A sociopathic student takes revenge on a changing society by seducing wealthy women in Mikio Naruse’s brooding noir.
Oct 21, 2023 • Subscribe
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Sound of the Mountain (山の音, Mikio Naruse, 1954)
A failed patriarch resolves to set his unhappily married daughter-in-free in Mikio Naruse’s post-war marital drama
A Woman’s Place (女の座, Mikio Naruse, 1962)
The young women of post-war Japan struggle to define themselves in a changing society in Mikio Naruse’s uncharacteristically hopeful family drama
Wife (妻, Mikio Naruse, 1953)
An unhappily married woman contemplates independence but struggles to see herself as anything other than a “wife” in Naruse’s bitter marital drama
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An unhappily married woman fed up with the drudgery of her existence considers other options but finally concludes there are none in Naruse’s bleak melodrama
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Untamed (あらくれ, Mikio Naruse, 1957)
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Street of Love and Hope (愛と希望の街, Nagisa Oshima, 1959)
A young man’s pigeon selling scam eventually ruins his cross-class friendship with a wealthy young woman in Oshima’s biting sociopolitical drama
Mother (おかあさん, Mikio Naruse, 1952)
A teenage girl struggles to understand her self-sacrificing mother in Mikio Naruse’s subversive take on the hahamono
The Approach of Autumn (秋立ちぬ, Mikio Naruse, 1960)
A small boy finds himself trapped between the new society and the old in Mikio Naruse’s often deceptively cheerful childhood drama.
Hit and Run (ひき逃げ, Mikio Naruse, 1966)
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The extras reclaim the frame in Sion Sono’s anarchic advocation for the jishu life.
Five Men in a Circus (サーカス五人組, Mikio Naruse, 1935)
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街
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