The fractured relationship between mother and daughter is further strained when the younger woman becomes the victim of revenge porn in Kim Jung-eun’s quietly enraged social drama.
Nov 24, 2022 • Subscribe
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●SIGNATURE● R.I.P. Kim Jung Gi
Katsuhiro Otomo, Akira, Bibliography, Otomo, Animation, Manga, Steamboy, Japanimation,
Our Midnight (아워 미드나잇, Lim Jung-eun, 2020)
Approaching each other from opposite sides of the bridge two youngsters eventually find solace in mutual acceptance in Lim Jung-eun’s nighttime odyssey
Tinker Ticker (들개, Kim Jung-hoon, 2013)
A jaded young man finds himself torn between continuing to fight the system and a total capitulation to it in Kim Jung-hoon’s explosive debut feature.
Daughter-in-Law (민며느리, Choi Eun-hee, 1965)
A sense of female solidarity eventually develops between a dutiful young woman and her tyrannical mother-in-law in Choi Eun-hee’s lighthearted directorial debut
Hunt (헌트, Lee Jung-jae, 2022)
Two men circle each other in search of an elusive double agent in Lee Jung-jae’s intensely paranoid political thriller.
Next Sohee (다음 소희, July Jung, 2022) [Fantasia 2022]
A policewoman investigating the suicide of a teenage girl uncovers a dark web of corporate exploitation in July Jung’s hard hitting drama.
Jiseok (지석, Kim Young-jo, 2022)
Kim Young-jo’s poignant documentary pays tribute to a much missed figure while pointing fingers at the iniquities of the Park Guen-hye era.
Shaman’s Daughter (2022) review [JFFH 2022]
A genre mish-mash – a cocktail of light-hearted comedy, family drama, bloody thriller, and ghostly romance – that is not only pleasant but offers the spectator a rich…
Mother’s Place (엄마의 자리, Ryu Hee-jung, 2022)
A young woman finds herself questioning the nature of family when her parents die suddenly but the relatives won’t let them be buried together in Ryu Hee-jung’s raw…
Kim Min-young of the Report Card (성적표의 김민영, Lee Jae-eun & Lim Ji-sun, 2021)
Former high school friends find themselves at odds over their contradictory life choices in Lee & Lim’s quirky dramedy
The Hill of Secrets (비밀의 언덕, Lee Ji-eun, 2022)
Ashamed of her working class parents a little girl constructs an alternate identity at school but soon finds her lies catching up with her in Lee Ji-eun’s charming…
Project Wolf Hunting (늑대사냥, Kim Hong-sun, 2022)
Vicious criminals and thuggish cops are trapped aboard a cargo vessel with the embodiment of the unresolved past in Kim Hong-Sun’s bloodthirsty thriller.
On the Line (보이스, Kim Gok & Kim Sun, 2021)
A former policeman gets back on the case when his wife is targeted by telephone scammers in Kim Gok & Kim Sun’s steely action thriller.
Hansan: Rising Dragon (한산: 용의 출현, Kim Han-min, 2022)
Admiral Yi runs rings around a vain and complacent Japanese general intent on conquering the peninsula in Kim Han-min’s prequel to The Admiral: Roaring Currents.
My Anniversaries (オレの記念日, Kim Sungwoong, 2022)
Documentarian Kim Sungwoong follows the relentlessly cheerful Shoji Sakurai who spent 29 years behind bars for a crime he didn’t commit.
The Witch: Part 2. The Other One (마녀 2, Park Hoon-jung, 2022) [Fantasia 2022]
A “perfect model” of transhumanism takes refuge in a remote farmhouse in Park’s sequel to The Witch: Part One. The subversion.
Scholars Kim Hanjae and Kim Jongik on sharing manhwa globally
2023 was the first year Otakon invited guests who create and study manhwa, and the two guests were eager to discuss the process of bringing awareness to manhwa…
A Letter from Kyoto (교토에서 온 편지, Kim Min-ju, 2022)
A disillusioned young woman returns to her hometown in search of healing but finds it in a state of disrepair in Kim Min-ju’s poignant debut feature/
Halmoni (Daniel Kim, 2017)
Documentarian Daniel Kim explores his family’s relationship to landscape and culture as Korean farmers in Argentina.
