The heartrending tale of a faithful dog who continued to wait for his owner at a cable car station becomes a poignant symbol for a left behind China in Xu’s Ang’s reimagining of the 1987 Japanese f…
May 28, 2023 • Subscribe
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『夏へのトンネル、さよならの出口』本予告映像【2022年9月9日(金)公開】
―あの日の君に会いに行く。ー デビュー作が第13回小学館ライトノベル大賞において「ガガガ賞」と「審査員特別賞」をW受賞した八目迷による小説『夏へのトンネル、さよならの出口』(小学館「ガガガ文庫」刊)が劇場アニメーションとして2022年9月9日(金)公開決定。 劇場アニメーション『夏へのトンネル、さよならの出口』は、監督を映像表現に定評のあるアニメーション監督・田口智久(『デジモンアドベンチャー LAST EVOLUTION 絆』(20)、『アクダマドライブ』)、キャラクター原案・原作イラストを精緻でドラマティックなイラストレーションで知られるくっか(『D_CIDE TRAUMEREI』キャラクター原案）、制作を『映画大好きポンポさん』(21)などを手がける新進気鋭の制作会社CLAPが担当。 ウラシマトンネル――そのトンネルに入ったら、欲しいものがなんでも手に入る。ただし、それと引き換えに…… 掴みどころがない性格のように見えて過去の事故を心の傷として抱える塔野カオルと、芯の通った態度の裏で自身の持つ理想像との違いに悩む花城あんず。ふたりは不思議なトンネルを調査し欲しいものを手に入れるために協力関係を結ぶ。 これは、とある片田舎で起こる郷愁と疾走の、忘れられないひと夏の物語。 ■作品概要 ＜出演＞ 塔野カオル：鈴鹿央士 花城あんず ：飯豊まりえ 加賀翔平：畠中祐 川崎小春：小宮有紗 浜本先生：照井春佳 カオルの父：小山力也 塔野カレン：小林星蘭 ＜原作＞ 原作：八目迷「夏へのトンネル、さよならの出口」（小学館「ガガガ文庫」刊） キャラクター原案・原作イラスト：くっか ＜スタッフ＞ 監督・脚本：田口智久 キャラクターデザイン・総作画監督：矢吹智美 作画監督：立川聖治 矢吹智美 長谷川亨雄 加藤やすひさ プロップデザイン：稲留和美 演出：三宅寛治 色彩設計：合田沙織 美術設定：綱頭瑛子（草薙） 美術ボード：栗林大貴（草薙） 美術監督：畠山佑貴（草薙） 撮影監督：星名工 CG監督 ：さいとうつかさ（チップチューン） 編集：三嶋章紀 音楽：富貴晴美 音響監督：飯田里樹 音響制作：スタジオマウス 音響制作担当：鵜澤加奈 設定制作：西川真剛 制作：金澤明之介 田口慶次郎 豆田真起子 制作プロデューサー：松尾亮一郎 アニメーション制作：CLAP エグゼクティブプロデューサー：伊藤裕史 企画・プロデュース：小山直紀 プロデュース協力：ARCH 主題歌・挿入歌：「フィナーレ。」「プレロマンス」／eill 配給：ポニーキャニオン 製作：映画『夏へのトンネル、さよならの出口』製作委員会 ■公式サイト https://natsuton.com/ ■公式 twitter https://twitter.com/natsuton_anime #夏トン #田口智久 #CLAP #鈴鹿央士 #飯豊まりえ
The Tunnel to Summer, the Exit of Goodbyes, Pompo: The Cinéphile, Akudama Drive, Digimon: Digital Monsters, Digimon Adventure: Last Evolution Kizuna
Fanime 2023
This Fanime season was a bit special for me. I got the opportunity to have my own panel and also present alongside the Nakama Podcast too.
2023~ update
Still alive! :) A new thing I added a Trending ‘block’ to the top of the ABT homepage. It’s a really simple formula at the moment – I’m…
Update (2023)
It’s a bit sad to have to say this, especially since I was so excited to come back to blogging (ok, I completely failed on that part LOL),…
Farewell 2023
Another year has passed which means its time to reflect. This has become a yearly tradition where on New Years Eve I reflect on my life and the…
Farewell, 2023…
This post is brought you by Sasaki and Peeps (or Sasaki to Pii-chan) as I’ll be picking this new anime adaptation in Winter 2023, which will begin in…
「商業vs同人」から「開かれた公的表現vs閉ざされた私的表現」へ
以前、同人誌とはなんだろうかという問いを2013年に発表した。2013年――同人誌の再定義あれから１０年が経った。 これまで商業誌と同人誌という区分けで日本のマンガ・アニメ・ゲームの世界を考えることが可能だったが、ネットとコロナ禍のためにこれが大きく変わったと兼光は考えてる。 最大の変化はプラットフォームとコミュニティが紐づけされなくなったのだ。以前は雑誌ごとに読者コミュニティがあり、よりデ…
2023 Goals Status Update (2023-11-18)
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Side by Side (2023) review [OAFF 2023]
A peaceful dream-like visual experience that celebrates both the impact subjects have on each other as well as the manner in which the subject remains opaque to himself…
2023 Routines Status Update (2023-05-29)
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2023 Routines Status Update (2023-06-08)
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2023 Goals Status Update (2023-12-01)
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2023 Routines Status Update (2023-05-02)
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2023 Goals Status Update (1-13-2023)
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2023 Routines Status Update (2023-04-23)
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2023 Goals Status Update (2023-10-24)
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2023 Goals Status Update (2023-03-17)
I feel like it’s time for me to review my goals since I felt like a plastic bag drifting through the wind and wanting to ground myself back…
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Ice Cream Fever (2023) review [Japannual 2023]
A gorgeous stylish exploration of the subjective struggles and the solutions subjects invent within the field of love and desire.
2023 Goals Status Update (2023-03-25)
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Short Movie Time: Kanro (2023) [OAFF 2023]
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Thorns of Beauty (2023) [Nippon Connection 2023]
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2023 Goals Status Update (2023-11-01)
I feel like now would be a good time to provide an update to some of my goals.