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A splendid Godzilla narrative that delivers thrilling kaiju action while elegantly exploring the impact of the rise of capitalism and consumerism on Japanese society and the traumatic truth it does…
Dec 22, 2022 • Subscribe
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Mothra vs. Godzilla (1964) review [The Godzilla Project]
A splendid Godzilla narrative that does not only delivers Kaiju action in a satisfying and engaging way but also continues the questioning of the blossoming of the capitalistic…
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Fukuda’s second narrative nevertheless constitutes an infantilisation of the evocative and metaphorical dimension of Godzilla.
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Honda delivers a bleak and disconcerting outlook on the optimistic post-war reparative economic growth.
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By elegantly using the kaiju Mothra, Honda warns the Japanese spectator of the destructive societal effects that the blind adoption of unrestricted capitalism and wild consumption can cause.
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Godzilla: Destroy All Monsters (1968) review [The Godzilla Project]
Honda delivers another narrative in which Otherness is feared and a deceptive imaginary sense of societal harmony is subtly celebrated.
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Godzilla vs. Mothra (1992) [Tokusatsu Review]
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Invasion of Astro-Monster (1965) review [The Godzilla Project]
A great narrative that is marred by budget and time-constraints.
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Ghidorah, the Three-Headed Monster (1964) review [The Godzilla Project]
A pleasant kaiju film that, nevertheless, constitutes a radical thematical break with the previous narratives.
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Ebirah, Horror Of The Deep (1966) review [The Godzilla Project]
A pleasant Kaiju film that continues to emphasize the imaginary dynamic of us (i.e. societal harmony) against them (i.e. the Otherness that threatens it)
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