A jaded doctor finds himself fixating on vengeance when the slum he lives in is targeted for redevelopment in Ko Nakahira’s searing noir.
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A Town Not on the Map / 地図のない町 / Chizu no mai machi (aka ‘The Jungle Block’, 1960)
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An alienated young man maps out moral failure and eases his sense of futility through empty threats of violence in Mitsuo Yanagimachi’s dark youth drama.
Temptation (誘惑, Ko Nakahira, 1957)
The cynical practicality of the post-war generation is contrasted with the wistful romanticism of their forebears in Nakahira’s charmingly witty comedy
Devotion to Railway (大いなる驀進, Hideo Sekigawa, 1960)
An improbable series of crises descend on an ordinary night journey from Tokyo to Nagasaki in Hideo Sekigawa’s train-bound ensemble drama
The Great Journey / 大いなる旅路 / Oinaru tabiji (1960)
Obscure Japanese Film #110 Rentaro Mikuni and Michiko Hoshi Morioka, Iwate Prefecture, mid-1920s. Kozo Iwami (Rentaro Mikuni) works for the ...
Seven Weeks (野のなななのか, Nobuhiko Obayashi, 2014)
“A death is a history” in Obayashi’s intensely moving tale of the interconnectedness of all things, love, death, war, and memory.
Jigoku Hanazono (地獄の花園)
Jigoku Hanazono (地獄の花園) is absolute trash, hilarious and unforgivable, and probably puzzling to anyone who isn’t deeply interested in girl-gang lore. It’s a movie tailored almost …
My Sorry Life (愛のくだらない, Kozue Nomoto, 2020)
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The Passionate Spinster (結婚相談, Ko Nakahira, 1965)
A woman still unmarried at the comparatively late age of 30 begins to go out of her mind while on a hellish descent into vice and crime in…
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A serial philanderer’s life is upended when his conquests start turning up dead in Ko Nakashira’s twisted noir.
Why You Can’t Be Prime Minister (なぜ君は総理大臣になれないのか, Arata Oshima, 2020)
Arata Oshima follows idealistic politician Junya Ogawa over 17 years in order to explore why his goal of becoming prime minister remains forever elusive
Inch Forward (走れない人の走り方, Su Yu-Chun, 2023)
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The Town of Headcounts (人数の町, Shinji Araki, 2020)
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Mondays: See You “This” Week! (MONDAYS／このタイムループ、上司に気づかせないと終わらない, Ryo Takebayashi, 2022)
Harried office workers must get through to their dejected salaryman boss if they’re to escape a workplace time loop in Ryo Takebayashi’s zany corporate comedy.
The Blue Beast / 青い野獣 / Aoi yaju (1960)
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Dekisokonai Hime-tachi, Volume 4 (できそこないの姫君たち)
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Apart from Life (地の群れ, Kei Kumai, 1970)
Marginalised communities turn against each other while locked out of an increasingly prosperous society in Kei Kumai’s uncompromising post-war drama
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Get ’em All (「みな殺しの歌」より 拳銃よさらば, Eizo Sugawa, 1960)
A recently released young man is forced onto a nihilistic path of meaningless violence when his bank robber brother is killed in a hit and run in Eizo…
Dekisokonai no Hime-tachi, Volume 3 (できそこないの姫君たち)
In Volume 1, otaku and class loner Kurokawa Kaede is thrown together with school princess, Fujishiro Nanaki. In time-honored fashion, Fujishiro gives a radical makeover to the girl…
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Onna x a Onna Umakuikanai Renai Essay parlor, Volume 1 (女×女のうまくいかない恋愛エッセイ parlor)
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Yuri Manga: Dekisokonai no Hime-tachi, Volume 2 (できそこないの姫君たち)
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The Last Gunfight (暗黒街の対決, Kihachi Okamoto, 1960)
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Lust of the White Serpent (蛇精の淫, Morihei Magatani, 1960)
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Love Nonetheless (愛なのに, Hideo Jojo, 2022)
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The post 「全部磯チルドレンでいいんじゃないかと思っています」- 沓名健一インタビュー appeared first on Full Frontal.
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Frankly, I'm on the side of the robot apocalypse at this point. Impressions: It's the first episode of an arc for this show, so it has to…
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A forced reconnection with his estranged father forces a young man to contemplate the great absences of life in Kei Chikaura’s poetic drama.
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Inch Forward 走れない人の走り方 (2024) Director: Su Yu-chun [Osaka Asian Film Festival 2024]
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Mameda is a tanuki who has fallen hard for the magic of rakugo, the traditional Japanese form of comedic storytelling. Mameda heads to the big city in the…
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A dejected middle-aged man experiences a crisis of masculinity when his home and work lives come under threat in Toshio Lee’s warmhearted comedy.
Kimi to Shiranai Natsu ni Naru, Volume 1 (君としらない夏になる)
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Tsukiatte Agetemo Iikana, Volume 8 (付き合ってあげてもいいかな)
“The characters and the art have grown, Tamifull’s narrative skills are excellent here. We’ve been with them through a lot…and we’re still here as they enter the next…
Tsukiatte Agetemo Iikana, Volume 9 ( 付き合ってあげてもいいかな)
When we first met Miwa, she was unsure of herself. And when we met Saeko she seemed very confident. As we’ve got to know them, we’ve come to…
Tsukiatte Agetemo Iikana, Volume 7 (付き合ってあげてもいいかな)
When I reviewed Volume 6 I said of that volume that it was like a fever finally breaking. “You don’t feel “good,” per se, but you feel better,…