“Masamura delivers a phenomenal narrative, a true post-war classic.”
Oct 31, 2021 • Subscribe
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Daimajin (1966) review
“A wonderful and refreshing blend between the jidai-geki/chanbara and the kaiju genre.”
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A stylish and visually dazzling romp with lots of action and sensuality
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“When you’re a cartoonist and working at home you sit at your desk pretty much all day,” Kentaro Miura once said in an interview. “You get most of…
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A pleasant Kaiju film that continues to emphasize the imaginary dynamic of us (i.e. societal harmony) against them (i.e. the Otherness that threatens it)
Kentaro Miura (1966-2021): A Tribute
In which I talk about the recent passing of a manga legend.
The Threat (脅迫, Kinji Fukasaku, 1966)
An ambitious executive is confronted with the emasculating nature of the salaryman dream when escaped convicts invade his home in an early thriller from Kinji Fukasaku.
Carmen from Kawachi (河内カルメン, Seijun Suzuki, 1966)
Suzuki’s anarchic take on Bizet’s opera sees its heroine transcend the forces which oppress her to find true freedom and independence.
Samurai Wolf (牙狼之介, Hideo Gosha, 1966)
A wandering samurai squares off against a corrupt postmaster in Hideo Gosha’s uncharacteristically aventgarde chambara.
The Golden Bat (黄金バット, Hajime Sato, 1966)
Skeletal superhero Golden Bat is woken from his 10,000 year slumber to fight for justice when the Earth is threatened with destruction in Hajime Sato’s delightfully silly tokusatsu…
Green Rain (草雨 / 초우, Chung Jin-woo, 1966)
The false promises of the post-war era are brought home to two romantic youths dreaming of an illusionary future in Chung Jin-woo’s anti-romantic melodrama.
Yakuza Hooligans (893 愚連隊, Sadao Nakajima, 1966)
A gang of petty criminals get in over their heads while working with the yakuza in Sadao Nakajima’s ironic crime movie.
Hit and Run (ひき逃げ, Mikio Naruse, 1966)
A grief-stricken mother hatches a desperate plan of revenge against the woman who killed her son in Mikio Naruse’s dark psychological drama.
The History of Mushi Pro – 02 – Anime business (1965-1966)
While I’m hesitant to speak of “golden ages”, if Mushi Production had one, it was certainly the years 1965-1966. Still riding on Tetsuwan Atom’s prodigious popularity, the studio…
Tokyo Drifter (東京流れ者, Seijun Suzuki, 1966)
A recently released yakuza attempts to join the new society by going straight but finds his efforts frustrated by upstart gangsters in Seijun Suzuki’s postmodern noir.
The Great White Tower (白い巨塔, Satsuo Yamamoto, 1966)
The medical system is just another corporate body filled with egotistical salarymen and dangerously narcissistic careerists in Satsuo Yamamoto’s tense political drama
The Magic Serpent (怪竜大決戦, Tetsuya Yamanouchi, 1966)
A classic tale of intrigue and revenge leads to revolution against the feudal order in Tetsuya Yamanouchi’s tokusatsu ninja movie.
Rub Out the Past (日本暗黒街, Masaharu Segawa, 1966)
A restaurateur’s attempts to shake off his violent past are frustrated by the nature of his transgressions in Masaharu Segawa’s noirish drama.
The Kamikaze Guy (カミカゼ野郎 真昼の決斗, Kinji Fukasaku, 1966)
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RISE AGAINST THE SWORD (1966): When Toshiro Mifune No Longer Needed the Seven Samurai
On what would have been Toshiro Mifune’s 102nd birthday (I covered his centennial in three blog posts in 2020), I look at a lesser-known historical drama starring Mifune,…
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Many of Tôei’s promising artists, who had for the most part worked on Fujimaru, were determined to follow up on the possibilities the TV show had opened. This…
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Břetislav Pojar and Miroslav Štěpánek #2: The largely Štěpánek-directed “Hey Mister, Let’s Play!” entries (1966-67)
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For fans of Bastard who enjoy OVAs, we’re finally treated to an arc that goes beyond the fight against Abigail. As for season 2, it offers a glimpse…
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Swimming events are always some of the most popular events at the summer Olympics. If only this series understood anything about its appea...
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“It’s in the carefully handled tone where Fragtime finds its success”
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