Short Movie Time: Storage Man (2022) review [Skip City International D-Cinema Festival] by psycho-cinematography / Anime Blog Tracker

Short Movie Time: Similarity (2022) review [Skip City International D-Cinema Festival]

A highly enjoyable short by Kiichiro Kimura.

psycho-cinematography

Feb 14, 2023 • Subscribe

Short Movie Time: Kitten (2022) review [Skip City International D-Cinema Festival]

Yamaguchi elegantly underlines the importance of showing one’s Otherness to the other and the problematic nature of succumbing to the seduction of deceiving oneself by reflecting sameness to…

psycho-cinematography

Feb 5, 2023 • Subscribe

Short Movie Time: But It Did Happen (2022) [Skip City International D-Cinema Festival]

Ruichi Suita offers a masterclass in using images as signifiers and concatenating them elegantly to sketch out the unaccepted truth that determines a subject’s signifiers and acts.

psycho-cinematography

Jan 15, 2023 • Subscribe

Short-movie Time: 3 Intestine Road, Fish Island (2022) review [Skip City International D-Cinema Festival]

A splendid animation short about the importance of accepting some of the other’s Otherness.

psycho-cinematography

Aug 3, 2023 • Subscribe

Journey (2022) review [Skip-City International D-Cinema Festival]

Shogo offers an evocative and bleak experience that forces us to question the current state of our societal field.

psycho-cinematography

May 24, 2023 • Subscribe

We’re Dead (2022) review [Skip City International D-Cinema Festival]

A great narrative that explores the irreducible Otherness that marks our relationships in an effective way.

psycho-cinematography

Feb 17, 2023 • Subscribe

Distant Thunder (2022) review [Skip City International D-Cinema Festival]

A strangely mesmerizing sci-fi slice-of-life narrative

psycho-cinematography

May 3, 2023 • Subscribe

All Summer Long (2022) review [Skip-City International D-Cinema festival]

While Horiuchi’s narrative is all about the difficulty of ending things, the melancholic dimension of what has to end only comes to full emotional blossom as the finale…

psycho-cinematography

Feb 8, 2023 • Subscribe

Blue Collar Physics (2022) review [Skip-City International D-Cinema festival]

Kobayashi shows that the narrative element of the super-power can be used to explore human subjectivity and to highlight the often antagonistic link between the subject and his…

psycho-cinematography

Mar 4, 2023 • Subscribe

Kirara

The Waxing and Waning of Life (2022) [SKIP-CITY International D-Cinema Festival 2022]

A powerful emotional experience that shows that only a social bond where there is place for subjective speech can help the formerly addicted subject to avoid getting caught…

psycho-cinematography

Jul 18, 2023 • Subscribe

Make The Devil Laugh (2021) review [Skip City International D-Festival 2021] (27:00)

An amazing socially-engaged piece of cinema that beautifully sketches out how problematic the enjoyment of the societal Other can be.

psycho-cinematography

Feb 22, 2022 • Subscribe

Short Movie Time: Outsourcing (2022) review [OAFF 2022]

“A very satisfying satirical short thta shows that, within the job-seeking process, only the image matters.”

psycho-cinematography

Apr 17, 2022 • Subscribe

Short movie time: Norioka Workshop (2022) review

A great short film that illustrates the necessity as well as the inherent danger of the imaginary dimension in social interactions.

psycho-cinematography

May 15, 2023 • Subscribe

Short Movie Time: Kaiju Girl (2022) review

A pleasant short about the need to find a desire to be able to give direction to one’s subject.

psycho-cinematography

Jul 16, 2023 • Subscribe

Short Movie Time: Bagmati River (2022) review [OAFF 2022]

“A beautiful poetic short that elegantly plays with the contrast between life and death.”

psycho-cinematography

Mar 24, 2022 • Subscribe

Short movie Time: The Stolen Ocean (2022) review [JFFH 2022]

Noaya Asanuma proves that he has a creative voice worth listening too.

psycho-cinematography

Jul 7, 2022 • Subscribe

Short Movie Time: Necessary & unnecessary (2022) review [JFFH 2023]

A quirky little narrative that explores the necessity of forming inter-subjective social bonds.

psycho-cinematography

Jun 28, 2023 • Subscribe

Short Movie Time: Glitch (2022) [JFFH 2023]

A pleasant horror-action that beautifully shows that what can poison the subject is the Other he is subjected to.

psycho-cinematography

Jun 26, 2023 • Subscribe

Short Movie time: Canary (2023) review

Taka Jeremy Tsubota confirms his talent as director.

psycho-cinematography

May 17, 2023 • Subscribe

Canary

Short movie time: Reason To Oblivion (2021) review [JFFH 2022]

A pleasant horror short-narrative that showcases Miyahara’s talent.

psycho-cinematography

Jul 4, 2022 • Subscribe

Short movie time: North Shinjuku 2055 (2021) review [OAFF 2022]

“A pleasant experimental short.”

psycho-cinematography

Mar 30, 2022 • Subscribe

Tokyo International Film Festival 2022

Anna Yamada in The Mountain Woman. Scheduling conflicts and sold-out screenings meant that I was only able to see three films at TIFF this year, but it was…

eiga files

Nov 4, 2022 • Subscribe

Bad City (2022) review [Camera Japan Festival]

