12 Days of Aniblogging 2024, Day 3The Universal Century Gundam OVAs are pretty well-regarded as a whole. War in the Pocket is an antiwar Christmas classic from the perspective of a civilian child, and one of the most accessible Gundam shows. The 08th MS Team is regarded as having some of the best-animated fights in the whole franchise, and Gundam Unicorn keyed a new generation of fans into the setting, for better or for worse. Mobile Suit Gundam 0083: Stardust Memory does not receive any such praise. Every once in a while a weirdo will vouch for it as an underrated series, or someone who grew up with it as their first Gundam will express blind devotion, but otherwise it goes mostly unaddressed, which is a surprise at first glance. This is the Gundam set between the original show and Zeta, bridging the gap by displaying the origin of the Titans and cataloguing the return of Zeon in the public consciousness. But Stardust Memory is buried for a reason: this is a deeply frustrating, slow, and confusing series. It’s just plain not fun to watch, and I hope I am able to convey why. Stardust Memory (no relation to the Woody Allen movie) follows a cohort of soldiers at a Federation army base and later a space fleet as they try, very unsuccessfully, to unravel a scheme by Zeon remnants to… do something very bad! Zeon’s central scheme doesn’t actually come into focus until the final episodes. Until then it’s mostly guys in rooms making sketchy deals and Zeon ace pilots screaming “you could never understand the importance of our mission!” and then…not explaining their mission. Being kept in the dark like that with very few other compelling plot developments does not good pacing make!The main narrative thrust of this show is Kou’s growth from a boy into a man, through being forced to pilot a Gundam in service to a Federation which makes teens do its dirty work. Of course, there are obvious parallels here to Amuro Ray. But Kou manages to get through this ordeal without the introspection and anguish and trauma that makes Amuro’s arc so good. Kou gets plenty upset at himself for fucking up military objectives and not being Strong Enough, and his superiors dig into him plenty as well. But ultimately, it just comes across as a boy who fucked around and enlisted at a backwater Feddie base, and is currently Finding Out. It is much harder to feel sympathy for volunteer soldiers, even if they’re green! This may be my politics leading the conversation, but I just couldn’t care about Kou. He’s a jerk and he sucks! So do his squadmates! Everyone in this show sucks!This is actually a serious structural problem. Stardust Memory does not have likeable characters whatsoever. It’s one of the most negative depictions of the Earth Federation in any Gundam series, and on some level I endorse that! They may have had the moral high ground during the One Year War, but at the end of the day the Feddies are tactically incompetent, laughably corrupt, and morally spineless. Unfortunately, that does not make for an enjoyable cast whatsoever, as this rot extends all the way down from the leadership to our pilot protagonist. You kind of want them dead.Zeon does not fare any better. Kou’s rival and the show’s main antagonist, the ace pilot Anaval Gato, ping-pongs between anger and extreme emotionally stoicism. He flat-out refuses to acknowledge the protagonist as an equal, which means that their dynamic consists entirely of talking past one another. He believes in only the virtue of his mission, and executes it with brutal precision, while refusing to mention any clarifying what his mission is to the view or introducing any personal stakes. He’s just a guy here to start some fights, do some terrorism, and push some evil hacking buttons. Why do people like this guy? Seriously, it’s ridiculous to me that he is the most favorited character for this series on MyAnimeList, far above the protagonist and his love interest. Is it because he’s so flat and boring that he’s not actively jeopardizing his character like the rest of the cast? Maybe it’s just cryptofascism on the part of the site’s userbase. But either way, he’s nothing.On the other hand, Cima Garhack, the other space fascist in play, is a top-tier Fucker. She enters the plot to cause problems for all sides, betraying whoever she can. Unfortunately, she suffers from what seems to be an irreconcilable number of late-breaking rewrites. Is she the ultimate mastermind? It seems that way for a second, but no. Is she introduced way too late with no context, forcibly sidelined for three episodes, and denied a satisfying resolution? You bet your ass! The fact that there’s a 3-minute short bundled with the home video releases that explains her backstory is indication enough that something went horribly wrong with fitting her into the narrative. She deserves way more to do. Honestly, she should have taken Gato’s place narratively! Instead, she’s left to strike deals with Anaheim Electronics, the Federation, and the rest of Zeon, selling everyone out to the highest bidder. That’s fun, but the contents and value of those meetings are unclear enough to the viewer that they’re just confusing and narratively weightless. Seriously, if I hadn’t played Anaheim Girl’s Love Story, I seriously would have had a tough time piecing together that Anaheim gave her the reskinned Gerbera Tetra as quid pro quo for an agreement of neutrality between the company and Zeon. And then it hardly matters, because all she does is fly it around for a bit before getting impaled by one of the stupidest Gundam designs imaginable. I