A failed patriarch resolves to set his unhappily married daughter-in-free in Mikio Naruse’s post-war marital drama
Mar 4, 2022 • Subscribe
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Late Chrysanthemums (晩菊, Mikio Naruse, 1954)
Four former geishas struggle to find their place in a changing society in Miko Naruse’s melancholy melodrama.
The Angry Street (怒りの街, Mikio Naruse, 1950)
A sociopathic student takes revenge on a changing society by seducing wealthy women in Mikio Naruse’s brooding noir.
A Wife’s Heart (妻の心, Mikio Naruse, 1956)
When plans to start a new business go awry, a dejected wife finds herself at a crossroads in Mikio Naruse’s martial drama.
A Woman’s Place (女の座, Mikio Naruse, 1962)
The young women of post-war Japan struggle to define themselves in a changing society in Mikio Naruse’s uncharacteristically hopeful family drama
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A botanist continues to visit the same mountain lodge each Harvest Moon in search of lost love in a late melodrama from Hiroshi Shimizu
Wife (妻, Mikio Naruse, 1953)
An unhappily married woman contemplates independence but struggles to see herself as anything other than a “wife” in Naruse’s bitter marital drama
Repast (めし, Mikio Naruse, 1951)
An unhappily married woman fed up with the drudgery of her existence considers other options but finally concludes there are none in Naruse’s bleak melodrama
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Those Who Sneer Like the Mountain Fiend / 山魔の如き嗤うもの
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Untamed (あらくれ, Mikio Naruse, 1957)
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Mother (おかあさん, Mikio Naruse, 1952)
A teenage girl struggles to understand her self-sacrificing mother in Mikio Naruse’s subversive take on the hahamono
A Wanderer’s Notebook (放浪記, Mikio Naruse, 1962)
A determined young woman seeks a way out of poverty in Mikio Naruse’s biopic of author Fumiko Hayashi.
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A young woman walks into the mountains to die but unexpectedly discovers what it is to feel truly human in Takeshi Fukunaga’s bleak folk tale.
Hit and Run (ひき逃げ, Mikio Naruse, 1966)
A grief-stricken mother hatches a desperate plan of revenge against the woman who killed her son in Mikio Naruse’s dark psychological drama.
Raining in the Mountain (空山靈雨, King Hu, 1979)
Advisors with ulterior motives plot to steal a precious scroll from a temple in the midst of transition in King Hu’s farcical wuxia drama
Five Men in a Circus (サーカス五人組, Mikio Naruse, 1935)
A 5-piece jinta brass band ends up performing as ringers at strike-stricken circus in Naruse’s melancholy anti-authoritarian comedy
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A wandering monk is forced to consider a series of dualities presented by his traditional upbringing and burgeoning modernity in Chen Kaige’s ‘30s wuxia Monk Comes Down the…
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The simplest job requires the strongest will.
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