An ambitious executive is confronted with the emasculating nature of the salaryman dream when escaped convicts invade his home in an early thriller from Kinji Fukasaku.
Nov 19, 2023 • Subscribe
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The Kamikaze Guy (カミカゼ野郎 真昼の決斗, Kinji Fukasaku, 1966)
A bumbling pilot becomes embroiled in a conspiracy after an encounter on a ski slope in a goodnatured action comedy starring a young Sonny Chiba.
House on Fire (火宅の人, Kinji Fukasaku, 1986)
An anxious writer fears collapse under the weight of fatherhood in Kinji Fuksaku’s adaptation of the autobiographical novel of Kazuo Dan.
Graveyard of Honor (仁義の墓場, Kinji Fukasaku, 1975)
A renegade gangster slowly implodes amid the turbulent winds of the post-war era in Kinji Fukasaku’s anarchic take on the life of Rikio Ishikawa
Sympathy for the Underdog (博徒外人部隊, Kinji Fukasaku, 1971)
A displaced post-war gangster relocates to Okinawa where the conditions of the occupation are stil very much in play in Fukasaku’s proto-jitsuroku yakuza drama
Japan Organized Crime Boss (日本暴力団 組長, Kinji Fukasaku, 1969)
A recently released yakuza emerges into a changed Japan in Kinji Fukasaku’s proto-jitsuroku gangster picture.
Crest of Betrayal (忠臣蔵外伝 四谷怪談, Kinji Fukasaku, 1994)
An ambitious samurai finds himself corrupted by the times in which he lives in Fukasaku’s etherial fusion of Yotsuya Kaidan and the Chushingura
Yakuza Graveyard (やくざの墓場 くちなしの花, Kinji Fukasaku, 1976)
A maverick cop finds himself sympathising with noble yakuza when confronted by entrenched corruption in Kinji Fukasaku’s jitsuroku-esque gangster drama.
Daimajin (1966) review
“A wonderful and refreshing blend between the jidai-geki/chanbara and the kaiju genre.”
Irezumi (1966) review
“Masamura delivers a phenomenal narrative, a true post-war classic.”
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Black Tight Killers (1966)
A stylish and visually dazzling romp with lots of action and sensuality
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Ebirah, Horror Of The Deep (1966) review [The Godzilla Project]
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The Golden Bat (黄金バット, Hajime Sato, 1966)
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The Great White Tower (白い巨塔, Satsuo Yamamoto, 1966)
The medical system is just another corporate body filled with egotistical salarymen and dangerously narcissistic careerists in Satsuo Yamamoto’s tense political drama
The Magic Serpent (怪竜大決戦, Tetsuya Yamanouchi, 1966)
A classic tale of intrigue and revenge leads to revolution against the feudal order in Tetsuya Yamanouchi’s tokusatsu ninja movie.
These Children of Japanese Immigrants Live Under Threat of Deportation
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Game Diaries – Final Fantasy VII New Threat Arrange Episode XXXV
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Rub Out the Past (日本暗黒街, Masaharu Segawa, 1966)
A restaurateur’s attempts to shake off his violent past are frustrated by the nature of his transgressions in Masaharu Segawa’s noirish drama.
Samurai Wolf (牙狼之介, Hideo Gosha, 1966)
A wandering samurai squares off against a corrupt postmaster in Hideo Gosha’s uncharacteristically aventgarde chambara.
Green Rain (草雨 / 초우, Chung Jin-woo, 1966)
The false promises of the post-war era are brought home to two romantic youths dreaming of an illusionary future in Chung Jin-woo’s anti-romantic melodrama.
Yakuza Hooligans (893 愚連隊, Sadao Nakajima, 1966)
A gang of petty criminals get in over their heads while working with the yakuza in Sadao Nakajima’s ironic crime movie.
Carmen from Kawachi (河内カルメン, Seijun Suzuki, 1966)
Suzuki’s anarchic take on Bizet’s opera sees its heroine transcend the forces which oppress her to find true freedom and independence.
RISE AGAINST THE SWORD (1966): When Toshiro Mifune No Longer Needed the Seven Samurai
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Hit and Run (ひき逃げ, Mikio Naruse, 1966)
A grief-stricken mother hatches a desperate plan of revenge against the woman who killed her son in Mikio Naruse’s dark psychological drama.
Tokyo Drifter (東京流れ者, Seijun Suzuki, 1966)
A recently released yakuza attempts to join the new society by going straight but finds his efforts frustrated by upstart gangsters in Seijun Suzuki’s postmodern noir.
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