Kim Jong-boon of Wangshimni (왕십리 김종분, Kim Jin-yeol, 2021)
A portrait of a truly extraordinary woman living an ostensibly very ordinary life, Kim’s quietly moving documentary is testament both to the hidden stories of those all around…
Go Back (고백, Seo Eun-young, 2020)
A rookie policewoman is conflicted while suspecting a traumatised social worker of a kidnapping for ransom in Seo Eun-young’s emotionally complex drama
White Day by Hyun-Jung Gu
I was wrong about when White Day occurs! Women have to wait a whole month after Valentine’s Day to get a return gift–March 14! There are not a…
Collectors (도굴, Park Jung-bae, 2020)
An intrepid tomb raider becomes embroiled in an elaborate plot to steal a precious sword from a tomb in Gangnam in Park’s hugely enjoyable crime caper
Aloners 혼자 사는 사람들 Director: Hong Sung-eun (South Korea) [Osaka Asian Film Festival 2022]
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A solitary call centre employee is forced into a reconsideration of her way of life when a neighbour dies a lonely death in Hong Sung-eun’s melancholy character study
Perhaps Love (장르만 로맨스, Cho Eun-ji, 2021)
A blocked writer’s already complicated life is thrown into conversion when a young protege arrives to profess his love in Cho Eun-ji’s heartwarming dramedy
Snowball (최선의 삶, Lee Woo-jung, 2020)
The previously close friendship between three teenage girls is disrupted by shame and societal repression in Lee Woo-jung’s cruel story of youth
Not Out (낫아웃, Lee Jung-gon, 2021)
A young man goes to drastic lengths to make his baseball dreams come true in Lee Jung-gon’s unexpectedly dark character study
The Beast (비스트, Lee Jung-ho, 2019)
Internal police politics frustrate the hunt for a potential serial killer in Lee Jung-ho’s dark social thriller.
Search Out (서치 아웃, Kwak Jung, 2020)
A trio of dejected youngsters fight back against a sense of despair by chasing an internet serial killer in Kwak’s dark cyber thriller
Mimang (미망, Kim Tae-yang, 2023)
A man and woman wander without direction in a confusing city in Kim Tae-yang’s meandering drama.
Hopeless (화란, Kim Chang-hoon, 2023)
An alienated young man dreaming of an idyllic life in Holland has his illusions slowly crushed by the world around him in Kim Chang-hoon’s gritty drama.
Cobweb (거미집, Kim Jee-woon, 2023)
An insecure filmmaker becomes entangled within the movie in his mind in Kim Jee-woon’s homage to golden age Korean cinema.
Ransomed (비공식작전, Kim Seong-hun, 2023)
A jaded diplomat finds himself caught between competing factions both at home and abroad while trying to rescue a kidnapped colleague in Kim Seong-hun’s action dramedy.
Josée (조제, Kim Jong-kwan, 2020)
An isolated young woman comes to know and accept herself through her romance with a young student in Kim Jong-kwan’s sensitive adaptation of the short story by Seiko…
Sinkhole (싱크홀, Kim Ji-hoon, 2021)
A new homeowner sees his investment in the future crumble beneath his feet in Kim Ji-hoon’s harrowing disaster dramedy
Climbing (클라이밍, Kim Hye-mi, 2020)
Maternal anxiety destabilises a young woman’s sense of reality as she struggles to deal with changes beyond her control in Kim Hye-ri’s animated body horror psychodrama.
Stateless Things (줄탁동시, Kim Kyung-Mook, 2011)
Two young men look for a home but find themselves exiles from the contemporary society in Kim Kyung-Mook’s poetic drama.
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A fugitive gangster encounters a terminally ill young woman in idyllic Jeju in Park Hoon-jung’s melancholy gangster noir.
Awoke (복지식당, Jung Jae-ik & Seo Tae-soo, 2020)
Disabled after a car accident, a 30-something man finds himself trapped in a kafkaesque battle for recognition after being incorrectly assessed in Jung & Seo’s impassioned drama
The Childe (귀공자, Park Hoon-jung, 2023) [Fantasia 2023]
A boxer finds himself in a precarious position after travelling to Korea in search of the father who abandoned him in Park Hoon-jung’s bloody thriller.
Flowers of Mold (너를 줍다, Shim Hye-jung, 2023)
A cripplingly shy woman finds herself trawling her neighbours’ trash in a frustrated bid for connection in Shim Hye-jung’s offbeat romance.
Extreme Festival (익스트림 페스티벌, Kim Hong-ki, 2023)
An events manager has her work cut out for her on agreeing to host a local festival on short notice in Kim Hong-ki’s provincial comedy.
Iron Mask (만분의 일초, Kim Sung-hwan, 2023)
A young man seeking revenge sets his eyes on kendo glory in Kim Sung-hwan’s sporting drama.