Anime Blog Tracker

Spaghetti Code Love (2021) review [Japan Cuts 2021]

“Maruyama’s narrative speaks powerfully to the spectator’s subjectivity – his fears and hopes – and enables his evocation of a glimmer of hope that remains present in this…

psycho-cinematography

Oct 16, 2021 • Subscribe

Mari and Mari (2021) review [Japan Cuts 2021]

“A beautiful narrative that seems to bear no relation to our romantic life at first, but ultimately hits close to home.”    

psycho-cinematography

Sep 12, 2021 • Subscribe

Talking The Pictures (2019) review [Japan Cuts 2021]

“Mayayuki’s celebration of cinematic history deeply satisfies the spectator’s desire to see cinema as an experience that can touch our being and the art of the benshi triumph.&#82…

psycho-cinematography

Sep 6, 2021 • Subscribe

The Great Yokai War – Guardians (2021) review [Japan Cuts 2021]

“A pleasant and truly satisfying ride for the whole family.”

psycho-cinematography

Aug 28, 2021 • Subscribe

The Goldfish Dreaming Of The Sea (2021) review [Japan Cuts 2021]

“Ogawa’s thoughtful lyricism that gives the emotionality of the performances their power to touch the spectator and enables her exploration of the difficulty to separate from one’s mother…

psycho-cinematography

Sep 9, 2021 • Subscribe

Short Movie Time: Honeymoon (2021) review [Japan Cuts 2021]

“A pleasing narrative about the arbitrariness of language and culture.”

psycho-cinematography

Nov 9, 2021 • Subscribe

Kiba: Fangs of Fiction (2021) review [Japan Cuts 2021]

“Daihachi Yoshida succeeds in turning Shiota’s interesting story and fascinating world of publishing and bookstores into an engaging and pleasant filmic narrative.”

psycho-cinematography

Aug 31, 2021 • Subscribe

Kiba

Town Without Sea (2020) review [Japan Cuts 2021]

“A visually engaging narrative about the nature of happiness and the importance of desire that is highly relevant for Japanese youth.”

psycho-cinematography

Sep 15, 2021 • Subscribe

Robinson’s Garden (1988) [Japan Cuts 2021]

“Yamamoto is not able to create a composition that engages the spectator with its highly relevant message.”

psycho-cinematography

Feb 10, 2024 • Subscribe

Short Movie Time: Go Seppukku Yourselves (2021) review [Japan Cuts 2021]

“An enthralling audiovisual experience and a powerful critique of the Japanese political system.”

psycho-cinematography

Oct 9, 2021 • Subscribe

Short Movie Time: Born Pisces (2020) review [Japan Cuts 2021]

“Yamanaka does not only reaffirm that she has talent but also that she improved her compositional style and her storytelling.”

psycho-cinematography

Jan 14, 2022 • Subscribe

Little Nemo: Adventures in Slumberland

Winny (2023) review [Japan Cuts 2023]

Matsumoto offers a serene insight in how the Other of the law curtails a subject and, indirectly, sabotages the prospects of a new industry.

psycho-cinematography

Aug 5, 2023 • Subscribe

Hand (2022) review [Japan Cuts 2023]

Matsui avoids delivering an exploitative erotic piece merely to be enjoyed by male audiences.

psycho-cinematography

Aug 22, 2023 • Subscribe

Plastic (2023) review [Japan Cuts 2023]                

Miyazaki creates a moody narrative that highlights the equivocal functionality of music for the subject as well as the destructive impact of not being able to create an…

psycho-cinematography

Aug 19, 2023 • Subscribe

Amiko (2022) review [Japan Cuts 2023]

A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as…

psycho-cinematography

Jan 23, 2024 • Subscribe

Single8 (2023) review [Japan Cuts 2023]

Konaka offers the spectator a heartwarming invitation to re-find, within oneself, one’s (nearly extinguished) passion for creation.

psycho-cinematography

Aug 16, 2023 • Subscribe

Kubi (2023) review [Japan Cuts 2024]

One of best period dramas in recent years.

