A wife makes a fateful choice to save her child while her husband is away at war only to be resented for it on his return in an uncharacteristically dark drama from Yasujiro Ozu.
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Woman of Tokyo (東京の女, Yasujiro Ozu, 1933)
A loyal sister finds her tremendous sacrifice rejected by an unforgiving and conservative society in Yasujiro Ozu’s silent melodrama
The End of Summer (小早川家の秋, Yasujiro Ozu, 1961)
A small family become increasingly exasperated with the happy-go-lucky patriarch’s inconsiderate and irresponsible behaviour in Yasujiro Ozu’s penultimate film.
Early Spring (早春, Yasujiro Ozu, 1956)
A dejected office worker and his disappointed wife battle the emptiness of the “salaryman dream” in Ozu’s embittered marital drama
Equinox Flower (彼岸花, Yasujiro Ozu, 1958)
An ageing patriarch struggles to accept his declining authority in Ozu’s first colour film
The Munekata Sisters (宗方姉妹, Yasujiro Ozu, 1950)
Two sisters with contrasting outlooks clash in their responses to failed marriage and potential romance in an unusually bitter Ozu melodrama
Record of a Tenement Gentleman (長屋紳士録, Yasujiro Ozu, 1947)
A cynical old woman regains her sense of humanity after unwillingly fostering a lost little boy in Ozu’s heartwarming post-war drama
Where Now Are the Dreams of Youth? (靑春の夢いまいづこ, Yasujiro Ozu, 1932)
A privileged young man begins to understand the divisive effects of inequality after taking over the family business in Ozu’s wistful student drama
Dust in the Wind (戀戀風塵, Hou Hsiao-hsien, 1986)
The innocent love of a young couple from the country is gradually eroded by the compromises of city life in Hou Hsiao-hsien’s melancholy youth drama
A New Wind Blows (新しい風, Yutaro Nakamura, 2021)
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Where the Wind Blows (風再起時, Philip Yung, 2022)
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Review: "The Wind Rises" (風立ちぬ) Directed by Hayao Miyazaki
Hayao Miyazaki, the founder of “Ghibli” film studios, is the undisputed king of Japanese animation. As the medium increasingly becomes domi...
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A young man begins to ponder the meaning of his life while losing both his sight and hearing in Junpei Matsumoto’s heartwarming biopic.
Doing Time (刑務所の中, Yoichi Sai, 2002)
A mild-mannered middle-aged man sent to prison for a firearms violation treats his time inside as an anthropological expedition in Yoichi Sai’s quirky dramedy.
Prison Boss (獄中の顔役, Yasuo Furuhata, 1968)
A noble-hearted gangster finds himself at odds with an increasingly corrupt society in Furuhata’s manly yakuza drama
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Wind, Woman and Road (風と女と旅鴉, Tai Kato, 1958)
A wanderer returns home and finds himself torn between a desire for acceptance and revenge in an early Tai Kato jidaigeki.
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A New Wind Blows 新しい風 Dir: Yutaro Nakamura (2021) [Osaka Asian Film Festival 2021]
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Wind Christmas Special - The Cake is a Lie
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Truth in the Wind – We Can All Use A Bit of Magic and Romance
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アニメの新しいゴールデンコンビ – 中村亮介x細居美恵子インタビュー
フランスのジャパン・トゥール・フェスティバルで、アニメ監督の中村亮介とキャラクターデザイナーの細居美恵子の才能ある二人組に出会った。この二人の素晴らしい二人組は、『ねらわれた学園』、『あいうら』、『灰と幻想のグリムガル』などの印象的な作品を生み出した。
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Now available to wider audiences, the movie can finally speak for itself and reveal what it is: a charming film with lovely animation and a story that is…