A cynical hitman stumbles on a dark conspiracy when the teenager he’s supposed to be babysitting is kidnapped in Choi Jae-hoon’s retro action thriller.
Aug 8, 2022 • Subscribe
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The Swordsman (검객, Choi Jae-hoon, 2020)
A master swordsman is dragged back into the world of courtly intrigue years after renouncing the code of violence when his daughter is taken by slavers in Choi’s…
Devils (악마들, Kim Jae-hoon, 2023) [Fantasia 2023]
A detective consumed by thoughts of vengeance suddenly wakes up in the body of the serial killer he’s hunting in Kim Jae-hoon’s twisty thriller.
Alienoid (외계+인 1부, Choi Dong-hoon, 2022)
Alien cyborgs and feudal magicians battle cosmic disorder in the opening instalment of Choi Dong-hoon’s epic science fiction fantasy.
The Witch: Part 2. The Other One (마녀 2, Park Hoon-jung, 2022) [Fantasia 2022]
A “perfect model” of transhumanism takes refuge in a remote farmhouse in Park’s sequel to The Witch: Part One. The subversion.
The Childe (귀공자, Park Hoon-jung, 2023) [Fantasia 2023]
A boxer finds himself in a precarious position after travelling to Korea in search of the father who abandoned him in Park Hoon-jung’s bloody thriller.
Alienoid: Return to the Future (외계+인 2부, Choi Dong-hoon, 2024)
Choi Dong-hoon’s hugely entertaining sci-fi-inflected fantasy adventure Alienoid ended with a classic cliffhanger promising resolution only in an as then unscheduled sequel. Part two arrives almost…
Mother Land (엄마의 땅: 그리샤와 숲의 주인, Park Jae-beom, 2022) [Fantasia 2023]
A little girl becomes the spiritual defender of her traditional culture in her quest to cure her mother’s mysterious illness in Park Jae-beom’s stop motion fairytale.
Hunt (헌트, Lee Jung-jae, 2022)
Two men circle each other in search of an elusive double agent in Lee Jung-jae’s intensely paranoid political thriller.
Convenience Story (2022) review [Fantasia Film Festival 2022]
Miki delivers a great psychological mystery narrative, yet it might not be for everyone.
The Fish Tale (2022) review [Fantasia Film Festival]
A very heart-warming and touching narrative that shows that a subject does not necessarily need to make use of the neurotic solution to inscribe himself within the societal…
My Small Land (マイスモールランド, Emma Kawawada, 2022) [Fantasia 2022]
A young woman’s life is destabilised when her father’s asylum claim is rejected in Emma Kawada’s empathetic debut feature.
Next Sohee (다음 소희, July Jung, 2022) [Fantasia 2022]
A policewoman investigating the suicide of a teenage girl uncovers a dark web of corporate exploitation in July Jung’s hard hitting drama.
Convenience Story (コンビニエンス・ストーリー, Satoshi Miki, 2022) [Fantasia 2022]
A blocked writer finds himself stranded in an uncanny reality in Satoshi Miki’s surreal sci-fi adventure.
The Moon (더 문, Kim Yong-hwa, 2023)
Geopolitical tensions are sparked when a Korean astronaut is marooned in space in Kim Yong-hwa’s futuristic science drama.
Shin-Ultraman (2022) review [Fantasia Film Festival]
Higuchi and Anno deliver an impressive love letter to their childhood, yet their devoted love, which is sensible in every aspect of the narrative, might not be able…
Shari (シャリ, Nao Yoshigai, 2021) [Fantasia 2022]
A red monster roams the landscape smearing its blood wherever it goes in Nao Yoshigai’s surreal documentary hybrid.
Seire (세이레, Park Kang, 2021) [Fantasia 2022]
A new father finds himself haunted by paternal anxiety and old transgressions in Park Kang’s eerie folk horror.
My Broken Mariko (2022) [Fantasia Film Festival]
Tanada offers a compelling exploration of the emotional turmoil a female subject caused by the sudden death of someone important.
Fast & Feel Love (เร็วโหด..เหมือนโกรธเธอ, Nawapol Thamrongrattanarit, 2022) [Fantasia 2022]
An obsessive sports stacker is plunged into a delayed adulthood when his long term girlfriend suddenly leaves in Nawapol Thamrongrattanarit’s charming post-modern comedy.
