A legacy of familial trauma engulfs a once noble house in Kindaichi’s final and most complicated case
May 5, 2021 • Subscribe
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The Phoenix (火の鳥, Kon Ichikawa, 1978)
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A couple who met briefly in Manchuria are reunited in Kobe but find their joy short-lived amid the vagaries of the post-war society in Kon Ichikawa’s tragic romance.
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Our House わたしたちの家 (2018), by director Yui Kiyohara, is a good mood piece about a house that connects two sets of female characters together even though they never really meet.
365 Nights (三百六十五夜, Kon Ichikawa, 1948)
A noble architect’s life is ruined by an obsessive stalker in Kon Ichikawa’s stylish though improbably post-war melodrama.
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A small family become increasingly exasperated with the happy-go-lucky patriarch’s inconsiderate and irresponsible behaviour in Yasujiro Ozu’s penultimate film.
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Nosari: Impermanent Eternity (のさりの島, Tatsuya Yamamoto, 2020)
An ore ore scammer’s cynical worldview is challenged when he finds temporary harbour with an elderly woman in Yamamoto’s touching indie drama
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A sociopathic student takes revenge on a changing society by seducing wealthy women in Mikio Naruse’s brooding noir.
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The Blogger Is Hanging On
Well 2020 is turning out to be an eventful year ( I don’t mean that in a good way really) bushfires, the “C” invasion and downturn in…
Dead Angle (白昼の死角, Toru Murakawa, 1979)
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The shin-honkaku movement has always been a bit meta. It’s right there in the name: it means “new orthodox,” as it’s a revival of the origi...
The Nineteen-Year-Old’s Map (十九歳の地図, Mitsuo Yanagimachi, 1979)
An alienated young man maps out moral failure and eases his sense of futility through empty threats of violence in Mitsuo Yanagimachi’s dark youth drama.
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From the End of the World (世界の終わりから, Kazuaki Kiriya, 2023)
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A satisfying and stylish conclusion full of captivating action-sequences.
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Contained here is a complete record of media coverage for The New Voyage from the first teaser to the last lookback, spanning all of 1979. April 9: Middle…
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The magazine Gallantmen was so close in style and content to the Japanese Playboy, you could have switched covers and not known the difference. Why has it come…
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