This is the list of what in my opinion the best Japanese dramas of 2021 and 2022 but first I want to mention what taste I have for dramas. I'm not fan of cliché and tropes so you may not find popular mystery and romance dramas on this list however I'm a huge fan of slice of life genre since the human condition fascinates me a lot and Japan is the champion for that. I am now in that part of my life where watching dramas are not just entertainment some of them are my source to feed my soul. Dramas with depth, characters that uplifts or stories that would give a different perspective; those factors are what I value most for my Japanese dramas. I also like fresh and think outside the box type of stories, those who seek new concepts and especially those who rebel against the fundamental aspects of storytelling, so don't be surprised if you find weird quirky shows or some atmospheric dramas included on this list. Let's begin. Omameda Towako to Sannin no Motootto When was the last time I said to myself "damn I didn't see that coming at all" probably 5 years ago when I watched pink and gray. This drama throws curveballs after curveballs but with core message that will hit straight into your kokoro. It rewards people who are keen into details, it won't spoon-feed you about everything it is very subtle. If you are familiar with Yuji Sakamoto's work vibe is like Saikou no Rikon, Quartet but for me this is even better, better characterization for its characters, characters that contributes to the overall theme of the story, from the start to finish it's all connected, masterful writing from the master himself, best drama written by him since Soredemo, Ikite Yuku. Okaeri Mone Among all the asadoras that I've watched I think this is one of the most serious and deepest one. I've heard news in Japan where there is a debate whether it's better to just relocate people who reside in dangerous areas and there is part in this drama where they tackled that beautifully that's one, the other is how they approach the mental health part which felt stronger from middle up to the end. There is a character which only appeared a bit, we haven't even seen his face, but when everything is done and you look at the drama as a whole you would feel his addition is genius, subtle yet so powerful. The characters are also more grounded than other asadoras no one here felt caricature. The main lead is not the same cheerful asadora heroine we used to see a bit timid especially at the start but Kiyohara is really a wonderful actress able to show her character struggles with subtle acting, the best is her scenes with her sister and sensei, those have really wonderful writing. I will remember this drama as the time when Kaya Kiyohara and Makita Aju met two of the best young actress in Japan, hard to believe those 2 are just 19 with how they played their character effectively. Lastly if you are looking for romance then I bet you would love this drama, it is much better than most jdramas in that aspect, no piggyback ride, a guy chasing a girl inside a bus or other larger than life romantic scenes, here it is just dialogue between mone and sensei, slow burn, innocent and mature love. Oi Handsome! That restaurant scene in episode 1 when he brings the rookie is so clever that it almost made me tear up and from that point I knew this drama will be special. This show is not just comedy. It consists of different skits some are really funny and some deeply moving so don't expect the pace and development similar to a normal drama. Having said that it didn't become disjointed in fact there is a theme they followed per episode. Writing is clever, witty and dialogue heavy that sometimes it felt you are watching an indie movie. Characters are just the best their chemistry is insane, Ito family are effortlessly funny. This drama is very good all episodes but what makes it stand out is it stick to its landing, the ending is superbly done, a perfectly executed conclusion. More than Words The director really has all the liberty in the world filming this, the style, ambiance and theme . . . it's his canvass, his paint brush, it's all him. I imagine it will have a hard time getting a green light from any Japanese local TV stations so thanks to Amazon prime for that. This show's biggest strength is also the same magic of those slow Japanese films and that's the "power of mundanity". Those small trivial moments contributes so much for the characterization and its realism. In a way for modern Japanese filmmakers it reminded me of Kobayashi Keiichi and Imaizumi Rikiya for the style and based on the flow of dialogue. Subtlety is also one thing people may love or hate, the story won't spoonfeed you about everything you will need to pay close attention to small details, but also for our main trio, do not always take their words at face value. Lastly I keep on seeing debates whether a show is BL or not but now I finally see the difference it's like shoujo vs grounded love stories, fanservice vs reality, and no this story doesn't need season two because in Japanese dramas staying true to its theme is more important than what you want. Ima Koko ni Aru Kiki to Boku no Kokando ni Tsuite To think the drama aired before the Olympics I must say I really appreciate how they made this drama. Brilliant performance from Tori Matsuzaka, I laughed so hard when he said the golden rule cleanliness, smile but more importantly don't make any sense, brutal and painful risk management. The drama is satire and dark comedy, you will laugh as they present you serious real world