psycho-cinematography

Jul 3, 2024 • Subscribe

Japan Cuts Announces Lineup for 2021 Hybrid Edition

In-person & online Aug. 20 – Sept. 2

Windows on Worlds

Aug 17, 2021 • Subscribe

All The Long Nights (2024) review [Japan Cuts 2024]

A splendid drama that shows how symptoms can disturb a subject’s life and how the social field attains its cruel complexity due to the riddle of desire.

psycho-cinematography

Jul 20, 2024 • Subscribe

Hiruko the Goblin (ヒルコ／妖怪ハンター, Shinya Tsukamoto, 1991)

A professor and his nephew battle ancient evil deep underground in Shinya Tsukamoto’s anarchic genre romp adapted from the manga by Daijiro Morohoshi

Windows on Worlds

Sep 15, 2021 • Subscribe

Japan Cuts 2018 Film Festival at the Japan Society

This past few weeks I  volunteered for the Japan Society Film Department’s annual Japan Cuts film festival, which screens a host of new Japanese blockbusters, avant-garde films, and…

踊る猿life is kyōgen

Aug 3, 2018 • Subscribe

A Preview of Japan Cuts 2021 (August 20th – September 02nd)

Japan Cuts 2021 Line-up and ticketing details

Genkinahito

Aug 17, 2021 • Subscribe

Kiba

Six Singing Women (2023) review [Japan Cuts 2024]

A great narrative, yet one that stumbles over its own thematical fixation

psycho-cinematography

Aug 18, 2024 • Subscribe

JAPAN CUTS Announces 2024 Lineup

At Japan Society New York from July 10 to 21

Windows on Worlds

Jul 3, 2024 • Subscribe

JAPAN CUTS Announces 2023 Lineup

At Japan Society New York July 26 to Aug. 6

Windows on Worlds

Jun 22, 2023 • Subscribe

The Three Sisters of Tenmasou Inn (2022) review [Japan Cuts 2023]

Those spectators that love to release their stress by releasing tears will be very satisfied by Kitamura’s narrative.

psycho-cinematography

Aug 13, 2023 • Subscribe

Father of The Milky Way Railroad (2023) review [Japan Cuts 2023]

By being able to rely on such talent, Narushima is able to deliver a narrative that gracefully moves the spectator and elegantly provokes spectator’s emotions and tears.

psycho-cinematography

Sep 3, 2023 • Subscribe

Best Wishes To All (2023) review [Japan Cuts 2023]

A surprisingly satisfying horror-narrative

psycho-cinematography

Dec 3, 2023 • Subscribe

Mari and Mari  彼女来来  (2021) Director: Tatsuya Yamanishi [Japan Cuts 2021]

Mari and Mari  彼女来来  (2021) Director: Tatsuya Yamanishi [Japan Cuts 2021]

Genkinahito

Sep 8, 2021 • Subscribe

Special - Japan Cuts Film Festival 2024

  Table of Contents Hello everyone, Once again this year, the Heroic Purgatory podcast is covering the Japan Cuts 2024 film…

Heroic Purgatory

Jul 21, 2024 • Subscribe

The Legend and The Butterfly (2023) [Japan Cuts 2023]

The combination of historical anchor points, a phantasmatic romance to link those points together, and satisfying burst of action will surely be able to satisfy those who thirst…

psycho-cinematography

Aug 31, 2023 • Subscribe

Short Movie Time: Hail Mary (2023) review [Japan Cuts 2024]

Nakamura succeeds in making the spectator care for Maria and impact him/her emotionally with her tragedy.   

psycho-cinematography

Jun 23, 2024 • Subscribe

Short Movie Time: Nezumikozō Jirokichi (2023) review [Japan Cuts 2024]

The mix of elements supports the film’s aim well, that is to entice spectators to seek out the three films that remain from this somewhat forgotten master

psycho-cinematography

Jul 13, 2024 • Subscribe

Short Movie Time: Social Circles (2023) review [Japan Cuts 2024]

