A teenage girl struggles to understand her self-sacrificing mother in Mikio Naruse’s subversive take on the hahamono
Dec 24, 2021 • Subscribe
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Lightning (稲妻, Mikio Naruse, 1952)
An aspirant young woman envisages a different life herself than the dissatisfactory marriages of her mother and sisters in one of Mikio Naruse’s more hopeful drama.
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A rebellious woman strives for independence in a patriarchal society but nevertheless finds herself hamstrung by feckless men in Naruse’s Taisho-era drama
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An unhappily married woman contemplates independence but struggles to see herself as anything other than a “wife” in Naruse’s bitter marital drama
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Repast (めし, Mikio Naruse, 1951)
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Late Chrysanthemums (晩菊, Mikio Naruse, 1954)
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Flowing (流れる, Mikio Naruse, 1956)
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Image of a Mother (母のおもかげ, Hiroshi Shimizu, 1959)
A little boy’s difficulties in accepting his new stepmother express an anxiety about the changing nature of the family in Hiroshi Shimizu’s familial melodrama.
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When plans to start a new business go awry, a dejected wife finds herself at a crossroads in Mikio Naruse’s martial drama.
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The young women of post-war Japan struggle to define themselves in a changing society in Mikio Naruse’s uncharacteristically hopeful family drama
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Three sisters embark on an ill-advised family trip to a rundown onsen to celebrate their difficult to please mother’s birthday but eventually discover a kind of serenity in…
The Angry Street (怒りの街, Mikio Naruse, 1950)
A sociopathic student takes revenge on a changing society by seducing wealthy women in Mikio Naruse’s brooding noir.
Sound of the Mountain (山の音, Mikio Naruse, 1954)
A failed patriarch resolves to set his unhappily married daughter-in-free in Mikio Naruse’s post-war marital drama
Hit and Run (ひき逃げ, Mikio Naruse, 1966)
A grief-stricken mother hatches a desperate plan of revenge against the woman who killed her son in Mikio Naruse’s dark psychological drama.
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