The Basement (지하실, Choi Yang-hyun, 2021)
A family of three attempt to stave off boredom, fear, and despair while taking refuge in their basement after a nuclear attack in Choi Yang-hyun’s claustrophobic drama
The Fish Tale (さかなのこ, Shuichi Okita, 2022) [Fantasia 2022]
The infinite enthusiasm of a fish obsessive gradually brightens the world around them in Shuichi Okita’s charming portrait of an eccentric.
The Fifth Thoracic Vertebra (다섯 번째 흉추, Park Sye-young, 2022) [Fantasia 2022]
A mouldy mattress gradually becomes sentient while traversing vistas of human loneliness in Park Sye-young’s experimental feature.
Chorokbam (초록밤, Yoon Seo-jin, 2021) [Fantasia 2022]
A small family contend with the persistent unfairness of the contemporary society in Yoon Seo-jin’s slow burn indie drama.
Fantasia Confirms Second Wave of Titles for 2022
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Fantasia International Film Festival Confirms Complete 2022 Programme
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Stellar: A Magical Ride (스텔라, Kwon Soo-kyung, 2022) [Fantasia 2022]
A cynical man makes peace with his father’s memory while driving his possibly haunted and very rundown Hyundai Stellar in Kwon Soo-kyung’s charmingly quirky road movie.
My Broken Mariko (マイ・ブロークン・マリコ, Yuki Tanada, 2022) [Fantasia 2022]
Devastated by the death of a friend, a young woman embarks on one last road trip in Yuki Tanada’s adaptation of the manga by Yuki Tanada.
The Pass: Last Days Of The Samurai (2022) review [Fantasia Film Festival]
A very engaging samurai narrative that does not only offer an intriguing glance at one of the most important crossroads of Japanese history, but also a melodramatic exploration…
The Pass: Last Days Of The Samurai (2022) review [Fantasia Film Festival]
A very engaging samurai narrative that does not only offer an intriguing glance at one of the most important crossroads of Japanese history, but also a melodramatic exploration…
Interview: Choi Gyu-Seok, creator of The Awl
Choi Gyu-Seok talks about The Awl, his webtoon about the early 2000s labor movement in S. Korea, and why it remains painfully relevant today.
The Slug (태어나길 잘했어, Choi Jin-young, 2020)
A woman in her ’30s struggles to overcome a sense of toxic inadequacy born of teenage trauma in Choi Jin-young’s whimsical drama
Manga: The Seatmate Killer
By Shelley Pallis. The clickbaity title of Turning the Tables on the Seatmate Killer suggests the reader might be letting themselves in for some sort of mystery or…
The Wild (더 와일드: 야수들의 전쟁, Kim Bong-han, 2023)
A recently released former boxer finds himself embroiled in conspiracy in Kim Bong-han’s underworld thriller.
What To Do With Dead Kaiju (2022) review [Fantasia Film Festival 2022]
“An extremely well-structured genre-blend that does not only provides the laughs and giggles with its pleasant political satire, but also allows the spectator to immerge himself into the…
Spiritwalker (유체이탈자, Yoon Jae-geun, 2021)
An amnesiac man in search of an identity investigates himself while hopping from one body to another in Yoon Jae-geun’s existential noir
Hopeless (화란, Kim Chang-hoon, 2023)
An alienated young man dreaming of an idyllic life in Holland has his illusions slowly crushed by the world around him in Kim Chang-hoon’s gritty drama.
Sinkhole (싱크홀, Kim Ji-hoon, 2021)
A new homeowner sees his investment in the future crumble beneath his feet in Kim Ji-hoon’s harrowing disaster dramedy
Exhuma (파묘, Jang Jae-hyun, 2024)
The vengeful ghost of Japanese imperialism rises to take its revenge on its forgetful children in Jang Jae-hyun’s eerie supernatural horror.
Five Films Not To Miss [Fantasia Film Festival 2022]
Let us present 5 Japanese films that should already be high on your to-watch list.
Next Door (옆집사람, Yeom Ji-ho, 2021) [Fantasia 2022]
An aspiring policeman becomes embroiled in a kafkaesque series of events after waking up next to a dead body in next-door’s apartment in Yeom Ji-ho’s deliciously dark farce.
Winter 2022 First Impressions – Fantasia Sango: Realm of Legends
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