“A great dystopian narrative that clearly gives expression the director’s fear of certain right-wing tendencies that linger within Japanese society.”
Nov 10, 2022 • Subscribe
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Yamabuki (2022) review [IFFR 2022]
“A beautiful socially-engaged narrative that explores the very fact that, by being grasped within the societal network of relations, one cannot but influence the other and become influenced…
Noise (2022) review
A highly satisfying experience that delivers suspense as well as good dose of touching emotionality.
Wandering (2022) review
With his poetic sensitivity, Sang-il Lee delivers a rich tapestry of genuine emotionality and a powerful affirmation of the fact that the affirmation of the subject lies beyond…
Tsuyukusa (2022) review
A narrative of subtle affection carried by the layered performances of the cast.
Review: Hero (2022)
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Non, in short, proves with her first feature film that she has a future as screenwriter and director.
2022 in Review
2022 winds down as catastrophically as most other recent years. The war in Ukraine grinds on. A "tripledemic" rages in the US. Covid has ret...
Usogui (2022) review
‘Usogui’ got 99 problems, but the manga-like appearances of the characters ain’t one.
Review: Summer (2022)
Summer 野夏天 China/Taiwan, 2022, colour, 2.35:1, 113 mins. Director: Su Zhexian 苏哲贤. Rating: 4/10. Taiwan singer Chen Jiahua is overshadowed by Mainland character actor Geng Le in a…
XXXholic (2022) review
“An exquisite visual experience that is sadly held back by its unfitting manga-like moments.”
Parallel (2022) review
A fabulous narrative that does not only delivers a thrilling slasher-like experience, but offers a touching romance between two people that are, in their own particular way, deeply…
Onpaku (2022) review
While Fujii does not re-invent the J-horror genre with Onpaku, he does prove the horror-frame can still be exploited to deliver satisfying horror narratives.
Missing (2022) review
Shinzo Katayama delivers one of the most satisfying drama-thrillers this year.
Review: Snipers (2022)
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Straying (2022) review [Camera Japan 2022]
A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…
Melting Sounds (2022) review [OAFF 2022]
“Kahori Higashi’s debut is impressive.”
Random Call (2022) review [OAFF 2022]
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Stone Steps (2022) review [JFFH 2022]
A great indie narrative that highlights the need for the parental and the traditional Other to aid the subject to embark on the path of his own desire.…
Angry Son (2022) review [OAFF 2022]
“An incredibly rich and deep narrative that not only delivers a satisfying coming-of-age story but also an elegantly delivered social commentary on some of the frictions marking Japanese…
Shaman’s Daughter (2022) review [JFFH 2022]
A genre mish-mash – a cocktail of light-hearted comedy, family drama, bloody thriller, and ghostly romance – that is not only pleasant but offers the spectator a rich…
Our House Party (2022) review [OAFF 2022]
Kawanobe delivers a very touching and emotional story about homosexuality in Japan.
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Intimate Stranger (2022) review
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Plan 75 (2022) review
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Violence Action (2022) review
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Review: 0.1% World (2022)
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Review: Moon Man (2022)
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Review: Home Coming (2022)
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Sadako DX (2022) review
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Kisaragi Station (2022) review
Thanks to a good narrative structure and pleasant performance this low-budget horror film succeeds in engaging and satisfying the spectator.
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Review: Post Truth (2022)
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Year in Review 2022
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Beloved (2022) [Film Review]
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Love Nonetheless (2022) review
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New Religion (2022) review
A splendid horror-drama narrative that will keep the spectator on the edge of his seat from start to finish.
Review: Mr. Zheng (2022)
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Review: Lost Love (2022)
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