“Kusano succeeds in delivering a quite atypical romance narrative.”
Jun 25, 2022 • Subscribe
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Intolerance (2021) [22nd Nippon Connection]
Yoshida’s narrative hits all the right emotional notes for the audience and that its message will long linger in the spectator’s mind.
Backlight (2021) [22nd Nippon Connection]
An elegantly constructed and highly impactful exploration of the inhibiting fear of being rejected by one’s beloved.
Ninja Girl (2021) review [22nd Nippon connection]
“A political satire that will not fail to please audiences, but lacks the thematical punch to make a statement that will long linger in the spectator’s mind.”
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Just Remembering (2022) review [22nd Nippon Connection]
An experience that will stir the spectator’s unconscious and affect his heart.
The End Of The Pale Hour (2021) review [22nd Nippon Connection]
Matsumoto delivers an amazing narrative that allows the spectator to realize that imaginary pleasure offers little protection against the oppressing demands of the society and imaginary injuries de…
Any Crybabies Around? (2020) review [22nd Nippon Connection]
“A great drama that sketches out the destructive effect of the gap between one’s signifiers and one’s acts on others and shows the spectator that what the marital…
What She Likes (彼女が好きなものは, Shogo Kusano, 2021)
A young guy struggling with his sexuality bonds with a young woman embarrassed beyond belief by her love for BL in Shogo Kusano’s high school drama
What She Likes or the most mediocre live action adaptation I’ve seen (movie review)
I have many thoughts about this movie. I was only going to watch this since Kamio Fuju was playing Jun. On a whim, I read the manga adaptation…
My Brother, The Android and Me (2022) review [22nd Nippon Connection]
“A compelling exploration of how certain subjects, psychotically structured, attempt to mend the problematic nature of the symbolic and the imaginary.”
They Say Nothing Stays the Same (2019) review [22nd Nippon Connection]
An exquisitely shot meditation about the impact change has on society and subjectivity.
One Day, You will reach the Sea (2022) review (22nd Nippon Connection)
A splendid experience whose themes of loss, failed encounters, and unresolved desires do not fail to touch the spectator deeply.
His (2020) review [Nippon Connection 2021]
A touching and heartwarming romance drama that captivates the spectator not only because it’s driven by romantic feelings feel genuine, but also because the truth of love is…
Bolt (2020) review [Nippon Connection 2021]
“A great narrative by Kaizo Hayashi that explores, via the structure fiction, the truth of three different affects – responsibility, guilt, and sadness through loss – during and…
Stormy Family (2019) review [Nippon Connection 2021]
“A great narrative that succeeds in exploring the very way that imaginary injuries and resentments erode family bonds, by causing a subjective blindness for the suffering of the…
Wonderful Paradise (2020) review [Nippon Connection 2021]
A great experiment of the absurd, but its full potential to satisfy the spectator is hindered by its somewhat lackluster composition.
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A beautifully composed and highly relevant narrative about destructive kinds of social violence, a social violence against the Otherness present in the community and an ostracizing violence to…
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The Town of Headcounts (2020) review [Nippon Connection 2021]
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No time to watch silly cartoons means time to I be a little impatient. If at 2 episodes into a new series, I get bored to the point…
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A highly moving and emotionally powerful narrative that explores the struggle of a subject to shake of the winter of his subjectivity.
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