Geopolitical tensions are sparked when a Korean astronaut is marooned in space in Kim Yong-hwa’s futuristic science drama.
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The Wild (더 와일드: 야수들의 전쟁, Kim Bong-han, 2023)
A recently released former boxer finds himself embroiled in conspiracy in Kim Bong-han’s underworld thriller.
Soulmate (소울메이트, Min Yong-keun, 2023)
The close friendship between two young women is disrupted by the onset of adolescence in Min Yong-keun’s remake of Derek Tsang’s friendship drama.
Memento Mori (여고괴담 두번째 이야기, Kim Tae-yong & Min Kyu-dong, 1999)
Internalised shame leads to tragic, unforeseen consequences in Kim Tae-yong & Min Kyu-dong landmark South Korean horror
Concrete Utopia (콘크리트 유토피아, Um Tae-hwa, 2023)
Disaster brings out the worst instincts of residents of the only tower block to survive apocalypse in Um Tae-hwa’s housing crisis satire.
The Killers (더 킬러스, Kim Jong-kwan & Roh Deok & Chang Hang-jun & Lee Myung-se, 2024)
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Devils (악마들, Kim Jae-hoon, 2023) [Fantasia 2023]
A detective consumed by thoughts of vengeance suddenly wakes up in the body of the serial killer he’s hunting in Kim Jae-hoon’s twisty thriller.
Mimang (미망, Kim Tae-yang, 2023)
A man and woman wander without direction in a confusing city in Kim Tae-yang’s meandering drama.
Hopeless (화란, Kim Chang-hoon, 2023)
An alienated young man dreaming of an idyllic life in Holland has his illusions slowly crushed by the world around him in Kim Chang-hoon’s gritty drama.
Cobweb (거미집, Kim Jee-woon, 2023)
An insecure filmmaker becomes entangled within the movie in his mind in Kim Jee-woon’s homage to golden age Korean cinema.
Ransomed (비공식작전, Kim Seong-hun, 2023)
A jaded diplomat finds himself caught between competing factions both at home and abroad while trying to rescue a kidnapped colleague in Kim Seong-hun’s action dramedy.
The Roundup: No Way Out (범죄도시 3, Lee Sang-yong, 2023)
Good bad cop Seok-do faces off against corrupt cops and yakuza drug dealers in the third instalment in the popular series.
12.12: The Day (서울의 봄, Kim Sung-soo, 2023)
A righteous general stands alone against an authoritarian insurrection in Kim Sung-soo’s intense exploration of the 1979 coup that brought Chun Doo-hwan to power.
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Concrete Utopia 콘크리트 유토피아 (2023) Director: Um Tae-hwa [Chicago International Film Festival 2023]
Concrete Utopia 콘크리트 유토피아 (2023), directed by Um Tae-hwa, is a disaster movie that marries together an apocalyptic earthquake and the dog-eat-dog world of home ownership in Korea. [Chicago…
The Moon Thieves (盜月者, Steve Yuen Kim-Wai, 2024)
A horologist obsessed with a watch worn on the moon is swept into a madcap scam by an outlandish gangster in Yuen Kim Wai’s super slick heist movie.
On the Line (보이스, Kim Gok & Kim Sun, 2021)
A former policeman gets back on the case when his wife is targeted by telephone scammers in Kim Gok & Kim Sun’s steely action thriller.
Extreme Festival (익스트림 페스티벌, Kim Hong-ki, 2023)
An events manager has her work cut out for her on agreeing to host a local festival on short notice in Kim Hong-ki’s provincial comedy.
Iron Mask (만분의 일초, Kim Sung-hwan, 2023)
A young man seeking revenge sets his eyes on kendo glory in Kim Sung-hwan’s sporting drama.
The Hut (피막, Lee Doo-yong, 1981)
A shamaness finds herself trying to exorcise the restless ghosts of the past when called to cure the son of a noble house in Lee Doo-yong’s eerie drama.
The Moon (月, Yuya Ishii, 2023)
A writer overwhelmed with grief takes a job at a care home, but it is shocked by what she finds in Yuya Ishii’s hard-hitting drama.
It’s Okay! (괜찮아 괜찮아 괜찮아!, Kim Hye-young, 2023)
A cheerful young woman smiling her way through tragedy and loneliness ameliorates the lives of those around her in Kim Hye-young’s exuberant dramedy.
The Roundup (범죄도시 2, Lee Sang-yong, 2022)
Ma Dong-seok returns as maverick cop Seok-do this time righting wrongs abroad he tracks a vicious Korean ganger offing tourists in Vietnam.
The Ghost Station (옥수역귀신, Jeong Yong-ki, 2022)
A rookie reporter begins to uncover the buried secrets beneath a haunted station in Jeong Yong-ki’s classic J-horror homage.
Dear Pyongyang (Yang Yong-hi, 2006)
Raised in Japan director Yang Yong-hi finds herself struggling to accept her parents’ commitment to North Korean ideology in her moving personal doc Dear Pyongyang
Noryang: Deadly Sea (노량: 죽음의 바다, Kim Han-min, 2023)
Third and final instalment in the historical trilogy revolving around legendary admiral, Yi Sun-sin.
INGtoogi: The Battle of Internet Trolls (잉투기, Um Tae-hwa, 2013)
A keyboard warrior enters a masculinity crisis after being ambushed in real life and taking a beating from an online rival in Um Tae-hwa’s graduation film.
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Halmoni (Daniel Kim, 2017)
Documentarian Daniel Kim explores his family’s relationship to landscape and culture as Korean farmers in Argentina.
Kim Jong-boon of Wangshimni (왕십리 김종분, Kim Jin-yeol, 2021)
A portrait of a truly extraordinary woman living an ostensibly very ordinary life, Kim’s quietly moving documentary is testament both to the hidden stories of those all around…
Dr. Cheon and the Lost Talisman (천박사 퇴마 연구소: 설경의 비밀, Kim Seong-sik, 2023)
A fake shaman is confronted with his own traumatic past after encountering some very real ghosts in Kim Seong-sik’s charmingly quirky supernatural adventure.
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A terminally ill former government agent reckons with mortality while bonding with a clone birthed to cure humanity’s ills in Lee Yong-ju’s high concept thriller
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The Killer (더 킬러: 죽어도 되는 아이, Choi Jae-hoon, 2022) [Fantasia 2022]
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The Foul King (반칙왕, Kim Jee-woon, 2000)
A timid office worker looks for release from the constant degradation of his corporate life through humiliating himself in the wrestling ring in Kim Jee-woon’s sporting comedy
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Spring Bears Love (봄날의 곰을 좋아하세요?, Yong Yi, 2003)
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The 8th Night (제8일의 밤, Kim Tae-hyoung, 2021)
Hell is a place on Earth in Kim Tae-hyoung’s eerie supernatural thriller.
Nothingness (無, Kim Gap Sik, 2024)
A dejected former policeman must hunt down a former friend turned serial killer in Kim Gap Sik’s sci-fi-inflected neo noir.
Pilot (파일럿, Kim Han-gyul, 2024)
A self-involved celebrity pilot gets a rude awakening when he decides to pose as a woman in order to get a job in Kim Han-gyul’s farcical comedy.