Marriage is a curse from which there is no cure in Chienn Hsiang’s horror-inflected pandemic-era social drama
Apr 5, 2022 • Subscribe
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The Dawning Sky (明け行く空, Torajiro Saito, 1929)
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Break Out (行き止まりの挽歌 ブレイクアウト, Toru Murakawa, 1988)
A maverick cop realises he can only enforce the law by breaking it in Toru Murakawa’s hardboiled ’80s noir.
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Ito (Japan, 2021) [OAFF 2021]
Jason Maher reviews Satoko Yokohama's comedy-drama Ito.
POP! (Japan, 2021) [OAFF 2021]
Jason Maher reviews Masashi Komura's surreal coming-of-age tale POP!
Junk Head (Japan, 2021) [NYAFF 2021]
John Atom reviews Takahide Hori's stop motion animation Junk Head.
Drifting (Hong Kong, 2021) [CVF 2021]
Wilson Kwong reviews Jun Li’s socially conscious drama Drifting.
Barbarian Invasion [NYAFF 2021] (Malaysia, 2021)
Epoy Deyto reviews Tan Chui Mui's meta-film Barbarian Invasion.
Ninja Girl (Japan, 2021) [NYAFF 2021]
Rowena Santos Aquino reviews Yu Irie's subversive comedy Ninja Girl.
Time (Hong Kong, 2021) [NYAFF 2021]
Wilson Kwong reviews Ricky Ko's comedy-drama Time.
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“Gokan expertly reveals the position of the freeter as an attempt to escape the capitalistic machinery but also as a position that most easily falls prey to the…
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The Vampire Dies in No Time, Musashi, Platinum End, VISUAL PRISON, Blue Period
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Summer 2021
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Winter 2021
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January 2021
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Junho (South Korea/USA, 2021) [CAAMFest 2021]
John Atom reviews David Boo's topical drama Junho.
Sweet Bitter Candy (2021) review [OAFF 2021]
“An amazing exploration of the clash between a sweet youthful romantic desire and the bitter urge of a wounded subject to defend his subjective wounds.”
The Asian Angel (Japan, 2021) [NYAFF 2021]
Rowena Santos Aquino review Yuya Ishii's road movie The Asian Angel.
yes, yes, yes (Japan, 2021) [OAFF 2021]
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Mari and Mari (Japan, 2021) [JAPAN CUTS 2021]
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A New Wind Blows (2021) review [OAFF 2021]
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Midnight (미드나이트, Kwon Oh-seung, 2021) [Fantasia 2021]
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Spaghetti Code Love (2021) review [Japan Cuts 2021]
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Attack on Titan, Lycoris Recoil, ZOMBIE LAND SAGA, Super Cub, Encouragement of Climb
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“A beautiful narrative that seems to bear no relation to our romantic life at first, but ultimately hits close to home.”