A gangster laying low realises there is no escape from his sense of ennui in Toshio Masuda’s post-modern re-imagining of his earlier Red Pier
Apr 16, 2021 • Subscribe
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Zero (零戦燃ゆ, Toshio Masuda, 1984)
The Zero Fighter has taken on a kind of mythic existence in a romanticised vision of warfare, yet as Toshio Masuda’s Zero (零戦燃ゆ零戦燃ゆ, Zerosen moyu) implies its time…
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A pure-hearted former policeman embarks on a noirish journey of retribution after discovering his partner may have betrayed him in Masuda’s stylish crime drama
Flowing (流れる, Mikio Naruse, 1956)
The denizens of a moribund geisha house contemplate visions of independence in post-war Japan Mikio Naruse’s thriving ensemble drama.
Whirlpool of Flesh (おんなの渦と淵と流れ, Ko Nakahira, 1964)
A intellectual professor and his wounded wife find themselves trapped in a toxic marriage after returning from Manchuria in Ko Nakahira’s fatalistic drama
Japan Stories それぞれの日本
A beautifully written patchwork of stories of contemporary Japan each of which focuses on and mainly revolves around one person with associated minor characters who, though obviously less…
Tokyo Drifter (東京流れ者, Seijun Suzuki, 1966)
A recently released yakuza attempts to join the new society by going straight but finds his efforts frustrated by upstart gangsters in Seijun Suzuki’s postmodern noir.
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A Movie Capital (映画の都, Toshio Iizuka, 1991)
As the opening of Toshio Iizuka’s A Movie Capital (映画の都, Tokyo no Miyako) makes plain, 1989 was a year of turbulence all over the world but also perhaps…
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The staff of a hotel along with its guests find themselves trapped in an infinite two minute loop in Junta Yamaguchi’s strangely poignant farce.
Eleven Samurai (十一人の侍, Eiichi Kudo, 1967)
Faced with dissolution, a wronged clan plots revenge against a selfish and entitled young lord in Eiichi Kudo’s nihilistic jidaigeki.
それ Sore vs その Sono #learnjapanese
Learn Japanese with Me - https://bit.ly/4drmyU2
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Shroud of Snow / 雪の喪章 / Yuki no mosho (1967)
Obscure Japanese Film #105 Ayako Wakao The story begins in 1930 in Kanazawa, a city located on the west coast of Japan’s main island…
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Marginalised communities turn against each other while locked out of an increasingly prosperous society in Kei Kumai’s uncompromising post-war drama
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Sword of Destiny (孤剣は折れず 月影一刀流, Yasushi Sasaki, 1960)
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The Wife of Seishu Hanaoka (華岡青洲の妻, Yasuzo Masumura, 1967)
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A dejected middle-aged man experiences a crisis of masculinity when his home and work lives come under threat in Toshio Lee’s warmhearted comedy.