A jidaigeki-obsessed high schooler sets out to make her own summer samurai movie in Soshi Matsumoto’s charming sci-fi infected teen rom-com
Jun 12, 2021 • Subscribe
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It’s a Summer Film! (Japan, 2020) [JAPAN CUTS 2021]
John Atom reviews Soushi Matsumoto's teen comedy It's a Summer Film.
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Akari and Ayano have moved in together. This fact fills this book with all sorts of tensions, both positive and negative. Sure, they have been through ” a…
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In Shimura Takako’s Otona ni Nattemo, Volume 7 (おとなになっても) a lot happens. We left Akari and Ayano having been carefully not seeing one another for some time, as…
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Akari is ready to move on. She’s ready to reclaim her old career in the salon and stop running away from her life. She’s putting Ayano and her…
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In previous volumes of Otona ni Nattemo, we met Akari and Ayano, who met in a bar and spent the night together, Ayano’s husband Wataru, who has wondered…
Otona ni Nattemo, Volume 1 (おとなになっても)
Shimura Takako’s work with gender and sexual minorities has been very influential and popular among western manga readers, and series like Sweet Blue Flowers and Wandering Son end…
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Previous volumes of Shimura Takako’s adult life drama have centered on three adults whose life has been thrown into turmoil by unexpected emotions. Otona ni Nattemo, Volume 5…
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Three trios in search of happiness find themselves transported to other worlds in Shunichiro Miki’s surreal quasi-sequel to Funky Forest
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It’s a summer film (2021) review [Camera Japan Festival]
“A highly entertaining film that offers a nostalgic and touching dive into youthful passion and romantic feelings and lighthearted celebration of indie-filmmaking and often-forgotten beauty o…
Summer 2020 First Impressions: It’s All a Bit Muddled
Between all these virtual cons at unreasonable hours (but reasonable US hours), a few new shows which exist on the periphery coming into the fray and delayed simulcasts…
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A dejected middle-aged man experiences a crisis of masculinity when his home and work lives come under threat in Toshio Lee’s warmhearted comedy.
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Aya is a high school student who loves music of the 90s-00s. She’s content to sit and listen to the Foo Fighters in her ear buds, but when…
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In Volume 1, we met Ohsawa Aya, a fashionable girl in most ways – except for her retro taste in music. When she walks into a shabby CD…
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A young orphan and a homeless drifter attempt to overcome the legacy of parental rejection in Yusaku Matsumoto’s sensitive coming-of-age drama.
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Leiji Matsumoto: A Tribute
On the 20th February the world learned that Manga and anime legend Leiji Matsumoto had died aged 85 on the 13th Feburary some 7 days prior. A titan…
A Mother’s Touch (桜色の風が咲く, Junpei Matsumoto, 2022)
A young man begins to ponder the meaning of his life while losing both his sight and hearing in Junpei Matsumoto’s heartwarming biopic.
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A diffident cafe owner faces an existential dilemma when trapped in a time loop with himself from two minutes previously in Yamaguchi’s meticulously plotted farce
Summer 2020.
I’m a little late posting this, considering how Fire Force has already aired its first episode for season 2 and then there was also postponed shows to consider…
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You know how you feel after you’ve had a fever, when the fever breaks and you’re soaked in sweat? You don’t feel “good,” per se, but you feel…
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In Tamifull’s Yuri drama Tsukiatte Agetemo Iikana, Volume 4 (付き合ってあげてもいいかな), we are confronted with something we don’t see very often at all in Yuri…two people who may just…
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When we first met Miwa, she was unsure of herself. And when we met Saeko she seemed very confident. As we’ve got to know them, we’ve come to…
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Tsukiatte Agetemo Iikana, Volume 7 (付き合ってあげてもいいかな)
When I reviewed Volume 6 I said of that volume that it was like a fever finally breaking. “You don’t feel “good,” per se, but you feel better,…
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Saeki Sayaka, very serious, prone to overthinking things, has met someone who will change her life. Edamoto Haru, first year in college has confessed to liking Sayaka, and…
It’s a Bird! It’s a Plane! It’s a Gojo Cat!
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A traumatised werewolf is drawn into teen gang intrigue after returning to Japan in Masashi Matsumoto’s visually striking exploitation movie.
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