wish she had been able to go down with agency, whether dignified or the most pathetic, sopping wet older woman imaginable.We spend shockingly little time in the offices of Anaheim Electronics, a disappointing decision that leaves me all the more impressed that AGLS made a whole game using just a few scenes as reference. Our primary point of reference for the company is Nina Purpleton, a mobile suit engineer who brings two of her division’s prototype Gundams to a remote Federation military base for testing at the start of the show. One of those Gundams is notable for having a fucking nuke attached to it. Within minutes, due to the base’s laughable security, a Zeon pilot (Gato) manages to sneak in, steal the Nuke Gundam, flee to a Zeon-controlled launch site, and escape into space. Everyone in the Federation blames one another, and Kou is forced to learn to use the remaining Gundam, the one designed by Nina, to find and defeat Gato before Zeon can make use of the nuke.First things first, Nina Purpleton has an absolutely adorable late-80s fluffy office woman design. For a moment there, it genuinely seems like she’s going to be allowed to be forceful and intelligent and commanding, but hahaha no of course not this show sucks. Within an episode or two she’s made into the Reward that Kou gets for learning how to pilot her Gundam, and the way they put the moves on each other feels so obviously forced. It’s a shame that the central romance here is just no good! And sure, maybe that’s on design, just like how the rest of the show is bad and meaningless and miserable to witness, but it’s a bad design! After mostly being sidelined and told no by everyone for the second half of the show, Nina does get some interesting agency in the very final episode, but we’ll get to that later. Gotta talk politics first.Gundam broadly carries an antiwar message, though each entry stakes out its own unique position. Even the shows where the depicted war feels necessary and one side is clearly less bad make sure to rub in just how much it sucks for everyone. Except for Stardust Memory. This is the one Gundam series I’ve watched that’s blatantly and uncritically fascist in its value system. Femininity and weakness are disparaged and punished, and the military values strength above all else and forces it upon our main character. Zeon of course is just as bad with their culture of valor and self-sacrifice. But for once, the two sides don’t feel that far apart in demeanor. And there’s really no civilian perspective to try and remind us of the horrors of the war that they’re caught in the crossfire of, which is genuinely unusual for a Gundam show.The best part of Stardust Memory is clearly episode 5, when Kou gets his fancy new Gundam ripped apart by Cima, who’s actively confused by how bad he is at piloting and is honestly just toying with him. It’s downright erotic watching the Gundam’s limbs get shot off and torn apart and seeing it forced to make a desperate emergency landing, bound up in a series of nets as everyone in the hangar screams in panic (I think mecha guro may honestly be the one valid reason to watch this OVA). This is Kou’s low point, and it really is nice to see such an unlikeable protagonist get put in his place.After the humiliation of all that, Kou runs away from his obligations while quartering in a lunar city, gets beat up in the street, and ends up getting rescued by Kelly Layzner, a former Zeon soldier turned garbage collector. Kou starts tinkering with the half-wrecked Mobile Armor in Kelly’s garage, only to discover that it’s a weapon that he’s being commissioned by Cima Garhack to fix up for the Zeon cause. Instead of fighting him, or leaving, Kou continues to help him repair his ship while simultaneously making plans to rejoin his unit. The two of them vow to meet each other on the battlefield as equals and depart in noble esteem, as the heartfelt R&B of the ending theme swells in.What?? It’s this stupid Honor of Battle character motivation out of nowhere, forcibly asserted by both sides in a broader conflict full of dirty tricks. You can assert that the individual fighters of Zeon were not bad people! 0079 does this constantly, and War in the Pocket is built around it. But this series of events is Nietzschean star lovers bullshit – it’s the molding of Kou from cowardly soldier into ubermensch, through a series of increasingly baffling plot developments. Given how much of a pushover he’s been in the early episodes, this is a deeply drastic series of decisions, and it happens strictly because Stardust Memory needs Kou to Become A Man. This was the moment where the show’s blatant, all-encompassing fascism became unavoidably clear to me. Kou’s romance is affected as well – he has to become assertive and chivalrous and masculine in order to get the girl, minimizing Nina’s agency and involvement in the show’s important events afterwards. Come on. Zeon slowly advances their plan in the later episodes of the OVA, scoring win after win from skirmish victories to surprise escapes to nuking half of the Federation fleet during a training exercise. Honestly, they could just keep doing this and probably win the protracted guerilla war? But no, their secret scheme must be executed at all costs! It’ll change everything.Operation Stardust turns out to be…a colony drop! On the moon! Wait no, that was a fake-out, their real plan was to hit the Earth. And the colony’s going to fall right on Jaburo, as a perfect decapitation strike. Actually, nope, one more twist! The final step of Operation Stardust is for Gato to