Alien cyborgs and feudal magicians battle cosmic disorder in the opening instalment of Choi Dong-hoon’s epic science fiction fantasy.
Aug 26, 2022 • Subscribe
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Alienoid: Return to the Future (외계+인 2부, Choi Dong-hoon, 2024)
Choi Dong-hoon’s hugely entertaining sci-fi-inflected fantasy adventure Alienoid ended with a classic cliffhanger promising resolution only in an as then unscheduled sequel. Part two arrives almost…
The Swordsman (검객, Choi Jae-hoon, 2020)
A master swordsman is dragged back into the world of courtly intrigue years after renouncing the code of violence when his daughter is taken by slavers in Choi’s…
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The Killer (더 킬러: 죽어도 되는 아이, Choi Jae-hoon, 2022) [Fantasia 2022]
A cynical hitman stumbles on a dark conspiracy when the teenager he’s supposed to be babysitting is kidnapped in Choi Jae-hoon’s retro action thriller.
In Our Prime (이상한 나라의 수학자, Park Dong-hun, 2022)
A student outcast bonds with an equally excluded genius from North Korea Park Dong-hun’s educational drama.
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The Witch: Part 2. The Other One (마녀 2, Park Hoon-jung, 2022) [Fantasia 2022]
A “perfect model” of transhumanism takes refuge in a remote farmhouse in Park’s sequel to The Witch: Part One. The subversion.
Hopeless (화란, Kim Chang-hoon, 2023)
An alienated young man dreaming of an idyllic life in Holland has his illusions slowly crushed by the world around him in Kim Chang-hoon’s gritty drama.
Sinkhole (싱크홀, Kim Ji-hoon, 2021)
A new homeowner sees his investment in the future crumble beneath his feet in Kim Ji-hoon’s harrowing disaster dramedy
Drive (드라이브, Park Dong-hee, 2023)
Forced to livestream her own kidnapping, an influencer must confront her authentic self in Park Dong-hee’s tense kidnap thriller.
Herstory (허스토리, Min Kyu-dong, 2018)
A female business owner ensures now elderly victims of wartime sexual slavery will have their voices heard in Min Kyu-dong’s empathetic drama.
Tinker Ticker (들개, Kim Jung-hoon, 2013)
A jaded young man finds himself torn between continuing to fight the system and a total capitulation to it in Kim Jung-hoon’s explosive debut feature.
The Basement (지하실, Choi Yang-hyun, 2021)
A family of three attempt to stave off boredom, fear, and despair while taking refuge in their basement after a nuclear attack in Choi Yang-hyun’s claustrophobic drama
The Sin (씬, Han Dong-seok, 2023)
Strange events unfold as a film crew attempt to shoot a movie in a disused school in
Handsome Guys (핸섬가이즈, Nam Dong-hyub, 2024)
The malicious inequalities of the contemporary society are manifested in an angry goat demon who wants to burn the world in Nam Dong-Hyub’s zany horror comedy.
The Prayer (간호중, Min Kyu-dong, 2020)
A caregiving android’s awakening spirituality and poor grasp of human empathy present a series of ethical questions in Min’s existential sci-fi drama
Hard Love (“炼”爱, Tracy Dong, 2021)
A series of single women in their 30s reflect on love and marriage in Tracy Dong’s probing social documentary
May 18 (화려한 휴가, Kim Ji-hoon, 2007)
Following the assassination of president Park Chung-hee in 1979, many assumed that democracy would return and that the society would be liberated from its authoritarian past. That did…
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Devils (악마들, Kim Jae-hoon, 2023) [Fantasia 2023]
A detective consumed by thoughts of vengeance suddenly wakes up in the body of the serial killer he’s hunting in Kim Jae-hoon’s twisty thriller.
Frankenstein Father (프랑켄슈타인 아버지, Choi Jea-young, 2024)
A teenage boy confronts his paternal legacy but finds it largely hollow in Choi Jae-young’s pointed familial drama
Interview: Choi Gyu-Seok, creator of The Awl
Choi Gyu-Seok talks about The Awl, his webtoon about the early 2000s labor movement in S. Korea, and why it remains painfully relevant today.
Daughter-in-Law (민며느리, Choi Eun-hee, 1965)
A sense of female solidarity eventually develops between a dutiful young woman and her tyrannical mother-in-law in Choi Eun-hee’s lighthearted directorial debut
The Slug (태어나길 잘했어, Choi Jin-young, 2020)
A woman in her ’30s struggles to overcome a sense of toxic inadequacy born of teenage trauma in Choi Jin-young’s whimsical drama
Hong Kong: City on Fire (不作浮塵, Choi Ka-yan & Lee Hiu-ling, 2022)
Visceral in its immediacy, Hong Kong City on Fire is among the bleakest of the recent series of documentaries focussing on the 2019 Anti-Extradition Law Amendment Bill protests
One and Only (热烈, Dong Chengpeng, 2023)
An aspiring street dancer from an impoverished background just can’t seem to catch a break no matter how hard he works in Dong Chengpeng’s inspiring dramedy.
