The young women of post-war Japan struggle to define themselves in a changing society in Mikio Naruse’s uncharacteristically hopeful family drama
May 16, 2021 • Subscribe
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A Wanderer’s Notebook (放浪記, Mikio Naruse, 1962)
A determined young woman seeks a way out of poverty in Mikio Naruse’s biopic of author Fumiko Hayashi.


A Wife’s Heart (妻の心, Mikio Naruse, 1956)
When plans to start a new business go awry, a dejected wife finds herself at a crossroads in Mikio Naruse’s martial drama.


The Angry Street (怒りの街, Mikio Naruse, 1950)
A sociopathic student takes revenge on a changing society by seducing wealthy women in Mikio Naruse’s brooding noir.


Sound of the Mountain (山の音, Mikio Naruse, 1954)
A failed patriarch resolves to set his unhappily married daughter-in-free in Mikio Naruse’s post-war marital drama


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An unhappily married woman contemplates independence but struggles to see herself as anything other than a “wife” in Naruse’s bitter marital drama


Lightning (稲妻, Mikio Naruse, 1952)
An aspirant young woman envisages a different life herself than the dissatisfactory marriages of her mother and sisters in one of Mikio Naruse’s more hopeful drama.


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Five Sisters / 女の暦 / Onna no koyomi (‘A Woman’s Calendar/Almanac’, 1954)
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Four former geishas struggle to find their place in a changing society in Miko Naruse’s melancholy melodrama.


Flowing (流れる, Mikio Naruse, 1956)
The denizens of a moribund geisha house contemplate visions of independence in post-war Japan Mikio Naruse’s thriving ensemble drama.


Untamed (あらくれ, Mikio Naruse, 1957)
A rebellious woman strives for independence in a patriarchal society but nevertheless finds herself hamstrung by feckless men in Naruse’s Taisho-era drama


Mother (おかあさん, Mikio Naruse, 1952)
A teenage girl struggles to understand her self-sacrificing mother in Mikio Naruse’s subversive take on the hahamono


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A 5-piece jinta brass band ends up performing as ringers at strike-stricken circus in Naruse’s melancholy anti-authoritarian comedy


Woman of Design (その場所に女ありて, Hideo Suzuki, 1962)
Post-war women find themselves constrained by a relentlessly patriarchal society in Hideo Suzuki’s workplace melodrama


Hit and Run (ひき逃げ, Mikio Naruse, 1966)
A grief-stricken mother hatches a desperate plan of revenge against the woman who killed her son in Mikio Naruse’s dark psychological drama.


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This Year’s Love (今年の恋, Keisuke Kinoshita, 1962)
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In Search of Mother (瞼の母, Tai Kato, 1962)
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Radio Queen (ラヂオの女王, Shigeo Yagura, 1935)
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The AD Police Files is set in the same world as Bubblegum Crisis, differing from that more renowned anime by including much darker stories. It still features humanoid…


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A mother and daughter find themselves deceived by the same man, each hemmed in by realities which cannot be altered in Kenji Mizoguchi’s touching melodrama.


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