A highly experimental and conceptual experience that might not be for everyone

psycho-cinematography

Jul 16, 2024 • Subscribe

An Interview with Mayu Nakamura, Director of Among Four of Us [OAFF 2021/JAPAN CUTS 2021]

An Interview with Mayu Nakamura, Director of Among Four of Us [OAFF 2021/JAPAN CUTS 2021]

Genkinahito

Sep 23, 2021 • Subscribe

Tora-san, Wish you were here (2019) review [Japan Cuts 2020]

“Yamada’s latest offers not only a powerful homage to the late great Kiyoshi Atsumi but also a moving nostalgic ride along many of the iconic scenes of the…

psycho-cinematography

May 27, 2021 • Subscribe

Blind Bombing, Filmed by a Bat (2019) review [Japan Cuts 2020]

 Introduction Kota Takeuchi is man of many creative talents, but whatever he does – be it painting, filming, or sculpting – it is related to historical or contemporary…

psycho-cinematography

Jul 20, 2021 • Subscribe

Amiko Wins Obayashi Prize at 2023 JAPAN CUTS

Prize introduced in 2020 is awarded an independently produced narrative feature from an emerging filmmaker.

Windows on Worlds

Aug 8, 2023 • Subscribe

Short Movie Time: Bath House of Whales (2019) review [Japan Cuts 2020]

Introduction Mizuki Kiyama’s graduation short film Bath House of Whales is a creative reworking of her memories of accompanying her mother, a person of Korean descent living in…

psycho-cinematography

Oct 19, 2021 • Subscribe

Short Movie Time: Bottle George (2024) [Japan Cuts 2024]

An instant stop-motion classic

psycho-cinematography

Jun 26, 2024 • Subscribe

Kubi 首 (2023) Director: Takeshi Kitano [Japan Cuts 2024]

Kubi 首 (2023), directed by Takeshi Kitano, is a historical epic that amps up the violence and sex for satire’s sake as Kitano takes aim at the absurd samurai social…

Genkinahito

Jul 17, 2024 • Subscribe

Tiger Cage 3 (1991) [Film Review]

Tiger Cage 3; or, Beware of Femme Fatale      What have I done? In this world, whoever gets the money also gets the power! The third part of...

Watching Asia Film Reviews

Jul 11, 2022 • Subscribe

Joint (2021) review [The Japan Foundation Touring Film Programme]

Oudai Kojima proves, once again, that the yakuza genre is not dead and that, given the current societal constellation and the various currents within, engaging crime narratives can…

psycho-cinematography

Feb 2, 2023 • Subscribe

Shrieking In The Rain (2021) review [Camera Japan Festival]

“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”

psycho-cinematography

Jul 20, 2023 • Subscribe

Hiruko the Goblin

By Tom Wilmott. Unhinged, abrasive, chaotic, loud; these are some of the characteristics that many have come to associate with the work of cult-favourite filmmaker Shinya Tsukamoto. Throughout…

All the Anime

Apr 4, 2022 • Subscribe

A Preview of Japan Cuts 2023 (July 26th – August 06th)

Details on the line-up for Japan Cuts 2023 (July 26th – August 06th)

Genkinahito

Jun 28, 2023 • Subscribe

THE FIRST SLAM DUNK

A Preview of Japan Cuts 2024 (July 10th – July 21st)

Details on the line-up for Japan Cuts 2024 (July 10th – July 21st))

Genkinahito

Jun 10, 2024 • Subscribe

Films: Japan 2021

by Jeremy Clarke. So, Scotland Loves Anime is over (save a few stragglers at the Film House) and you’re wondering where you can see more Japanese movies. Today,…

All the Anime

Oct 18, 2021 • Subscribe

Between Us (2021) review [Camera Japan Festival]

“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”

psycho-cinematography

Sep 30, 2021 • Subscribe

Otakon 2021: 1991 in Anime Panel Takes Fans Forward to the Past

Date: 8/6/2021 Host: Daryl Surat The sun shone brightly over the Walter E. Washington Convention Center, granting but a fleeting preview of the oppressive

Anime Herald

Sep 2, 2021 • Subscribe