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Aug 21, 2022 • Subscribe
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It’s a fairly well known fact that Visual Kei doesn’t have too many all-women bands. There might be a bassist or guitarist here or there, but those bands…
The Family (2021) review
“A highly original yakuza narrative that beautifully touches upon the importance that the (idealized) figure of the father can have for a subject’s lifepath.”
Review: The Pioneer (2021)
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The Apartment with Two Women (같은 속옷을 입는 두 여자, Kim Se-in, 2021)
A mother and daughter remain locked in a toxic cycle of resentment and dependency in the debut feature from Kim Se-in.
Unsung Heroes: The women of The Heike Story
The creators of The Heike Story go a step further beyond tribute with the character of Biwa: by presenting her as the epic’s original author-performer, the anime adaptation…
Bad Women of China (中华坏女人, He Xiaopei, 2021)
He Xiaopei contemplates the lives of three generations of teenage women while attempting to reconcile with her distance mother in a very personal documentary.
The Women of Visual Kei – Necro Circus
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The Women of YU-NO Part II
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The Women of Visual Kei – KURO×HIME
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The Women of Visual Kei – DANGER☆GANG
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The wasted potential of Death Note’s women
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The Women of YU-NO Part III
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The Women of YU-NO Part I
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The Women in Chainsaw Man are Insane
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The Women of Visual Kei – Exist†trace
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Follow The Light (2021) review [Fantasia Festival 2021]
The narrative might not offer anything new at a thematical level, but stands out due to his refusal to spell things out and, instead, imply certain subjective truths…
Review: The Chanting Willows (2021)
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Review: The Last Judgement (2021)
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Review: The Door Lock (2021)
The Door Lock 门锁 China, 2021, colour, 2.35:1, 102 mins. Director: Bie Ke 别克 [Orkenbek Baysenbay]. Rating: 4/10. Actress Bai Baihe is again the best thing in a…
The Cinderella Addiction (2021) review
“A highly enjoyable narrative that explores the opposition between indulging into fantasies and the developing of inter-subjective bonds.”
Review: The Perfect Victim (2021)
The Perfect Victim 完美受害人 China, 2021, colour, 2.35:1, 101 mins. Director: Yang Longjie 杨泷杰. Rating: 5/10. Interesting police procedural is a mix of familiar and fresh elements, but…
What the Historical Silence of Japanese Women Says
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The Dangers in My Heart #02 — Smelly Women
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The Goldfish Dreaming Of The Sea (2021) review [Japan Cuts 2021]
“Ogawa’s thoughtful lyricism that gives the emotionality of the performances their power to touch the spectator and enables her exploration of the difficulty to separate from one’s mother…
Episode 15: Translating Japanese Women
The Japanese cover of Convenience Store Woman Check out Episode 15 of the Read Literature podcast. In all our episodes so far, we’ve talked almost exclusively about what…
Women Make Animation Online Event
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Newman’s Nook: Bakuman and Women
For 2022, I decided to tackle a number of manga that I had not yet read. Some I owned digitally via older Humble Bundles. Others were planned based…
Women of Xal Now Available
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Josei January: Hentai?? For Women??
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My Favorite Women of Anime
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Review: The Curse of Turandot (2021)
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Review: Fireflies in the Sun (2021)
Fireflies in the Sun 误杀II China, 2021, colour, 2.35:1, 118 mins. Director: Dai Mo 戴墨. Rating: 6/10. Twist-laden hospital hostage drama is solidly entertaining without ever reinventing the…
The Silent Sea (2021) [Drama Review]
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Rurouni Kenshin: The Beginning (2021) review
“Ohtome succeeds in giving Himura’s bloody and tragic coming-into-being its rich and engaging emotional texture.”
Last Of The Wolves (2021) review
“Kazuya Shiraishi delivers, with his sequel, another amazing and highly entertaining yakuza/police thriller.”
Rurouni Kenshin: The Final (2021) review
“Ohtomo’s does not only preserve the essence of Watsuki’s narrative but delivers this essence with necessary emotionality and adorns it with many breathtaking sword-fighting moments that neit…
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