issues. I guess that's the power of that genre so that these topics will be easy to consume for most people. "The more we bash someone's failure, the more cover-ups there will be. Severe punishment will never improve the situation" One quote I like in this drama as it shows this drama is not one sided. Koisenu Futari Perfect pacing with very good acting but it is the writing the standout for me. This drama is somewhat revolutionary as it may be the first time aroace people were represented in a mainstream media so it is good to hear that the writer won an award, she indeed achieved something remarkable here. The dialogue in episode 4 and 8 is a masterpiece. I especially love that ending it is so satisfying some movies achieved that with a wedding scene here they found their safe haven. This drama is for everyone since to us humans the concept of safe haven is universal. Koko wa Ima kara Rinri desu The story dives into so many issues but didn't really give absolute solution instead it promotes critical thinking to its viewers which I think is very important. I find those episodes where they have characters with contrast issues just to explore the subject matter brilliant, well written and well directed it's also the reason why I wish it has more time for better characterization especially for the male lead, episode 5 for example is a masterpiece. A deeply profound drama like this will always stay relevant since our world is just a huge extension of this class especially with the advent of social media. Konto ga Hajimaru I love the dialogue, the characters especially the relationships presented in this drama from friendship, siblings relationship, parents , teacher, manager, love interest, the drama explored it really well, the narration done from each characters is also a nice touch. I also like how they didn't force romance in the story it would only happen if it makes sense in relation to the core theme the drama wanted to convey. All the cast seems to be having fun while filming their chemistry is great. Suda Masaki is great as usual, Arimura Kasumi is perfectly casted, Kamiki and Furukawa an interesting couple and Nakano Taiga's comedic timing is spot on. Konto ga Hajimaru is my quintessential Japanese drama of 2021. Mystery to Iunakare I didn't like it at first but ended up loving it. Latter half is much better than first half especially when all these cases got tied together. Some random cases are also not useless as those had some of the most thoughtful writing, those running time forms Totono as a character. The mysteries at latter episodes are also much better, some of those tricks are fresh I haven't seen those before. This drama is so popular and the story is nowhere finish so no doubt it will have a sequel, momentum is important though it should be sooner than later. Iribito In terms of production quality this could be the best WOWOW has offered which means the best in Japan and yes even counting those on Netflix this is just pure art. Unique atmosphere, strong theme with thrilling soundtrack, acting is also very good. Matsushige Yutaka is very effective as a villain. That combo of Takahata Mitsuki and Sumire just works, Mitsuki with her strong acting performance and Sumire's screen presence galore. Influence WOWOW indeed the MVP of Japanese dramas able to make Kanna Hashimoto look very effective I think the reason why they cast her is because her facial expression is perfect for the thriller genre. The pacing, writing and acting is very good cinematography is also fine but it's the thriller that separates this to other great dramas. It's perhaps one of the best Japan can offer Suzuki Honami's facial expression is also me after Yuri narrates her story. Shinozaki Eriko did it again heavyweight after heavyweight Saka no Tochu and now this I'm curious what she can do to a Keigo Higashino story. Lastly I said it before and I say it again WOWOW always get the good Japanese composers Yuki Hayashi's music works wonder contributes so much to the atmosphere and the chills. Silence Although I mention that I am not a fan of romance genre but it doesn't mean I don't like romance with a lot of depth on it. This drama reminds of romance Japanese dramas of the past where it is a lot less cheesy and definitely more grounded. I actually consider this as the modern version Aishiteiru to Ittekure, the plot is somewhat the same and the male lead is similar and the romantic gestures seem inspired by it. Chemistry of main couple is also very natural with side characters that not only interesting but also important to the story. As of this writing the drama is not yet finished but I can confidently recommend it. Shijukara I didn't thought it would get that dark I'm on the verge of dropping this thinking it's your ordinary infidelity drama and I'm glad I didn't. If your view on world is as black and white you would hate everything in this drama writing, characters, theme etc. like all so I suggest drop it already. Exploring human condition is the thing that always fascinates me from film, documentary, books or even games so this is totally for me. Aside from the theme the atmosphere is what sucks me in, it's horror, it's original but it makes sense. The last part is also the best part as pitch black characters becoming less dark, I love how this drama made me develop sympathy for his mother whom I really despise at the beginning kudos to the writing and also the actress she is very good. It will make you think there's a cycle here and will continue to repeat over and over until someone or something stopped