A doctor who contracted syphilis from a patient wrestles with desire and responsibility in Kurosawa’s post-war drama.
Jan 30, 2023 • Subscribe
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Stray Dog (野良犬, Akira Kurosawa, 1949)
A rookie policeman chases an echo of himself through the backstreets of post-war Japan while looking for his missing gun in Akira Kurosawa’s sweltering noir.
Ikiru (生きる, Akira Kurosawa, 1952)
A lifelong bureaucrat is confronted by the emptiness of the salaryman dream when diagnosed with a terminal illness in Akira Kurosawa’s intensely moving melodrama.
Dodes’ka-den (どですかでん, Akira Kurosawa, 1970)
The denizens of a small slum on the outskirts of the modern city live largely on wilful self-delusion in Kurosawa’s first experimentation with colour.
The Idiot (白痴, Akira Kurosawa, 1951)
A pure soul is destroyed by the selfishness and duplicity of the post-war society in Kurosawa’s snowbound adaptation of the Dostoyevsky novel.
Akira Kurosawa Retrospective at the BFI 2023
The good folks at the BFI have sent us details for an up coming Akira Kurosawa Retrospective. Set to run from Sunday 1st January 2023 until ...
Scandal (醜聞, Akira Kurosawa, 1950)
The battle for the soul of the post-war society is fought in the body of a conflicted lawyer in Akira Kurosawa’s seasonal morality tale.
Episode #76 (S10E5) – Getting Any? [みんな〜やってるか!] (1995)
We’re going lighter this time with comedy podcaster Chris Andersen. In this episode, we discuss Getting Any?, Takeshi Kitano’s 1995 comedy/parody film about a middle-aged guy obsessed w…
Kagemusha (影武者, Akira Kurosawa, 1980)
A thief reborn as a lord finds himself caught between the contradictions of the feudal order and the borders of identity in Akira Kurosawa’s Sengoku-era tragedy.
Yojimbo (用心棒, Akira Kurosawa, 1961)
A cynical ronin plays warring factions off against each other to save a moribund silk town in Akira Kurosawa’s samurai western.
BFI to Host Complete Akira Kurosawa Retrospective
At BFI Southbank January and February 2023.
Rashomon (羅生門, Akira Kurosawa, 1950)
A series of witnesses give conflicting accounts of a death in the forest in Akira Kurosawa’s exploration of the limits of objective truth.
The Lower Depths (どん底, Akira Kurosawa, 1957)
In the absence of salvation a comforting falsehood is the only means of survival in Akira Kurosawa’s adaptation of the Gorky play.
Seven Weeks (野のなななのか, Nobuhiko Obayashi, 2014)
“A death is a history” in Obayashi’s intensely moving tale of the interconnectedness of all things, love, death, war, and memory.
No Regrets for Our Youth (わが青春に悔なし, Akira Kurosawa, 1946)
A young woman is torn between a future with a passionate rebel or spineless conformist in Kurosawa’s meditation on the militarist folly.
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Sanjuro (椿三十郎, Akira Kurosawa, 1962)
The cynical drifter finds himself offering fatherly advice to idealistic but hot-headed samurai youth in Akira Kurosawa’s Yojimbo followup.
Kininatteru Hito Ga Otoko Janakatta, Volume 1 (気になってる人が男じゃなかった)
Aya is a high school student who loves music of the 90s-00s. She’s content to sit and listen to the Foo Fighters in her ear buds, but when…
Kininatteru Hito Ga Otoko Janakatta, Volume 2 (気になってる人が男じゃなかった)
In Volume 1, we met Ohsawa Aya, a fashionable girl in most ways – except for her retro taste in music. When she walks into a shabby CD…
Seven Samurai (七人の侍, Akira Kurosawa, 1954)
Desperate peasants recruit samurai protectors in Akira Kurosawa’s classic historical epic back in UK cinemas Oct. 29
The Most Beautiful (一番美しく, Akira Kurosawa, 1944)
Kurosawa’s second feature explores the intense dedication of a collection of factory girls crafting precision lenses in a late National Policy Film.
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Online Tributes to Akira Kurosawa for the 102nd Anniversary of his Birth
by Marc Saint-Cyr March 23rd is a particularly noteworthy date for admirers of Japanese cinema, as it marks the birth of one of its most b...
Throne of Blood (蜘蛛巣城, Akira Kurosawa, 1957)
An ambitious retainer falls victim to the false promises of a forest spirit in Akira Kurosawa’s haunting adaptation of Shakespeare’s Macbeth.
When Morning Comes, I Feel Empty (朝がくるとむなしくなる, Yuho Ishibashi, 2022)
A young woman wrestles with a sense of failure and inadequacy after leaving the corporate world in Yuho Ishibashi’s zeitgeisty indie drama.
Scribes and Sake: Kasa-Jizo (かなじぞ)
Reading fairytales within the origin language. Contextual agreements between time and place, emotions and aesthetics. We might localize our hearts out but truth be told we humans are…
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The Hidden Fortress (隠し砦の三悪人, Akira Kurosawa, 1958)
A fugitive princess offers a new hope for a peaceful and prosperous socitey in Akira Kurosawa’s Sengoku-era epic.
High and Low (天国と地獄, Akira Kurosawa, 1963)
A self-made millionaire faces a moral dilemma when his chauffeur’s son is kidnapped in place of his own in Kurosawa’s post-war crime film.
Drunken Angel (酔いどれ天使, Akira Kurosawa, 1948)
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The Green Music Box (緑はるかに, Umetsugu Inoue, 1955)
A lonely little girl finds herself dragged into conspiracy when her father is kidnapped by spies in Umetsugu Inoue’s bizarre musical adventure.
Manga de Wakaru LGBQ+ (マンガでわかるLGBTQ+)
I follow a number of Japanese sexual and gender minority groups on Twitter. I’ve even created a Twitter list with all the JP groups I follow, knowing that…
Rhapsody in August (八月の狂詩曲, Akira Kurosawa, 1991)
Three generations reckon with the wartime past after receiving news from estranged relatives in Hawaii in Kurosawa’s humanist drama.
Let Him Rest in Peace 友よ、静かに瞑れ (1985) Director: Yoichi Sai
Let Him Rest in Peace, by director Yoichi Sai, is a solid noir set in an Okinawa shot with Western-genre stylings. Let Him Rest in Peace 友よ、静かに瞑れ (1985)…
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“Adachi’s mystery sci-fi film remains, after all these years, a highly entertaining narrative.”
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The infinite enthusiasm of a fish obsessive gradually brightens the world around them in Shuichi Okita’s charming portrait of an eccentric.
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One Wonderful Sunday (素晴らしき日曜日, Akira Kurosawa, 1947)
A young couple attempt to have a nice day out in Tokyo for only 35 yen but eventually discover something much more valuable in Akira Kurosawa’s surprisingly upbeat…
I Live in Fear (生きものの記録, Akira Kurosawa, 1955)
An elderly man’s nuclear paranoia threatens to tear his family apart in Kurosawa’s post-war social drama.