A failed patriarch resolves to set his unhappily married daughter-in-free in Mikio Naruse’s post-war marital drama
Mar 4, 2022 • Subscribe
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Late Chrysanthemums (晩菊, Mikio Naruse, 1954)
Four former geishas struggle to find their place in a changing society in Miko Naruse’s melancholy melodrama.
The Angry Street (怒りの街, Mikio Naruse, 1950)
A sociopathic student takes revenge on a changing society by seducing wealthy women in Mikio Naruse’s brooding noir.
A Woman’s Place (女の座, Mikio Naruse, 1962)
The young women of post-war Japan struggle to define themselves in a changing society in Mikio Naruse’s uncharacteristically hopeful family drama
A Wife’s Heart (妻の心, Mikio Naruse, 1956)
When plans to start a new business go awry, a dejected wife finds herself at a crossroads in Mikio Naruse’s martial drama.
Wife (妻, Mikio Naruse, 1953)
An unhappily married woman contemplates independence but struggles to see herself as anything other than a “wife” in Naruse’s bitter marital drama
Sound in the Mist (霧の音, Hiroshi Shimizu, 1956)
A botanist continues to visit the same mountain lodge each Harvest Moon in search of lost love in a late melodrama from Hiroshi Shimizu
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Repast (めし, Mikio Naruse, 1951)
An unhappily married woman fed up with the drudgery of her existence considers other options but finally concludes there are none in Naruse’s bleak melodrama
Lightning (稲妻, Mikio Naruse, 1952)
An aspirant young woman envisages a different life herself than the dissatisfactory marriages of her mother and sisters in one of Mikio Naruse’s more hopeful drama.
Flowing (流れる, Mikio Naruse, 1956)
The denizens of a moribund geisha house contemplate visions of independence in post-war Japan Mikio Naruse’s thriving ensemble drama.
The Approach of Autumn (秋立ちぬ, Mikio Naruse, 1960)
A small boy finds himself trapped between the new society and the old in Mikio Naruse’s often deceptively cheerful childhood drama.
Those Who Sneer Like the Mountain Fiend / 山魔の如き嗤うもの
Another Genya Toujou book, another series of bizarre murders in a remote village that are entangled with the local folklore. Those Who Snee...
Untamed (あらくれ, Mikio Naruse, 1957)
A rebellious woman strives for independence in a patriarchal society but nevertheless finds herself hamstrung by feckless men in Naruse’s Taisho-era drama
Sincerity (まごころ, Mikio Naruse, 1939)
When the daughter of a poor family leapfrogs that of a rich one to be named top of the class, it exposes a series of hypocrisies and contradictions…
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Four Sisters / 山麓 / Sanroku (‘The Foot of the Mountain’, 1962)
Obscure Japanese Film #167 Isuzu Yamada Yoshiko Mita Sonny Chiba Modern-day Tokyo. Masako (Yoshiko Mita) is a young woman who wants to...
A Wanderer’s Notebook (放浪記, Mikio Naruse, 1962)
A determined young woman seeks a way out of poverty in Mikio Naruse’s biopic of author Fumiko Hayashi.
Mother (おかあさん, Mikio Naruse, 1952)
A teenage girl struggles to understand her self-sacrificing mother in Mikio Naruse’s subversive take on the hahamono
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A young woman walks into the mountains to die but unexpectedly discovers what it is to feel truly human in Takeshi Fukunaga’s bleak folk tale.
Hit and Run (ひき逃げ, Mikio Naruse, 1966)
A grief-stricken mother hatches a desperate plan of revenge against the woman who killed her son in Mikio Naruse’s dark psychological drama.
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From gunslinger to psychic, Shion Wakayama could fulfill pretty much any roles and you won't even tell that it was her...
Raining in the Mountain (空山靈雨, King Hu, 1979)
Advisors with ulterior motives plot to steal a precious scroll from a temple in the midst of transition in King Hu’s farcical wuxia drama
Five Men in a Circus (サーカス五人組, Mikio Naruse, 1935)
A 5-piece jinta brass band ends up performing as ringers at strike-stricken circus in Naruse’s melancholy anti-authoritarian comedy
The Woman in the Rumour (噂の女, Kenji Mizoguchi, 1954)
A mother and daughter find themselves deceived by the same man, each hemmed in by realities which cannot be altered in Kenji Mizoguchi’s touching melodrama.
Monk Comes Down the Mountain (道士下山, Chen Kaige, 2015)
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Seven Samurai (七人の侍, Akira Kurosawa, 1954)
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