After MGM closed their home grown animation department, they chose Gene Deitch, and later Chuck Jones, to keep Tom & Jerry alive on the big screen.
Jan 7, 2025 • Subscribe
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A Musical Up-Roar: 1952
Fewer cartoons, but lots of discography today, as trends continued at MGM favoring original scores over Tin Pan Alley.
A Musical Up-Roar 1941-43
The musical highlights in the 1942-43 season of MGM cartoons.
A Musical Up-Roar 1953/54
The MGM cartoon division’s response to television was mostly derisive. Scott Bradley was now more willing to mine the classics - via the public domain.
A Musical Up-Roar 1943-44
At MGM - Tex Avery settled into place, Tom and Jerry’s were rounding out nicely, and Barney Bar provided gentler laughs.
A Musical Up-Roar 1954-57
Fred Quimby departed from the reins, and Hanna and Barbera were forced to take over production on much tighter budgets.
A Musical Up-Roar 1947-49
MGM’s cartoon unit was humming during this period - including continuing to use tunes from various MGM musicals.
A Musical Up-Roar 1944-46
If an exhibitor who had been running MGM cartoons in 1935 did a Rip Van Winkle and awakened in 1945, he would have seen quire a difference in…
A Musical Up-Roar 1949-51
The early 50s saw Scott Bradley increasingly writing his own scores, and not incorporating MGM's own published songs.
A Musical Up-Roar: 1945-47
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Phantom Blood Musical Faces Last-Minute Cancellations, Sparking Outrage
JoJo's Bizarre Adventure: Phantom Blood musical's premiere delayed from February 6 to February 10, angering fans whose tickets were cancelled.
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Hebī Metaru: The Musical References of Mamoru Nagano
Musical in-jokes and allusions run deep in the works of mecha maestro Mamoru Nagano.
Columbia’s Musical “Gems” 1934-35
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Columbia’s Musical “Gems” 1932-34
The cartoon department didn’t have any stellar successes, but were producing a consistent line of cartoons that pleased exhibitors and audiences alike.