it which in this case a manga. I like how this drama explored this intricate relationship between our two leads it is really well made in my opinion. The ending I think is also up to interpretation because there are 2 types of ending people would want in this drama the happy ending and the logical ending I choose the latter btw. Shizuka-chan to Papa An eye opening story about a person born deaf (papa) and a child of deaf adult (Shizuka) what a simple yet very fitting title I must say. This drama will show you their struggles in the most honest manner, no sugarcoating of words, preachy speech even the deaf main character is not portrayed as a perfect person. That CODA (children of deaf adult) part was also eye opening to me, first time I encountered that watching a drama. Because of the subject a superb characterization was possible. It explored the theme of dependency, happiness and self-acceptance really well. The acting from both Shofukutei Tsurube and Riho Yoshioka are also great. The tone of this drama is more on the joyful side but there are really a lot of tearjerker moments not the sad kind of tearjerker though but the more hopeful and inspiring kind of tearjerker. Hikikomori Sensei Out of the so many Japanese dramas that tackled these themes I think this is the most well researched. It might be hard to watch to those who are in the similar situation but it will be very educational for most people. Sato Jiro is known for his comedy but he can act serious too. The guy has some serious acting chops hard to believe he is this good. The last episode is unexpected but powerful with a bit of social commentary thrown in. This is a must watch. Bank Over!: Shijo Saijaku no Goto These types of shows reminds me of Fish Story a lot, the editing, colorful characters how they are connected and the fun nonsense it brings well not really nonsense since this has lesson at the end. I will always come back to that as the magnum opus of this formula. If you are a fan of Japanese style of comedy this is a must watch as it is one of the funniest dramas recently. Zenkamono For a drama that serves as a promo for the movie this is very good I just wished episodes were longer but just like I said it's a promo so it's understandable. I'm surprised the story is based on the manga given the topic is well researched, grounded to reality and it being non preachy. The main protagonist works as a volunteer for a probation officer job. Her work involves helping ex-convicts and juvenile deliquents to get back to society. Acting is very good this could be among Arimura Kasumi's top 3 performances but it's Ishibashi who steal the show looking baddass with that hair. Lastly before I forget trigger warning there are scenes that might disturb you so definitely not for everyone. Shitsuren Meshi Short, Fun, Food, Heartache and Love 5 words I can use to describe this drama with random quirky characters that give it a lot of life. It is slice of life in a way where we observe the protagonist, a manga artist on how she spends her day gathering data for her manga, a process which is very fascinating for me. Nihon Chinbotsu: Kibo no Hito This drama gives you another perspective on the Japan sinks series, if the anime is more on the individual struggle this one focus on the bigger picture, disaster prevention and the politics that play in the background. In a way because there is a politics involved this one is different from any disaster type of stories, a fresh concept that I have never seen before. It is a different kind of thrill to see these big figures clash heads and how the main protagonist idealistic character weight on both sides. Oguri Shun has a very interesting character; a character that I believe represents us in the story and shun played it perfect. He captures all the required emotions; the passion, determination and disappointments, it is all written on his face. Lastly aside from fascinating concept what I like is the pacing, they cut all the unnecessary dramas that are ever present in a disaster type of genre. Tsuma, Shogakusei ni Naru Nagi no Oitoma team did it again the formula is the same not just main characters will explore the theme but all the characters and the writer manage to weave their stories into a beautiful wonderful narrative pattern. Acting is very good the cast here is very strong I think Japan has found another Ashida Mana in Maida Nono. Having seen many Jdramas the twist doesn't feel anything special I actually saw that coming from afar but still the execution is very good speaking of execution my favorite is the homecoming part some heartwarming dialogue was thrown in that episode also that "good night" "good morning" ending is top notch metaphor. If you like family drama if you love slice of life the way Japan did it this is a must watch. My quintessential Japanese drama of 2022 as of now, Japanese sensibility at its core, they just have a unique way of observing and describing our world. Nanba MG5 In terms of entertainment value I think this is on par with Kyou Kara Ore wa or maybe some would even put it side by side with My Boss My Hero since it has the familiar family aspect attach to it. The best about this drama though is the pacing no dull moments every second is worth it and every character serves their own purpose. The acting is also very good comedic timing is on point but once they get to serious part they nailed it especially Shinnosuke Mitsushima that actor is just very good. Higashino Keigo Samayou Yaiba This drama is also very good if you are interested in human psychology