Night in Paradise (낙원의 밤, Park Hoon-jung, 2020)
A fugitive gangster encounters a terminally ill young woman in idyllic Jeju in Park Hoon-jung’s melancholy gangster noir.
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The Childe (귀공자, Park Hoon-jung, 2023) [Fantasia 2023]
A boxer finds himself in a precarious position after travelling to Korea in search of the father who abandoned him in Park Hoon-jung’s bloody thriller.
South Korea Day 4 | Hongdae & KBBQ at Myeong Dong
Day 4 in Seoul was all about the vibes (and you know the girlies love the vibes). Our plan was to go to Hongdae, explore Itaewon and finally…
Er Woo Dong: The Entertainer (어우동, Lee Jang-ho, 1985)
A liberated woman is condemned by an oppressive society in Lee Jang-ho’s feudal drama.
Please Make Me Look Pretty (니얼굴, Seo Dong-il, 2020)
Filmed over three years, Seo Dong-il’s documentary follows his step-daughter Eun-hye who was born with Down Syndrome as she finds success as an artist.
Johnny Keep Walking! (年会不能停！, Dong Runnian, 2024)
An earnest factory experiences a rude awakening when he’s accidentally promoted to head office in Dong Runnian’s hilarious satirical comedy.
Memento Mori (여고괴담 두번째 이야기, Kim Tae-yong & Min Kyu-dong, 1999)
Internalised shame leads to tragic, unforeseen consequences in Kim Tae-yong & Min Kyu-dong landmark South Korean horror
Lonely Eighteen (我們的十八歲, Tracy Choi Ian-Sin, 2023)
The contrasting fortunes of two friends trying to make it in the ’80s entertainment industry are explored in Tracy Choi’s meandering drama.
Spiraken Manga Review Ep 71: Ikigami The Ultimate Limit (or Ding Dong Ikigami Calling)
In this episode of the Spiraken Manga Review, Xan ponders about life and death and reviews the disturbing intellectual manga , Ikigami The Ultimate Limit by Motoro Mase…
Ode to the Spring (没有一个春天不会来临, Zhou Nan, Zhang Chi, Dong Yue, Tian Yusheng, Rao Xiaozhi, 2022)
With an all star cast and five top directors, Ode to the Spring celebrates the efforts of frontline workers in Wuhan during the pandemic.
A Princess’ One-Sided Love (公主님의 짝사랑 / 공주님의 짝사랑, Choi Eun-hee, 1967)
A feisty princess rejects the constraints of nobility in order to chase love and freedom outside of the palace walls Choi Eun-hee’s historical drama
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The Slug 태어나길 잘했어 (2020) Dir: Choi Jin-young (South Korea) [Osaka Asian Film Festival 2021]
Hands down, one of the best films at the Osaka Asian Film Festival 2021, I cried multiple times during this heartfelt film about overcoming existential loneliness. The Slug…
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Yamabuki (2022) review [IFFR 2022]
“A beautiful socially-engaged narrative that explores the very fact that, by being grasped within the societal network of relations, one cannot but influence the other and become influenced…
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Eleven Greed (2022) [JFFH 2022]
Despite its obvious low-budget nature, Soejima delivers a highly entertaining and engaging action-thriller.
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Straying (2022) review [Camera Japan 2022]
A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other…
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Melting Sounds (2022) review [OAFF 2022]
“Kahori Higashi’s debut is impressive.”
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Random Call (2022) review [OAFF 2022]
Ohkanda’s narrative proves that one does not need a big budget to deliver a narrative that touches the spectator.
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Stone Steps (2022) review [JFFH 2022]
A great indie narrative that highlights the need for the parental and the traditional Other to aid the subject to embark on the path of his own desire.…
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Angry Son (2022) review [OAFF 2022]
“An incredibly rich and deep narrative that not only delivers a satisfying coming-of-age story but also an elegantly delivered social commentary on some of the frictions marking Japanese…
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Shaman’s Daughter (2022) review [JFFH 2022]
A genre mish-mash – a cocktail of light-hearted comedy, family drama, bloody thriller, and ghostly romance – that is not only pleasant but offers the spectator a rich…
WeebSack 2022
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