In Praise of the Blonde Twink who May or May Not be a Trans Girl12 Days of Aniblogging, Day 3There’s been something in the air recently. Last year, the New York Times’ fashion magazine published an article titled “Welcome to the Age of the Twink”, a 600-word LGBT hitpiece arguing that a new wave of “art twinks” are redefining what it means to be an ideal male. The author argues that the term “twink” is being broadened past just gay culture and we should slap it on every slim attractive straight white dude that we see in order to overturn toxic masculinity. Because there’s nothing more revolutionary than, er, fairly conventional western beauty standards. The internet promptly responded by shitting on the author’s brazen attempt to export twinkness to the straight world. I too think it’s an awful take, but I get the feeling there was a satirical bend to the article that got edited out or otherwise miscommunicated. After all, the author is a gay man; why would he misrepresent and diminish his own community like that? The broadening and appropriation of LGBT terminology is a touchy subject. For example, the term “femme” emerged during mid-20th century lesbian culture to describe a woman who performed femininity in her lesbian dyad. Nowadays, many people use “femmes” to refer to anyone who performs femininity, regardless of their gender or orientation. Gay men in particular sometimes use “femme” to refer to especially twinkish guys, treating it as interchangeable with the more male-specific “fem”. And sometimes the term even bleeds out of the community at large, with H&M coming under fire for selling shirts to a largely straight audience labelling them too as femmes. All of this can be a little frustrating! As a lesbian (albeit one who doesn’t participate in the butch-femme taxonomy), it’s frustrating to see terminology created for the specific context of lesbianism become diluted into almost nothing. This language shift correlates very strongly with an LGBT atmosphere of the last few decades that feels more hostile towards lesbianism, with many women viewing it as too severe or old-fashioned and pursuing alternate labels. These are very difficult discussions to have with other members of the LGBT community and often quickly lead to accusations of gatekeeping rather than any examination of potential lesbophobia. So I’ll save it for another day!If taking gay terminology and morphing it into new definitions is en vogue nowadays, I’m happy to join ranks with Nick Haramis and add new meanings to “twink”. Let’s talk about twinks as Schrodinger’s trans girls.Unfortunately, I have a type when it comes to media, and it’s twinks who I can project transness onto if I desire it. These characters are beacons of androgyny, male-at-birth characters with some connection to femininity via their appearance or their actions. Often, this connection is left unclear by the end of their series, leaving plenty of room for me to imagine “OK so they’re totally gonna be a girl for real now”. This archetype has proven a very useful crutch for me over the years. For so long, media about cis femininity was too intimidating and distant for me to even dream of consuming. During that time, I read lots of manga and played lots of games starring androgynes, allowing myself to project onto them as well as project their character onto girlhood. (see where this leads by transitive property?) Also, a lot of them were blonde (I’m not gonna read into this! My hair is closer to brown tho). With that out of the way, let me rip my heart open and highlight some of those twinks that I’ve latched so strongly onto throughout the years. Kuranosuke from Princess Jellyfish I’ve written a whole writeup on Kuranosuke, so if you’ve read that you should know where I’m coming from! Kuranosuke is graced with natural femininity and a desire to perform it, and lands himself into a situation where he must pass on a daily basis while designing fashion for the girls of the Amars house. Kuranosuke’s crossdressing is both effortless and extremely laborious, but it always pays off. Kaito from Himegoto: Juukyuusai no Seifuku Himegoto is one of the messiest mangas I’ve ever read. Three characters spiral around each other while desperately trying to negotiate their orientations, gender presentations, and livelihoods with each other and with themselves. Kaito is the standout for me – a ‘guy’ who crossdresses in a desperate attempt to ‘mirror’ his ideal image of femininity. Kaito radiates extremely eggy energies, and it’s increasingly obvious as the plot goes on that all his justification is elaborate smoke and mirrors for his desire to simply be a woman. He begins by projecting his feminine ideals onto his tomboyish friend, but by the end of the manga it all comes collapsing back onto himself. The epilogue leaves it rather ambiguous, but one can only hope that Kaito figured it all out by then. Alucard from Castlevania: Symphony of the Night Symphony of the Night is one of my favorite Castlevanias and maybe games of all time. I’ve always been in love with its hand-in-hand elegance and jankiness. Unlike Kaito and Kuranosuke, we’re going to have to stretch out of the canon to justify this placement, but I assure you it will be worth it. In Symphony of the Night, Alucard is a tall deep-voiced bishounen and that’s that. However, the eva problems classic “YOUR ASSHOLE DAD’S CASTLE IS BACK AGAIN” adds a sickening new twist onto the game: what if Alucard wanted to be a woman? This article retraces the full plot and route of SOTN, adding extra backstory and inner thoughts showing Alucard’s visceral bodily discomfort and twisted-up jealousy towards the female monsters of the castle. Eventually, she takes those terrifying first steps towards accepting oneself as a woman. It’s one of the most effective recontextualizations of a piece of media that I’ve ever read, and I’m not afraid to admit that it reassured and helped me with my own transition a few months down the line. Plus, the idea of Alucard But A Girl is somewhere near my ideal aesthetic. Ryo Asuka from Devilman–devilman spoilers–Ryo is a bit of an oddity. A total weirdo, he doesn’t particularly demonstrate femininity throughout most of the series beyond just being kind of fluffy and cute in the 80s OVAs. However, this all changes in some of the final chapters, when Ryo is revealed to be Satan in disguise. Though every Devilman adaptation has a very different artstyle, Satan’s designed has remained the same: an androgynous fallen angel possessing both breasts and a penis. There’s a lot of associations and implications to unpack there, but I’m not going to do that in this article! While it doesn’t necessarily recontextualize Ryo’s human existence, he sure still is a twink with some Gender happening around him. Venus from We Know The Devil Ok, this one’s just a girl! No questions about it! Someone get her some hugs and a bottle of estradiol, stat!Honorable Mentions:Raiden from Metal Gear Solid 2 As much as I love slapping the “GIRL” label onto any blonde twink I can find, Raiden’s MGS2 arc of intense emasculation works way better if he’s actually a guy. If there’s any further gender stuff happening with Raiden, it’s actually to be found in MGS4 and Metal Gear Rising, in which Raiden sheds his twinkish flesh to become a way more masc cyborg ninja. As The Cyborg Manifesto teaches us, cyborgs are one hell of a post-gender tool. Honestly, reading Raiden as FTM may work way better than parsing him as a trans girl, I just don’t have the specific background and ability to do that headcanon justice.Lio Fotia from Promare Promare was maybe the first time I saw a blonde twink character and didn’t immediately think it might be better if they were a girl. Amidst all its discussions of immigration, racism, and climate change, Promare finds time to be real gay, in a delightfully masc4fem way. Together, Lio and Galo stretch the full spectrum of male presentation, and I wouldn’t want to take that away from them. So that’s that! I hope you enjoyed the lineup of twinks who are dear to my heart, and maybe learned a thing or two from my ramble at the start.
Dec 16, 2019 • Subscribe