there are hints of subtle moments that I think are very important and they probably didn't go in depth in worry that they might excuse them for the crime. Characters in this drama are weighing on 2 sides and in the end I definitely more on the side of the chief and the reporter she may be a trash of a person herself but without her people wouldn't know these kids identity and I assure you people in Japan wouldn't let these kids have their peace they will be ostracized forever. Very good set of actors and the director knows how to use them well even for supporting roles you have Kunimura Jun, Miura Takahiro, Furutachi Kanji, Takiuchi Kumi etc. with these line up nothing can go wrong. I give kudos to WOWOW for this drama that so thought provoking will make you ask questions along its journey. Prism A perfect example why Japan is the best when it tackles bold themes that in a way doesn't felt forced at all. The inclusions of these characters are not just for the representation but because they are part of the overall theme of this story, and by doing that the characterization only get better. Clever is one word I could use to describe this drama, the placement of metaphors work within the narrative, made the story more meaningful and the message easier to digest. Characters felt complete the motivation was laid out perfectly and also there is the fragility that not only for main characters but for the side characters as well. The performances from all the actors are great; the setting is calming, healing but also reflective. In the end the drama felt it was written by someone who really cares. Omimi ni Aimashitara Good and fun drama though it may appear as a huge product placement of a show they made sure to connect the place/food to the lives of each character like how otoko meshi did it (another fun drama btw same vibe). But this feels more complete and relatable as they explored different relationships and situations. Lastly this drama has so much youth energy the opening and ending is brilliant. I like the creativity of this director Matsumoto Soushi...best eps 4, 6, 7, 9, 12. Nijiiro Karute Even up to the very last episode the drama manage to give you a message "a small act of kindness gets rewarded". This is no different from other slice of life Japanese dramas, uplifting, full of life lesson quotes and fun side characters that give it a lot of life. Episode 3 for example is a masterpiece of storytelling the writing, themes, execution, everything is perfect. This is what separates great Jdramas to others sadly other episodes are not as good but still a very good slice of life Jdrama overall. Saiai From the same team that gave you N no Tame ni so if you like that drama this will be familiar as the theme of mystery/forbidden love is also present in this drama. To compare the two the mystery is good but not as thrilling as N no Tame ni, the chemistry for the main lead is a lot better though, collectively the acting is also better. Yoshitaka Yuriko and Matsushita Kouhei are both good, chemistry is magnetic, one of the best I've seen for a Japanese drama in recent years. Side characters are good too, Tanaka Minami for example had very good complicated character and she played it really well. Shinbun Kisha Based on real events on some Japanese government scandal what I do really like is how relatable this really is as this kind of things happen in any government. The topic it tackled is really well explored, effects of social media on people (the misinformation) and how young people are disengaged in politics. The acting is high level here Yonekura Ryoko, Ayano go & Yoshioka Hidetaka are all superb. There is also a movie version available that comes before this but I prefer this drama since it has more running time to explore more elements. Tengoku to Jigoku: Psychona Futari This drama knows the how to do cliffhangers and that ending song is really good which you would appreciate as the story gets more clear. I really love that twist I didn't see that coming I thought this would be your typical romance mystery genre and I'm glad it's not. The mystery is good enough, the writing is great, and the performance from Takahashi Issei and Ayase Haruka are both superb. This drama has mix of emotional moments and comic relief which is typical for a Japanese drama. Although if you come here for the romance you might be disappointed the drama's core theme is not for both of them, let's just say it's not fluttering but heartwarming. Uzukawamura Jiken Mystery, Horror with a bit of social commentary, the mystery is gripping enough to peak your interest but predictable if you go with your first hunch. Horror is perhaps its strongest point, it is eerie, tense, sound design is really good. Added points to the commentary, it is not in your face, you will only notice it if you pay attention, won't overshadow the mystery+horror theme of this show. Lastly I love Matsuda Ryuhei as main lead. His acting style fits like a glove to the setting and the tone of this drama. It's subtle but can get tensed when the scene requires. Oliver na Inu, (Gosh!!) Konoyarou It's hard to believe how Odagiri Joe manages to get some of these high profile actors to act in some stupid roles but this drama has unique mystery vibe and not just some random plot. That ending though is some of the weirdest thing I've seen in a Jdrama but also satisfying even it leaves more questions than answer. It's so weird that I forgot we can categorize this as a buddy cop drama.
Oct 28, 2022 • Subscribe
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