The battle for the soul of the post-war society is fought in the body of a conflicted lawyer in Akira Kurosawa’s seasonal morality tale.
Jan 8, 2023 • Subscribe
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Rashomon (羅生門, Akira Kurosawa, 1950)
A series of witnesses give conflicting accounts of a death in the forest in Akira Kurosawa’s exploration of the limits of objective truth.
Akira Kurosawa Retrospective at the BFI 2023
The good folks at the BFI have sent us details for an up coming Akira Kurosawa Retrospective. Set to run from Sunday 1st January 2023 until ...
Ikiru (生きる, Akira Kurosawa, 1952)
A lifelong bureaucrat is confronted by the emptiness of the salaryman dream when diagnosed with a terminal illness in Akira Kurosawa’s intensely moving melodrama.
Kagemusha (影武者, Akira Kurosawa, 1980)
A thief reborn as a lord finds himself caught between the contradictions of the feudal order and the borders of identity in Akira Kurosawa’s Sengoku-era tragedy.
BFI to Host Complete Akira Kurosawa Retrospective
At BFI Southbank January and February 2023.
Yojimbo (用心棒, Akira Kurosawa, 1961)
A cynical ronin plays warring factions off against each other to save a moribund silk town in Akira Kurosawa’s samurai western.
The Idiot (白痴, Akira Kurosawa, 1951)
A pure soul is destroyed by the selfishness and duplicity of the post-war society in Kurosawa’s snowbound adaptation of the Dostoyevsky novel.
Watching Akira Kurosawa Movies for the First time!
Rashomon If you like movies and/or Japanese culture, it’s impossible to not hear the name Akira Kurosawa, the most culturally significant filmmaker in Japan’s existence. He made a…
Sanjuro (椿三十郎, Akira Kurosawa, 1962)
The cynical drifter finds himself offering fatherly advice to idealistic but hot-headed samurai youth in Akira Kurosawa’s Yojimbo followup.
Stray Dog (野良犬, Akira Kurosawa, 1949)
A rookie policeman chases an echo of himself through the backstreets of post-war Japan while looking for his missing gun in Akira Kurosawa’s sweltering noir.
The Lower Depths (どん底, Akira Kurosawa, 1957)
In the absence of salvation a comforting falsehood is the only means of survival in Akira Kurosawa’s adaptation of the Gorky play.
Seven Samurai (七人の侍, Akira Kurosawa, 1954)
Desperate peasants recruit samurai protectors in Akira Kurosawa’s classic historical epic back in UK cinemas Oct. 29
Throne of Blood (蜘蛛巣城, Akira Kurosawa, 1957)
An ambitious retainer falls victim to the false promises of a forest spirit in Akira Kurosawa’s haunting adaptation of Shakespeare’s Macbeth.
High and Low (天国と地獄, Akira Kurosawa, 1963)
A self-made millionaire faces a moral dilemma when his chauffeur’s son is kidnapped in place of his own in Kurosawa’s post-war crime film.
Dodes’ka-den (どですかでん, Akira Kurosawa, 1970)
The denizens of a small slum on the outskirts of the modern city live largely on wilful self-delusion in Kurosawa’s first experimentation with colour.
Drunken Angel (酔いどれ天使, Akira Kurosawa, 1948)
A gruff yet well intentioned doctor does his best to cure the ills of post-war Japan in a rundown slum on the edge of a fetid swamp in…
The Most Beautiful (一番美しく, Akira Kurosawa, 1944)
Kurosawa’s second feature explores the intense dedication of a collection of factory girls crafting precision lenses in a late National Policy Film.
Online Tributes to Akira Kurosawa for the 102nd Anniversary of his Birth
by Marc Saint-Cyr March 23rd is a particularly noteworthy date for admirers of Japanese cinema, as it marks the birth of one of its most b...
Rhapsody in August (八月の狂詩曲, Akira Kurosawa, 1991)
Three generations reckon with the wartime past after receiving news from estranged relatives in Hawaii in Kurosawa’s humanist drama.
The Silent Duel (静かなる決闘, Akira Kurosawa, 1949)
A doctor who contracted syphilis from a patient wrestles with desire and responsibility in Kurosawa’s post-war drama.
“Hunting in 1950” (1926)
There’s a lot of fun gags here to make an enjoyable but somewhat thin-plot-ed cartoon.
UPA Shorts, 1944-1950
In 1941, an animators’ strike at Disney emerged from discontent with Walt Disney’s business practices; although the company enjoyed the best pay and benefits in the American animation…
The Hidden Fortress (隠し砦の三悪人, Akira Kurosawa, 1958)
A fugitive princess offers a new hope for a peaceful and prosperous socitey in Akira Kurosawa’s Sengoku-era epic.
Yamcha Hair Scandal!
This is a Japanese government conspiracy of the highest order. Edited by @TeeHallumsYT SUPPORT US ON PATREON: https://www.patreon.com/totallynotmark FOLLOW ME ON TWITTER: https://www.twitter.com/totallynotmark FOLLOW ME ON TIKTOK: https://www.tiktok.com/@totallynotmark
One Wonderful Sunday (素晴らしき日曜日, Akira Kurosawa, 1947)
A young couple attempt to have a nice day out in Tokyo for only 35 yen but eventually discover something much more valuable in Akira Kurosawa’s surprisingly upbeat…
I Live in Fear (生きものの記録, Akira Kurosawa, 1955)
An elderly man’s nuclear paranoia threatens to tear his family apart in Kurosawa’s post-war social drama.
Shunsetsu / 春雪 / (‘Spring Snow’, 1950)
Obscure Japanese Film #164 Yasuko Fujita Takako (Yasuko Fujita) is a young woman who works on the ticket desk at her local train station...
No Regrets for Our Youth (わが青春に悔なし, Akira Kurosawa, 1946)
A young woman is torn between a future with a passionate rebel or spineless conformist in Kurosawa’s meditation on the militarist folly.
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AKIRA Pamphlet
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Cloud クラウド (2024) Director: Kiyoshi Kurosawa is his chilling warning of how people are dehumanised by materialism/technology, as told through a thriller/home invasion format and a strong performanc…
Sweet Home (スウィートホーム, Kiyoshi Kurosawa, 1989)
A documentary film crew encounter a vengeful ghost while investigating a creepy mansion in an early gothic horror adventure from Kiyoshi Kurosawa.
Tokyo Sonata (トウキョウソナタ, Kiyoshi Kurosawa, 2008)
Orphaned salarymen are the soulless ghosts haunting an increasingly empty city in Kiyoshi Kurosawa’s eerie tale of urban anxiety
Akira Storyboard Collection
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The Angry Street (怒りの街, Mikio Naruse, 1950)
A sociopathic student takes revenge on a changing society by seducing wealthy women in Mikio Naruse’s brooding noir.
The Munekata Sisters (宗方姉妹, Yasujiro Ozu, 1950)
Two sisters with contrasting outlooks clash in their responses to failed marriage and potential romance in an unusually bitter Ozu melodrama
The ANN Aftershow - The Fuji TV Scandal Explained
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