psycho-cinematography

Aug 5, 2023 • Subscribe

Single8 (2023) review [Japan Cuts 2023]

Konaka offers the spectator a heartwarming invitation to re-find, within oneself, one’s (nearly extinguished) passion for creation.

psycho-cinematography

Aug 16, 2023 • Subscribe

Kubi (2023) review [Japan Cuts 2024]

One of best period dramas in recent years.

psycho-cinematography

Jul 3, 2024 • Subscribe

The Three Sisters of Tenmasou Inn (2022) review [Japan Cuts 2023]

Those spectators that love to release their stress by releasing tears will be very satisfied by Kitamura’s narrative.

psycho-cinematography

Aug 13, 2023 • Subscribe

JAPAN CUTS Announces 2023 Lineup

At Japan Society New York July 26 to Aug. 6

Windows on Worlds

Jun 22, 2023 • Subscribe

Best Wishes To All (2023) review [Japan Cuts 2023]

A surprisingly satisfying horror-narrative

psycho-cinematography

Dec 3, 2023 • Subscribe

Six Singing Women (2023) review [Japan Cuts 2024]

A great narrative, yet one that stumbles over its own thematical fixation

psycho-cinematography

Aug 18, 2024 • Subscribe

Father of The Milky Way Railroad (2023) review [Japan Cuts 2023]

By being able to rely on such talent, Narushima is able to deliver a narrative that gracefully moves the spectator and elegantly provokes spectator’s emotions and tears.

psycho-cinematography

Sep 3, 2023 • Subscribe

The Legend and The Butterfly (2023) [Japan Cuts 2023]

The combination of historical anchor points, a phantasmatic romance to link those points together, and satisfying burst of action will surely be able to satisfy those who thirst…

psycho-cinematography

Aug 31, 2023 • Subscribe

Short Movie Time: Nezumikozō Jirokichi (2023) review [Japan Cuts 2024]

The mix of elements supports the film’s aim well, that is to entice spectators to seek out the three films that remain from this somewhat forgotten master

psycho-cinematography

Jul 13, 2024 • Subscribe

Short Movie Time: Social Circles (2023) review [Japan Cuts 2024]

A highly experimental and conceptual experience that might not be for everyone

psycho-cinematography

Jul 16, 2024 • Subscribe

Short Movie Time: Hail Mary (2023) review [Japan Cuts 2024]

Nakamura succeeds in making the spectator care for Maria and impact him/her emotionally with her tragedy.   

psycho-cinematography

Jun 23, 2024 • Subscribe

Kubi 首 (2023) Director: Takeshi Kitano [Japan Cuts 2024]

Kubi 首 (2023), directed by Takeshi Kitano, is a historical epic that amps up the violence and sex for satire’s sake as Kitano takes aim at the absurd samurai social…

Genkinahito

Jul 17, 2024 • Subscribe

A Preview of Japan Cuts 2023 (July 26th – August 06th)

Details on the line-up for Japan Cuts 2023 (July 26th – August 06th)

Genkinahito

Jun 28, 2023 • Subscribe

THE FIRST SLAM DUNK

Mari and Mari (2021) review [Japan Cuts 2021]

“A beautiful narrative that seems to bear no relation to our romantic life at first, but ultimately hits close to home.”    

psycho-cinematography

Sep 12, 2021 • Subscribe

Talking The Pictures (2019) review [Japan Cuts 2021]

“Mayayuki’s celebration of cinematic history deeply satisfies the spectator’s desire to see cinema as an experience that can touch our being and the art of the benshi triumph.&#82…

psycho-cinematography

Sep 6, 2021 • Subscribe

Hiroku The Goblin (1991) review [Japan Cuts 2021]

‘A classic that offers an unforgettable experience that is as touchingly lighthearted as is it disturbingly horrifying.’

psycho-cinematography

Sep 3, 2021 • Subscribe

Spaghetti Code Love (2021) review [Japan Cuts 2021]

“Maruyama’s narrative speaks powerfully to the spectator’s subjectivity – his fears and hopes – and enables his evocation of a glimmer of hope that remains present in this…

psycho-cinematography

Oct 16, 2021 • Subscribe

Town Without Sea (2020) review [Japan Cuts 2021]

“A visually engaging narrative about the nature of happiness and the importance of desire that is highly relevant for Japanese youth.”

psycho-cinematography

Sep 15, 2021 • Subscribe

JAPAN CUTS Announces 2024 Lineup

At Japan Society New York from July 10 to 21

Windows on Worlds

Jul 3, 2024 • Subscribe

Kubi 首 (2023) Director: Takeshi Kitano, Shuta Takahata [Japan Cuts 2024]

Kubi 首 (2023), directed by Takeshi Kitano, is a historical epic that amps up the violence and sex for satire’s sake as Kitano takes aim at the absurd samurai social…

Genkinahito

Jul 17, 2024 • Subscribe

All The Long Nights (2024) review [Japan Cuts 2024]

A splendid drama that shows how symptoms can disturb a subject’s life and how the social field attains its cruel complexity due to the riddle of desire.

psycho-cinematography

Jul 20, 2024 • Subscribe

Kiba: Fangs of Fiction (2021) review [Japan Cuts 2021]

“Daihachi Yoshida succeeds in turning Shiota’s interesting story and fascinating world of publishing and bookstores into an engaging and pleasant filmic narrative.”

psycho-cinematography

Aug 31, 2021 • Subscribe

Kiba

Short Movie Time: Honeymoon (2021) review [Japan Cuts 2021]

“A pleasing narrative about the arbitrariness of language and culture.”