get to the colony control station and change the trajectory so it hits…North America. Wait, barely anyone lives there after the devastation of the One Year War! Ahh, I see, they’re going after their grain supply with this colony drop, in order to…. cause famine on Earth…. so they have to buy food from the colonies…to tip the scales politically for Zeon’s return and economically uplift the colonies…Look, at that point why not just hit Jaburo? I get that they want to force the Earth to become dependent on space, but why not just knock out the last vestiges of military relevance that the Earth has, once and for all? It’s clear that these Zeon remnants are totally insane and amoral and don’t care about human life or the environment – they nuked a whole ship fleet! All in all I really have no idea what the purpose is of this surprisingly inconsequential scheme. I don’t really like Watsonian analysis, but there is so much nonsense to poke at here.Towards the end of show, Nina and Kou visit La Vie En Rose, a very yonic weapons development factory owned by Anaheim all the way out in space. Kou essentially starts cheating on Nina by agreeing to test the Mobile Suit of another woman – that is the main way they’ve mediated their relationship, after all. This other woman gets shot and killed later that episode in order to force Kou to be Stronger and willing to pilot her prototype Gundam. It’s Zeta levels of fridging women for the sake of moving the plot forward for guys. Nina Purpleton is the one who’s actually left heartbroken, and I think watching a rogue general execute her coworker like that is what makes her truly lose faith in the Federation. She also reveals around this time that she has a romantic history with Gato, and that watching Kou and Gato fight is the most terrible thing in the world for her, because she loves them both.But of course, they have to fight, and the show makes sure to valorize kamikaze any chance it can get during the major battle sequences. Out of her two boys, Nina ultimately picks Gato, even while watching him orchestrate a colony drop right in front of her. Sometimes you just can’t beat the old flame. I personally loved watching Nina Purpleton pick up a gun and shoot at Kou and run away with Gato only for him to die, and for her to be forced to watch the Earth burn while court-martialed on a Zeon ship. It’s good, bitter stuff for such a complicated and resentful character. That’s why it’s all the more disappointing when Stardust Memory walks that back in its timeskip epilogue.A year later, Kou is wandering the wastes of North America outside of his new military base. Nina and her mechanic drive up to greet him, mirroring their introduction in the first episode. Nina and Kou have a complicated staredown and then…completely make up, smiling like nothing happened without even a conversation? Roll credits???Let me make something clear: Nina is a hated character in the larger Gundam fandom, but I think the reason that most people hate her is that weird thing that anime fans have where they treat the main character getting cucked as the literal worst thing in the world. I’ll probe that complex another day, I promise. But honestly, Nina hasn’t acted any more irrationally than the rest of the cast up until this point. Everyone has been making nonsensical moves, and at least she’s been following her heart with hers. But this final scene in is so implausible on all levels that it feels like a slap in the face to the viewer’s intelligence and suspension of disbelief. You can’t come back from what she did!! You shouldn’t have to!! It’s insane that they tried to give these two characters a happy ending!! Just make Nina run off with her butch mechanic or something!!you two would have been unstoppable as lesbiansThe series ends with the formation of the Titans, who go on to brutalize the Earth Sphere in Zeta. Every one of the insufferable Feddies that we’ve had to endure in this series goes on to join the faction where they’ll be blasted to pieces by the AEUG in a few years for their blatant fascism. Thank God. At least Stardust Memory acknowledges that the Titans are borne out of a collaboration between the most corrupt and power-hungry branches of Zeon and the Federation, with Anaheim signing on to make suits for them. Of course everyone here were going to become bad guys, but they still could have had some traits that would make them compelling to follow this whole time!Anything else I could possibly say about Stardust Memory has already slipped my mind. It’s a surprisingly dull show for what could have easily been a slam dunk. But instead it’s this strange mix of hugely consequential UC lore and minimal impacts, leaving a confused and inconsequential story. There’s also surprisingly little Anaheim office lady drama, especially after the VN I just read. Do not trick yourself.me after all of this bloggingHonestly, if you want what this show purports to offer, do yourself a favor and watch Macross Plus instead! It’s another 90’s mecha OVA with some of the best mechanical animation ever put to cel. Like Stardust Memory, it centers itself around testing prototype mechas and a messy MMF love triangle, and even though it’s willing to have messy and unlikeable protagonists, it manages to actually craft intrigue with them. Amazing Yoko Kanno soundtrack too. There’s an awful plot twist near the end that throws the whole story into question, but that’s still a better outcome than 13 drawn-out episodes of a bad story in a good setting! Just please, don’t watch Stardust Memory.

Floating Catacombs