The Zero Fighter has taken on a kind of mythic existence in a romanticised vision of warfare, yet as Toshio Masuda’s Zero (零戦燃ゆ零戦燃ゆ, Zerosen moyu) implies its time in the spotlight was in fact comp…
Jul 5, 2024 • Subscribe
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Red Handkerchief (赤いハンカチ, Toshio Masuda, 1964)
A pure-hearted former policeman embarks on a noirish journey of retribution after discovering his partner may have betrayed him in Masuda’s stylish crime drama
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A gangster laying low realises there is no escape from his sense of ennui in Toshio Masuda’s post-modern re-imagining of his earlier Red Pier
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F2 Grand Prix (1984)
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F2 Grand Prix (1984)
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BIRTH (1984) — Anime Review
Birth is an anime of indulgence. A wild ride of animated flair; full of explosions, fanservice, and absurd comedy.
F2 Grand Prix (1984)
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Lensman: Galactic Patrol (1984) – Episode 14
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Lensman: Galactic Patrol (1984) – Episode 20
The four-part story of Wolf (aka Bob Muhn) comes to a climax, as Boskone test out their super-weapon created with beryllium stolen from Galactic Patrol. There are several…
Lensman: Galactic Patrol (1984) – Episode 22
Here’s the next installment in the final story arc of Lensman. En route to Flick’s home planet Albit, the crew of the Brittania are forced to land on…
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The Island Closest To Heaven (1984) review
“This might be the purest idol-film Obayashi made and the clearest example of how Kadokawa wanted to exploit the audio-visual medium.”
Lensman Review (1984, Kazuyuki Hirokawa & Yoshiaki Kawajiri)
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Spiraken Mini Movie Review: Wonder Woman 1984
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Translation: Toshio Suzuki Reminisces About Isao Takahata (Part 1)
Last August, the severe working conditions under Isao Takahata made headlines on many websites after Ghibli producer and long-time colleague Toshio Suzuki openly talked about Takahata’s incredibly demanding…
Translation: Toshio Suzuki Reminisces About Isao Takahata (Part 2)
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Translation: Toshio Suzuki Reminisces About Isao Takahata (Part 3)
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A Movie Capital (映画の都, Toshio Iizuka, 1991)
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Mermaid Legend (人魚伝説, Toshiharu Ikeda, 1984)
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A young woman struggles to accept her desires amid the oppressive social codes of contemporary Korea in Lee Jang-ho’s erotic melodrama.