psycho-cinematography

Nov 9, 2021 • Subscribe

Robinson’s Garden (1988) [Japan Cuts 2021]

“Yamamoto is not able to create a composition that engages the spectator with its highly relevant message.”

psycho-cinematography

Feb 10, 2024 • Subscribe

Special - Japan Cuts Film Festival 2024

  Table of Contents Hello everyone, Once again this year, the Heroic Purgatory podcast is covering the Japan Cuts 2024 film…

Heroic Purgatory

Jul 21, 2024 • Subscribe

Japan Cuts 2018 Film Festival at the Japan Society

This past few weeks I  volunteered for the Japan Society Film Department’s annual Japan Cuts film festival, which screens a host of new Japanese blockbusters, avant-garde films, and…

踊る猿life is kyōgen

Aug 3, 2018 • Subscribe

Whale Bones 鯨の骨 (2023) Director: Takamasa Oe [Japan Cuts 2024]

Takamasa Oe’s social media mystery turns into a satire of living life online as a hapless website worker tries to find a missing AR girl in his beautifully…

Genkinahito

Jul 13, 2024 • Subscribe

Short Movie Time: Born Pisces (2020) review [Japan Cuts 2021]

“Yamanaka does not only reaffirm that she has talent but also that she improved her compositional style and her storytelling.”

psycho-cinematography

Jan 14, 2022 • Subscribe

Little Nemo: Adventures in Slumberland

The Great Yokai War – Guardians (2021) review [Japan Cuts 2021]

“A pleasant and truly satisfying ride for the whole family.”

psycho-cinematography

Aug 28, 2021 • Subscribe

Amiko (こちらあみ子, Yusuke Morii, 2022)

An unusual little girl retreats into a fantasy world in an attempt to deal with her grief and loneliness in Yusuke Morii’s quirky dramedy.

Windows on Worlds

Jun 7, 2023 • Subscribe

Straying (2022) review [Camera Japan 2022]

A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…

psycho-cinematography

Sep 14, 2022 • Subscribe

Blind Bombing, Filmed by a Bat (2019) review [Japan Cuts 2020]

 Introduction Kota Takeuchi is man of many creative talents, but whatever he does – be it painting, filming, or sculpting – it is related to historical or contemporary…

psycho-cinematography

Jul 20, 2021 • Subscribe

Short Movie Time: Go Seppukku Yourselves (2021) review [Japan Cuts 2021]

“An enthralling audiovisual experience and a powerful critique of the Japanese political system.”

psycho-cinematography

Oct 9, 2021 • Subscribe

The Goldfish Dreaming Of The Sea (2021) review [Japan Cuts 2021]

“Ogawa’s thoughtful lyricism that gives the emotionality of the performances their power to touch the spectator and enables her exploration of the difficulty to separate from one’s mother…

psycho-cinematography

Sep 9, 2021 • Subscribe

Tora-san, Wish you were here (2019) review [Japan Cuts 2020]

“Yamada’s latest offers not only a powerful homage to the late great Kiyoshi Atsumi but also a moving nostalgic ride along many of the iconic scenes of the…

psycho-cinematography

May 27, 2021 • Subscribe

Japan Cuts Announces Lineup for 2021 Hybrid Edition

In-person & online Aug. 20 – Sept. 2

Windows on Worlds

Aug 17, 2021 • Subscribe

Motion Picture: Choke 映画（窒息) (2023) Director: Gen Nagao [Japan Cuts 2024]

Gen Nagao’s Motion Picture: Choke 映画（窒息) (2023), is a complete surprise with its post-apocalyptic dialogue-free story centred on a cavewoman and sterling action set pieces [Japan Cuts 2024]…

Genkinahito

Jul 11, 2024 • Subscribe

Short Movie Time: Bath House of Whales (2019) review [Japan Cuts 2020]

Introduction Mizuki Kiyama’s graduation short film Bath House of Whales is a creative reworking of her memories of accompanying her mother, a person of Korean descent living in…

psycho-cinematography

Oct 19, 2021 • Subscribe

Ninja Vs Shark (2023) review [Camera Japan 2023]

A pleasant B-film action experience.

psycho-cinematography

Sep 28, 2023 • Subscribe

Kanon

Alivehoon (2022) review [Camera Japan Festival]

Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting…

psycho-cinematography

Sep 20, 2022 • Subscribe

Short Movie Time: Bottle George (2024) [Japan Cuts 2024]

An instant stop-motion classic

psycho-cinematography

Jun 26, 2024 • Subscribe

Roleless (2022) review [Japannual 2023]

Masahiko Sato, Yutarō Seki and Kentarō Hirase offer the spectator a revealing glance at the dynamic that underpins the dissociative fugue.

psycho-cinematography

Nov 8, 2023 • Subscribe

Ripples (2023) review [Camera Japan Festival]

With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the…

psycho-cinematography

Oct 16, 2023 • Subscribe

Natchan’s little Secret (2023) review [Camera Japan Festival 2023]

Introduction More and more directors take the opportunity to explore the complex dimensions of sexuality within the Japanese societal field within their films. In recent years, more films…

psycho-cinematography

Sep 21, 2023 • Subscribe

A Preview of Japan Cuts 2021 (August 20th – September 02nd)

Japan Cuts 2021 Line-up and ticketing details

Genkinahito

Aug 17, 2021 • Subscribe

Kiba

A Preview of Japan Cuts 2024 (July 10th – July 21st)

Details on the line-up for Japan Cuts 2024 (July 10th – July 21st))

Genkinahito

Jun 10, 2024 • Subscribe