A teenage girl struggles to understand her self-sacrificing mother in Mikio Naruse’s subversive take on the hahamono
Dec 24, 2021 • Subscribe
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Untamed (あらくれ, Mikio Naruse, 1957)
A rebellious woman strives for independence in a patriarchal society but nevertheless finds herself hamstrung by feckless men in Naruse’s Taisho-era drama
Wife (妻, Mikio Naruse, 1953)
An unhappily married woman contemplates independence but struggles to see herself as anything other than a “wife” in Naruse’s bitter marital drama
Ojo-san / お嬢さん (‘Young Miss’, 1961)
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Repast (めし, Mikio Naruse, 1951)
An unhappily married woman fed up with the drudgery of her existence considers other options but finally concludes there are none in Naruse’s bleak melodrama
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Late Chrysanthemums (晩菊, Mikio Naruse, 1954)
Four former geishas struggle to find their place in a changing society in Miko Naruse’s melancholy melodrama.
I Go Gaga, Welcome Home Mom (ぼけますから、よろしくお願いします。~おかえりお母さん~, Naoko Nobutomo, 2022)
In a followup to her hugely popular documentary, Naoko Nobutomo follows her parents as her mother’s health continues to decline.
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Image of a Mother (母のおもかげ, Hiroshi Shimizu, 1959)
A little boy’s difficulties in accepting his new stepmother express an anxiety about the changing nature of the family in Hiroshi Shimizu’s familial melodrama.
A Wanderer’s Notebook (放浪記, Mikio Naruse, 1962)
A determined young woman seeks a way out of poverty in Mikio Naruse’s biopic of author Fumiko Hayashi.
A Wife’s Heart (妻の心, Mikio Naruse, 1956)
When plans to start a new business go awry, a dejected wife finds herself at a crossroads in Mikio Naruse’s martial drama.
A Woman’s Place (女の座, Mikio Naruse, 1962)
The young women of post-war Japan struggle to define themselves in a changing society in Mikio Naruse’s uncharacteristically hopeful family drama
The Angry Street (怒りの街, Mikio Naruse, 1950)
A sociopathic student takes revenge on a changing society by seducing wealthy women in Mikio Naruse’s brooding noir.
Hit and Run (ひき逃げ, Mikio Naruse, 1966)
A grief-stricken mother hatches a desperate plan of revenge against the woman who killed her son in Mikio Naruse’s dark psychological drama.
Sound of the Mountain (山の音, Mikio Naruse, 1954)
A failed patriarch resolves to set his unhappily married daughter-in-free in Mikio Naruse’s post-war marital drama
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The Approach of Autumn (秋立ちぬ, Mikio Naruse, 1960)
A small boy finds himself trapped between the new society and the old in Mikio Naruse’s often deceptively cheerful childhood drama.
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It’s been a couple of years since I read Volume 1 of this manga about two friend, who share daily “challenges,” by Tokuwotsumu. At the end of that…
Five Men in a Circus (サーカス五人組, Mikio Naruse, 1935)
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Oppressive social codes and repressed desire provoke a tragic love triangle in Mizoguchi’s adaptation of the story by Tanizaki.
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Six Pork Cutlets / 六枚のとんかつ
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My Elder Brother (私の兄さん, Yasujiro Shimazu, 1934)
The wastrel brother of earnest man running a taxi firm gets a wakeup call after picking up a runaway woman from an upperclass family in Shimazu’s genial comedy.
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The denizens of a small slum on the outskirts of the modern city live largely on wilful self-delusion in Kurosawa’s first experimentation with colour.
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