A legacy of familial trauma engulfs a once noble house in Kindaichi’s final and most complicated case
May 5, 2021 • Subscribe
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The Phoenix (火の鳥, Kon Ichikawa, 1978)
The people of early Japan contemplate different visions of immortality in Kon Ichikawa’s sprawling adaptation of the first chapter in Osamu Tezuka’s manga series.
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Kon Ichikawa’s Fusa (その木戸を通って, Sono Kido wo Totte) opens on a note of artifice. Misty rain and the verdant green of the forest give way to total darkness…
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A couple who met briefly in Manchuria are reunited in Kobe but find their joy short-lived amid the vagaries of the post-war society in Kon Ichikawa’s tragic romance.
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A wise child critiques the post-war society in Kon Ichikawa’s charmingly surreal familial drama.
365 Nights (三百六十五夜, Kon Ichikawa, 1948)
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Lying to Mom / 鈴木家の嘘
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The End of Summer (小早川家の秋, Yasujiro Ozu, 1961)
A small family become increasingly exasperated with the happy-go-lucky patriarch’s inconsiderate and irresponsible behaviour in Yasujiro Ozu’s penultimate film.
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Two aimless best friends team up with a young woman looking for her missing father to find long lost wartime gold in Kiyoshi Nishimura’s breezy adventure.
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The Angry Street (怒りの街, Mikio Naruse, 1950)
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Dead Angle (白昼の死角, Toru Murakawa, 1979)
A narcissistic conman takes ironic revenge on the post-war society in Toru Murakawa’s nihilistic crime drama.
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223: The Sickos Present the Unified Theory of Chilling and Hanging
The most important thing in the universe is to chill and hang and vibe. If humanity is chilling then the utopian society must inevitably follow. But the man…
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I didn’t like this book at all. I don’t have much more to say about it.
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The shin-honkaku movement has always been a bit meta. It’s right there in the name: it means “new orthodox,” as it’s a revival of the origi...
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The Nineteen-Year-Old’s Map (十九歳の地図, Mitsuo Yanagimachi, 1979)
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A young woman named Kiyose was recently promoted to the position of manager at an independent café. She devotes her love and attention to the business, but all…
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A satisfying and stylish conclusion full of captivating action-sequences.
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In Volume 1, we met Hanayo, a woman whose husband has passed away, leaving her both free to do whatever she wants and confused as to what that…
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