A teenage girl struggles to understand her self-sacrificing mother in Mikio Naruse’s subversive take on the hahamono
Dec 24, 2021 • Subscribe
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Lightning (稲妻, Mikio Naruse, 1952)
An aspirant young woman envisages a different life herself than the dissatisfactory marriages of her mother and sisters in one of Mikio Naruse’s more hopeful drama.
Untamed (あらくれ, Mikio Naruse, 1957)
A rebellious woman strives for independence in a patriarchal society but nevertheless finds herself hamstrung by feckless men in Naruse’s Taisho-era drama
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An unhappily married woman contemplates independence but struggles to see herself as anything other than a “wife” in Naruse’s bitter marital drama
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Repast (めし, Mikio Naruse, 1951)
An unhappily married woman fed up with the drudgery of her existence considers other options but finally concludes there are none in Naruse’s bleak melodrama
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Flowing (流れる, Mikio Naruse, 1956)
The denizens of a moribund geisha house contemplate visions of independence in post-war Japan Mikio Naruse’s thriving ensemble drama.
Late Chrysanthemums (晩菊, Mikio Naruse, 1954)
Four former geishas struggle to find their place in a changing society in Miko Naruse’s melancholy melodrama.
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Sincerity (まごころ, Mikio Naruse, 1939)
When the daughter of a poor family leapfrogs that of a rich one to be named top of the class, it exposes a series of hypocrisies and contradictions…
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Image of a Mother (母のおもかげ, Hiroshi Shimizu, 1959)
A little boy’s difficulties in accepting his new stepmother express an anxiety about the changing nature of the family in Hiroshi Shimizu’s familial melodrama.
A Woman’s Place (女の座, Mikio Naruse, 1962)
The young women of post-war Japan struggle to define themselves in a changing society in Mikio Naruse’s uncharacteristically hopeful family drama
A Wife’s Heart (妻の心, Mikio Naruse, 1956)
When plans to start a new business go awry, a dejected wife finds herself at a crossroads in Mikio Naruse’s martial drama.
A Wanderer’s Notebook (放浪記, Mikio Naruse, 1962)
A determined young woman seeks a way out of poverty in Mikio Naruse’s biopic of author Fumiko Hayashi.
To Mom, With Love (お母さんが一緒, Ryosuke Hashiguchi, 2024)
Three sisters embark on an ill-advised family trip to a rundown onsen to celebrate their difficult to please mother’s birthday but eventually discover a kind of serenity in…
The Angry Street (怒りの街, Mikio Naruse, 1950)
A sociopathic student takes revenge on a changing society by seducing wealthy women in Mikio Naruse’s brooding noir.
Hit and Run (ひき逃げ, Mikio Naruse, 1966)
A grief-stricken mother hatches a desperate plan of revenge against the woman who killed her son in Mikio Naruse’s dark psychological drama.
Sound of the Mountain (山の音, Mikio Naruse, 1954)
A failed patriarch resolves to set his unhappily married daughter-in-free in Mikio Naruse’s post-war marital drama
The Approach of Autumn (秋立ちぬ, Mikio Naruse, 1960)
A small boy finds himself trapped between the new society and the old in Mikio Naruse’s often deceptively cheerful childhood drama.
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Manga Kodomo Bunko (まんがこども文庫) Bonus Song - Come the Day After Tomorrow (あさっておいで)
Sung by (歌): Columbia Yurikago-kai (コロムビアゆりかご会) Lyrics (作詞): Eriko Kishida (岸田衿子) Composition and Arrangement (作曲・編曲): Seiichirō Uno (宇野誠一郎) Very special thanks to PopKorn Kat for transferring and scanning this record!
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Miss Oyu (お遊さま, Kenji Mizoguchi, 1951)
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