“A visually engaging narrative about the nature of happiness and the importance of desire that is highly relevant for Japanese youth.”
Sep 15, 2021 • Subscribe
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“Ogawa’s thoughtful lyricism that gives the emotionality of the performances their power to touch the spectator and enables her exploration of the difficulty to separate from one’s mother…
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Filled with adolescent anxiety, a lost young man begins to discover the confidence to fly far from home in Elaiza Ikeda’s beautifully drawn Kyushu coming-of-age tale
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“Yamanaka does not only reaffirm that she has talent but also that she improved her compositional style and her storytelling.”
Mari and Mari (2021) review [Japan Cuts 2021]
“A beautiful narrative that seems to bear no relation to our romantic life at first, but ultimately hits close to home.”
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“Maruyama’s narrative speaks powerfully to the spectator’s subjectivity – his fears and hopes – and enables his evocation of a glimmer of hope that remains present in this…
Kiba: Fangs of Fiction (2021) review [Japan Cuts 2021]
“Daihachi Yoshida succeeds in turning Shiota’s interesting story and fascinating world of publishing and bookstores into an engaging and pleasant filmic narrative.”
Short Movie Time: Honeymoon (2021) review [Japan Cuts 2021]
“A pleasing narrative about the arbitrariness of language and culture.”
Talking The Pictures (2019) review [Japan Cuts 2021]
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‘A classic that offers an unforgettable experience that is as touchingly lighthearted as is it disturbingly horrifying.’
The Great Yokai War – Guardians (2021) review [Japan Cuts 2021]
“A pleasant and truly satisfying ride for the whole family.”
Robinson’s Garden (1988) [Japan Cuts 2021]
“Yamamoto is not able to create a composition that engages the spectator with its highly relevant message.”
Short Movie Time: Go Seppukku Yourselves (2021) review [Japan Cuts 2021]
“An enthralling audiovisual experience and a powerful critique of the Japanese political system.”
The Town of Headcounts (2020) review [Nippon Connection 2021]
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Blind Bombing, Filmed by a Bat (2019) review [Japan Cuts 2020]
Introduction Kota Takeuchi is man of many creative talents, but whatever he does – be it painting, filming, or sculpting – it is related to historical or contemporary…
Tora-san, Wish you were here (2019) review [Japan Cuts 2020]
“Yamada’s latest offers not only a powerful homage to the late great Kiyoshi Atsumi but also a moving nostalgic ride along many of the iconic scenes of the…
Plastic (2023) review [Japan Cuts 2023]
Miyazaki creates a moody narrative that highlights the equivocal functionality of music for the subject as well as the destructive impact of not being able to create an…
Winny (2023) review [Japan Cuts 2023]
Matsumoto offers a serene insight in how the Other of the law curtails a subject and, indirectly, sabotages the prospects of a new industry.
Kubi (2023) review [Japan Cuts 2024]
One of best period dramas in recent years.
Amiko (2022) review [Japan Cuts 2023]
A fabulous narrative that explores the destructive effects caused by the radical misunderstanding that marks the field of speech and the refusal to speak to one’s child as…
Hand (2022) review [Japan Cuts 2023]
Matsui avoids delivering an exploitative erotic piece merely to be enjoyed by male audiences.
Single8 (2023) review [Japan Cuts 2023]
Konaka offers the spectator a heartwarming invitation to re-find, within oneself, one’s (nearly extinguished) passion for creation.
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The Silent Sea; or, 2021: A Lunar Odyssey Not a damn thing works smoothly in this station. I have been looking forward to The Silent Se...
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A splendid drama that shows how symptoms can disturb a subject’s life and how the social field attains its cruel complexity due to the riddle of desire.
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A surprisingly satisfying horror-narrative
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The mix of elements supports the film’s aim well, that is to entice spectators to seek out the three films that remain from this somewhat forgotten master
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A highly experimental and conceptual experience that might not be for everyone
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Those spectators that love to release their stress by releasing tears will be very satisfied by Kitamura’s narrative.
Father of The Milky Way Railroad (2023) review [Japan Cuts 2023]
By being able to rely on such talent, Narushima is able to deliver a narrative that gracefully moves the spectator and elegantly provokes spectator’s emotions and tears.
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Closet (2020) review [Camera Japan Festival]
“A filmic piece that will not only induce a forlorn feeling in its spectators but also invite them to deeply question their own interpersonal functioning.”
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The countryside town which changed Japan [SEKIGAHARA]
Checking out of my hotel relatively early, I wanted to move on to the next section of my trip as soon as possible.
The Legend and The Butterfly (2023) [Japan Cuts 2023]
The combination of historical anchor points, a phantasmatic romance to link those points together, and satisfying burst of action will surely be able to satisfy those who thirst…
Short Movie Time: Bottle George (2024) [Japan Cuts 2024]
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Kubi 首 (2023), directed by Takeshi Kitano, is a historical epic that amps up the violence and sex for satire’s sake as Kitano takes aim at the absurd samurai social…
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