Sonamura delivers everything one expects from an action-thriller.

psycho-cinematography

Oct 2, 2022 • Subscribe

Short Movie Time: Transmission (2019)

A short experiment that succeeds in engaging the spectator and keep him on the edge of his seat until the very end.

psycho-cinematography

Apr 27, 2021 • Subscribe

Short Movie Time: Yamome (2018)

A pleasant short film that highlights that deception in romance finds its ultimate support in the subject’s desire to be loved.

psycho-cinematography

Aug 1, 2021 • Subscribe

Short movie Time: Nowhere To Go But Everywhere (2022) [IFFR 2022]

“An incredible short that explores the subjective impact of the lack of materiality (i.e. bones) on the process of mourning in a very intimate way.”

psycho-cinematography

Feb 1, 2022 • Subscribe

Short Movie Time: My Wings Became My Legs (2022) review [JFHH 2023]

A pleasant comical short that highlights that the idea of adulthood is a suffocating but unattainable ideal.

psycho-cinematography

Jul 4, 2023 • Subscribe

Short Movie Review: Natsuko (2020) [OAFF 2022]

“A splendid debut by Shuna Iijima.”

psycho-cinematography

Mar 27, 2022 • Subscribe

Short Movie Review: Faaawww!!! (2022) [JFFH 2023]

Oniki’s twisted finale does not only visually impress but also underlines that the hunger of the Uber-Ich is never stilled.

psycho-cinematography

Jun 22, 2023 • Subscribe

Short Movie Time: Shall We Love You? (2022) [OAFF 2023]

A nice little heart-warming short that questions the connection between love and happiness.

psycho-cinematography

Apr 2, 2023 • Subscribe

Short Movie time: Psychology counsellor (2021)

“A thrilling masterpiece.”

psycho-cinematography

Feb 28, 2022 • Subscribe

Short Movie Time: Honeymoon (2021) review [Japan Cuts 2021]

“A pleasing narrative about the arbitrariness of language and culture.”

psycho-cinematography

Nov 9, 2021 • Subscribe

Short Movie Time: Perfect・Nervous (2024) review [OAFF 2024]

An exquisitely crafted narrative that touchingly shows that a simple encounter, a simple exchange of signifiers, can turn a wish to die into a desire to life.

psycho-cinematography

Mar 26, 2024 • Subscribe

Short Movie Time: Kyonetsu (2017) [JFFH 2020]

An impressive narrative that, due to its short runtime, leaves the spectator wanting more.

psycho-cinematography

Apr 15, 2021 • Subscribe

Short Movie Time: Kanro (2023) [OAFF 2023]

A simple but effective short that explores inter-subjective distance and the desire to bridge it in a surprising and satisfying way.

psycho-cinematography

Mar 21, 2023 • Subscribe

Fantasia International Film Festival Confirms Complete 2022 Programme

Runs in Montreal July 14 to Aug. 3

Windows on Worlds

Jul 5, 2022 • Subscribe

Girl from Phantasia

Short Movie Time: Nezumikozō Jirokichi (2023) review [Japan Cuts 2024]

The mix of elements supports the film’s aim well, that is to entice spectators to seek out the three films that remain from this somewhat forgotten master

psycho-cinematography

Jul 13, 2024 • Subscribe

Short Movie Time: Social Circles (2023) review [Japan Cuts 2024]

A highly experimental and conceptual experience that might not be for everyone

psycho-cinematography

Jul 16, 2024 • Subscribe

Short Movie Time: Born Pisces (2020) review [Japan Cuts 2021]

“Yamanaka does not only reaffirm that she has talent but also that she improved her compositional style and her storytelling.”

psycho-cinematography

Jan 14, 2022 • Subscribe

Little Nemo: Adventures in Slumberland

Short Movie Time: How Beautiful Japanese Morning Is (2011) review

By relying on silence to emphasize his elegantly created visual association, Suita succeeds in delivering a quite ironic exploration of the beauty of a Japanese morning.

psycho-cinematography

Jan 31, 2023 • Subscribe

Short Movie Time: Hail Mary (2023) review [Japan Cuts 2024]

Nakamura succeeds in making the spectator care for Maria and impact him/her emotionally with her tragedy.

psycho-cinematography

Jun 23, 2024 • Subscribe

Short Movie Time: On a Boat (2024) review [OAFF 2024]

The exploration of the frail stability of an obsessional neurotic does not miss its impact on the spectator.

psycho-cinematography

Mar 20, 2024 • Subscribe

Melody

Short Movie Time: The Fish With One Sleeve (2021) review

“Tokaibayashi Tsuyoshi delivers an important narrative that reveals how a societal system, which struggles with the newly-posed riddle of gender, problematizes the integration of the transgen…

psycho-cinematography

Mar 15, 2022 • Subscribe

Short Movie Time: Long-Term Coffee Break (2022) [Female Gaze – Japan Society]

Fuelled by great performances and a visually pleasant composition, Fujita confronts the spectator with the subjective weight of a symbolic commitment and the phantasmatic nature of marital harmony.

psycho-cinematography

Jan 18, 2023 • Subscribe