A determined young woman seeks a way out of poverty in Mikio Naruse’s biopic of author Fumiko Hayashi.
Jul 28, 2024 • Subscribe
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A Woman’s Place (女の座, Mikio Naruse, 1962)
The young women of post-war Japan struggle to define themselves in a changing society in Mikio Naruse’s uncharacteristically hopeful family drama
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An unhappily married woman contemplates independence but struggles to see herself as anything other than a “wife” in Naruse’s bitter marital drama
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An unhappily married woman fed up with the drudgery of her existence considers other options but finally concludes there are none in Naruse’s bleak melodrama
A Wife’s Heart (妻の心, Mikio Naruse, 1956)
When plans to start a new business go awry, a dejected wife finds herself at a crossroads in Mikio Naruse’s martial drama.
Late Chrysanthemums (晩菊, Mikio Naruse, 1954)
Four former geishas struggle to find their place in a changing society in Miko Naruse’s melancholy melodrama.
Untamed (あらくれ, Mikio Naruse, 1957)
A rebellious woman strives for independence in a patriarchal society but nevertheless finds herself hamstrung by feckless men in Naruse’s Taisho-era drama
Mother (おかあさん, Mikio Naruse, 1952)
A teenage girl struggles to understand her self-sacrificing mother in Mikio Naruse’s subversive take on the hahamono
Five Men in a Circus (サーカス五人組, Mikio Naruse, 1935)
A 5-piece jinta brass band ends up performing as ringers at strike-stricken circus in Naruse’s melancholy anti-authoritarian comedy
Sound of the Mountain (山の音, Mikio Naruse, 1954)
A failed patriarch resolves to set his unhappily married daughter-in-free in Mikio Naruse’s post-war marital drama
The Angry Street (怒りの街, Mikio Naruse, 1950)
A sociopathic student takes revenge on a changing society by seducing wealthy women in Mikio Naruse’s brooding noir.
Hit and Run (ひき逃げ, Mikio Naruse, 1966)
A grief-stricken mother hatches a desperate plan of revenge against the woman who killed her son in Mikio Naruse’s dark psychological drama.
The Approach of Autumn (秋立ちぬ, Mikio Naruse, 1960)
A small boy finds himself trapped between the new society and the old in Mikio Naruse’s often deceptively cheerful childhood drama.
Naruse A Master of the Japanese Cinema - Booklet
Articles by Audie Bock, Hideko Takamine and Kihachi Okamoto (19 Pages )
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Tokyo Bay (東京湾, Yoshitaro Nomura, 1962)
Two old war buddies find themselves on opposite sides of the law in Nomura’s sprawling journey through the post-war underworld
The Whale God (鯨神, Tokuzo Tanaka, 1962)
A young man wrestles with the destructive legacy of vengeance in a traditional fishing village on the verge of eclipse in Tokuzo Tanaka’s parabolic drama.
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The cynical drifter finds himself offering fatherly advice to idealistic but hot-headed samurai youth in Akira Kurosawa’s Yojimbo followup.
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