真鍋博 MANABE HIROSHI *Though more famous for his retro futurist illustrations, Manabe was one third of the original Animation Sannin no Kai group that jumpstarted independent animation in Japan durin…
Mar 26, 2015 • Subscribe
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Animator Hiroshi Watanabe’s Interview
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The manga artist Hiroshi Hirata, who died last week, spent his formative years struggling to make ends meet in a poverty-stricken Japan. He was born in Tokyo, where…
The Playful Icons of Hiroshi Mori
While browsing Pinterest recently, I found this: Beneath, some wags had christened this the “Moe Lisa” by “Leonardo Doujinshi.” The whimsical, anime-esque style reminds me of the playful…
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Tatsumi (辰巳, Hiroshi Shoji, 2023)
A fisherman with a sideline in disposing of corpses is dragged into gangland intrigue when his is murdered in Hiroshi Shoji’s retro crime drama.
ANN Guest Article: Interview with Hiroshi Nagahama
I am incredibly honored to have gotten to interview Hiroshi Nagahama ( Revolutionary Girl Utena, Mushi-shi, The Flowers of Evil ) about hi...
Dancing Girl (踊子, Hiroshi Shimizu, 1957)
The arrival of a free-spirited younger sister creates chaos in the live of a chorus dancer and her violinist husband in Hiroshi Shimizu’s elegantly lensed melodrama.
Director Hiroshi Nagahama, From Wicked City to Uzumaki
We sat down with the Uzumaki anime director to see what hints he could give us about the horror series before it premieres this weekend.
Sayon’s Bell (サヨンの鐘, Hiroshi Shimizu, 1943)
An indigenous woman becomes a martyr for the Japanese empire after drowning in a river while carrying the possessions of a Japanese policeman in an unabashed propaganda effort…
Seiyuu Highlights: Hiroshi Kamiya 神谷 浩史
From the voice that brought you humanity's strongest soldier from Attack On Titan, Hiroshi Kamiya is one of the most popular voice actor in our recent time, having…
Goto-san (ゴトーさん, Hiroshi Gokan, 2020)
A young man’s peaceful dropout existence is disrupted by potential romance, a deadly virus, and economic instability in Gokan’s deceptively quirky drama
Sasuga no Sarutobi, Yoshiji Kigami and Hiroshi Fukutomi
I’ve been watching ‘Sasuga no Sarutobi’ (also called ‘The Academy of Ninjas’) up to episode 20 over the last few weeks, an 80s ninja/martial arts comedy that…
Sound in the Mist (霧の音, Hiroshi Shimizu, 1956)
A botanist continues to visit the same mountain lodge each Harvest Moon in search of lost love in a late melodrama from Hiroshi Shimizu
Hotel Iris (艾莉絲旅館, Hiroshi Okuhara, 2021)
You can check out any time you like, but you can never really leave the titular Hotel Iris (艾莉絲旅館) at the centre of centre of Hiroshi Okuhara’s Taiwan-set…
Gift of Fire (太陽の子, Hiroshi Kurosaki, 2020)
A conflicted scientist struggles to reconcile himself to the implications of his work while researching an atomic bomb in Kurosaki’s contemplative wartime drama
The Golden Bullet (黄金の弾丸, Hiroshi Innami, 1927)
A locked room mystery sends a dogged detective hot on the trail of the Benevolent Picaroon in Hiroshi Innami’s highly stylised silent
Onward to the Alvarez Empire: Hiroshi Kataoka Discusses FAIRY TAIL 2
The longtime action RPG producer acknowledges the criticism levied against the original FAIRY TAIL game and how this sequel will offer a fundamentally different experience.
Hiroshi Fujioka Looks Back at 50 Years of Being Kamen Rider
"My encounter with Kamen Rider is the biggest thing that ever happened to me—it really changed my life. But more than that, I think it even changed history."
Interview: Hiroshi Fujioka Looks Back at 50 Years of Being Kamen Rider
At this year's Tokyo International Film Festival, I got to spend thirty minutes with Hiroshi Fujioka, the original Kamen Rider.
Image of a Mother (母のおもかげ, Hiroshi Shimizu, 1959)
A little boy’s difficulties in accepting his new stepmother express an anxiety about the changing nature of the family in Hiroshi Shimizu’s familial melodrama.
Record of a Woman Doctor (女医の記録, Hiroshi Shimizu, 1941)
A doctor gains a new perspective on life after being sent to a remote rural village in Hiroshi Shimizu’s gentle social drama.
![Featured image for Gotō-san ゴトーさん Dir: Hiroshi Gokan (2020) [Osaka Asian Film Festival 2021]](https://cdn.aniblogtracker.com/live/20210312/1615555659.6131.29350.jpg)
Gotō-san ゴトーさん Dir: Hiroshi Gokan (2020) [Osaka Asian Film Festival 2021]
A film for the economic uncertainty of our Covid-19 age. Gotō-san ゴトーさん Dir: Hiroshi Gokan (2020) [Osaka Asian Film Festival 2021]
Seven Days War (ぼくらの七日間戦争, Hiroshi Sugawara, 1988)
Oppressed teens rebel against the constraints of the Bubble-era society in Hiroshi Sugawara’s anarchic Kadokawa teen movie.
![Featured image for An Email Interview with Hiroshi Gokan, Director of “Gotō-san” [Osaka Asian Film Festival 2021]](https://cdn.aniblogtracker.com/live/20210405/1617614642.8529.32370.jpg)
An Email Interview with Hiroshi Gokan, Director of “Gotō-san” [Osaka Asian Film Festival 2021]
An Email Interview with Hiroshi Gokan, Director of “Gotō-san” [Osaka Asian Film Festival 2021]
Tomorrow There Will Be Fine Weather (明日は日本晴れ, Hiroshi Shimizu, 1948)
A bus breaking down on a mountain pass signals a roadblock on the way to a new Japan in Hiroshi Shimizu’s lighthearted yet melancholy drama.
Children of the Great Buddha (大仏さまと子供たち, Hiroshi Shimizu, 1952)
A collection of orphans attempt to support themselves as tour guides to the ancient capital of Nara in HIroshi Shimizu’s empathetic drama.
![Featured image for Directing Mushishi and other spiraling stories – Hiroshi Nagahama and Uki Satake [Panels at Japan Expo Orléans 2023]](https://cdn.aniblogtracker.com/live/20240209/1707498969.78945.116725.jpg)
Directing Mushishi and other spiraling stories – Hiroshi Nagahama and Uki Satake [Panels at Japan Expo Orléans 2023]
The post Directing Mushishi and other spiraling stories – Hiroshi Nagahama and Uki Satake [Panels at Japan Expo Orléans 2023] appeared first on fullfrontal.moe.
Children of the Beehive: What Happened Next (その後の蜂の巣の子供たち, Hiroshi Shimizu, 1951)
In an interesting piece of meta docufiction, Hiroshi Shimizu revisits the Beehive a few years later to find out how the orphans live now.